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41.1—SPRING 2009
Articles:
- “Saints’ Everlasting Rest: The Martyrdom of Maggie Tulliver”—Paul Yeoh, p. 1
- “The Foreshadowed Life in Wilkie Collins’s No Name”—Christine Bolus-Rechert, p. 22
- “Towards a Late View of Capitalism: Dehistoricized Finance in The Financier”—Alison Shonkwiler, p. 42
- “In the Country of Missing Persons: Paul Auster’s Narratives of Trauma”—Debra Shostak, p. 66
- “’To Make a Novel’: The Construction of a Critical Readership in Ian McEwan’s Atonement"—Kathleen D’Angelo, p. 88
- “What Is the Matter with Henry James?”—Hazel Hutchison, p. 106
- “Ambivalence at a Crossroads in Literary Modernism”—Kathryn Stelmach Artuso, p. 116
- Austin, Linda. Nostalgia in Transition, 1780-1917—Anne Stiles, p. 122
- Clery, E. J. The Feminization Debate in Eighteenth-Century England: Literature, Commerce, and Luxury—Bonnie Latimer, p. 124
- Hadjiafxendi, Kyriaki and Polina Mackay, eds. Authorship in Context: From the Theoretical to the Material and McKelvy, William. The English Cult of Literature: Devoted Readers—Lisa Jadwin, p. 126
- Hawthorn, Jeremy. Sexuality and the Erotic in the Fiction of Joseph Conrad—Deaglán Ó Donghaile, p. 130
- Mao, Douglas and Rebecca L. Walkowitz, eds. Bad Modernisms—Daniel Worden, p. 132
- Mauldin, Joanne Marshall. Thomas Wolfe: When Do the Atrocities Begin?—Patricia Bradley, p. 134
- Roston, Murray. Graham Greene’s Narrative Strategies: A Study of the Major Novels—Douglas Kerr, p. 135
- Scholes, Robert, James Phelan, Robert Kellogg. The Nature of Narrative—Lisa Sternlieb, p. 137
- Sutherland, John. How to Read a Novel: A User’s Guide—Kathryn Duncan, p. 139
41.2 —SUMMER 2009
Articles:
- "Time and the Sibyl in Mary Shelley's The Last Man"—Timothy Ruppert, p. 141
- "Minding the Body: Benito Cereno and Melville's Embodied Reading Practice"—Matthew Rebhorn, p. 157
- "'The Foul system': The Great War and Instrumental Rationality in Parade's End"—Jeffrey Mathes McCarthy, p. 178
- "An Orphaned Manliness: The Pukka Sahib and the End of Empire in A Passage to India and Burmese Days"—Praseeda Gopinath, p. 201
- "Symbolic Narratives: The Dangers of Being an Intertextually Inclined Character"—Richard Lynch, p. 224
- "Modernism Singlular Plural"—Timothy Christensen, p. 241
- Benert, Annette. The Architectural Imagination of Edith Wharton: Gender, Class, and POwer in the Progressive Era—Jean C. Griffith, p. 254
- Bell, Michael. Open Secrets: Literature, Education, and Authority from J-J. Rousseau to J. M. Coetzee—Walter Collins, p. 255
- Clarke, Deborah. Driving Women: Fiction and Automobile Culture in Twentieth-Century America—Rob Latham, p. 258
- Fuller, Randall. Emerson's Ghosts: Literature, Politics, and the Making of Americanists—Sean Ross Meehan, p. 259
- Greven, David. Men Beyond Desire: Manhood, Sex, and Violation in American Literature; Weinstein, Cindy. Family, Kinship, and Sympathy in Nineteenth-Century American Literature—Jennifer Travis, p. 261
- Keen, Suzanne. Empathy and the Novel—Tara McGann, p. 263
- Lucey, Michael. Never Say I: Sexuality and the First Person in Colette, Gide, and Proust—M. Martin Guiney, p. 266
- McBride, Patrizia C. The Void of Ethics: Robert Musil and the Experience of Modernity—Stephanie Bird, p. 268
- Pines, Davida. The Marriage Paradox: Modernist Novels and the Cultural Imperative to Marry—Elizabeth F. Evans, p. 270
- Raschke, Debrah. Modernism, Metaphysics, and Sexuality—Shannon Forbes, p. 271
- Reid-Pharr, Robert. Once You Go Black: Choice, Desire, and the Black Intellectual—Rebecka Rutledge Fisher, p. 273
41.3—FALL 2009
Articles:
- "From Involuntary Object to Voluntary Spy: Female Agency, Novels, and the Marketplace in Northanger Abbey"—Susan Zlotnick, p. 277
- "Somatic Syntax: Replotting the Developmental Narrative in Carson McCullers's The Member of the Wedding"—Nicole Seymour, p. 293
- "The Haunted House of American Fiction: William Gaddis's Carpenter's Gothic"—Misty L. Jameson, p. 314
- "Unsettling Stories: Disruptive Narrative Strategies in Marina Warner's Indigo and The Leto Bundle"—Lisa G. Propst, p. 330
- "'That Little Incandescence': Reading the Fragmentary and John Calvin in Marilynne Robinson's Gilead"—Christopher Leise, p. 348
- "Melville, Three Ways"—Hester Blum, p. 368
- Berberich, Christine. The Image of the English Gentleman in Twentieth-Century Literature: Englishness and Nostalgia—Ben Clarke, p. 378
- Caton, Lou. Reading American Novels and Multicultural Aesthetics: Romancing the Postmodern Novel—Richard Schur, p. 380
- Gandal, Keith. The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization—Thomas K. Meier, p. 383
- Grace, Nancy M. Jack Kerouac and the Literary Imagination; Hreneniak, Michael. Action Writing: Jack Kerouac's Wild Form—Jonathan P. Eburne, p. 384
- Kent, Alicia A. African, Native, and Jewish American Literature and the Reshaping of Modernism—Jennifer C. Rossi, p. 387
- McGlynn, Mary M. Narratives of Class in New Irish and Scottish Literature—Amanda Tucker, p. 390
- Menke, Richard. Telegraphic Realism: Victorian Fiction and the Other Information Systems—Daniel A. Novak, p. 392
- Miller, Andrew. The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature—John Plotz, p. 395
- Walters, Tracey L. African American Literature and the Classicist Tradition: Black Women Writers from Wheatley to Morrison—Jennifer C. Rossi, p. 397
41.4—WINTER 2009
Articles:
- "The Other Woman: Lydia Glasher and the Disruption of English Racial Identity in George Eliot's Daniel Deronda"—Kathleen R. Slaugh-Sanford, p. 401
- "Systems, Not Men: Producing People in Charlotte Perkins Gilman's Herland"—Katherine Fusco, p. 418
- "Crime and Punishment in Dreiser's An American Tragedy: The Legal Debate"—Donald Pizer, p. 435
- "Proustian Reminiscence in To the Lighthouse"—Yuko Rojas, p. 451
- "Apocryphal Trauma in E. L. Doctorow's The Book of Daniel"—Aaron DeRosa, p. 468
- Duncan, Ian. Scott's Shadow: The Novel in Romantic Edinburgh—Natasha Tessone, p. 490
- McClure, John A. Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison—Timothy Aubry, p. 492
- Cousineau, Thomas. Three-Part Inventions: The Novels of Thomas Bernhard—James Martin, p. 494
- Gunn, James, Marleen S. Barr, and Matthew Candelaria, eds. Reading Science Fiction—Darin Bradley, p. 496
- Hill, Jen. White Horizon: The Arctic in the Nineteenth-Century British Imagination—Alexandra Neel, p. 497
- Novak, Daniel A. Realism, Photography, and Nineteenth-Century Fiction—Laura Saltz, p. 499
- Fielding, Penny. Scotland and the Fictions of Geography: North Britain 1760-1830—Chad May, p. 502