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42.1 and 2—SPRING and SUMMER 2010—Special Number: The Young Adult Novel

     Articles:

  • "Kicking it up beyond the casual: Fresh Perspectives in Young Adult Literature" —David Cappella, p. 1
  • "Has Tomomi Lost her Mind? Psychosis, Femininity, and the Universal Appeal of Kazumi Yumoto’s The Spring Tone" —Linda Belau, p. 11
  • "From Soldiers to Children: Undoing the Rite of Passage in Ishmael Beah’s A Long Way Gone and Bernard Ashley’s Little Soldier" —Irina Kyulanova, p. 28
  • "Teenage Wasteland: Defeating the Machine in Daniel Pinkwater’s Chicago" —Michelle Robinson, p. 48
  • "Power and Polyphony in Young Adult Literature: Rob Thomas’s Slave Day" —Sara K. Day, p. 66
  • "Joseph Bruchac’s “Dark” Novels: Confronting the Terror of Adolescence"—Michelle Pagni Stewart, p. 84
  • "'The Language of Pictures': Visual Representations and Spectatorship in Philip Pullman’s His Dark Materials" —Amanda M. Greenwell, p. 99
  • "Twilight is not Good for Maidens: Gender, Sexuality, and the Family in Stephenie Meyer’s Twilight Series"—Anna Silver, p. 121
  • "The Ideology of the Wissenvine: Critique and Closure in Zilpha Keatley Snyder’s Green-sky Trilogy" —Robert McAlear, p. 139
  • "'Quick, Ethel, Your Rifle!': Portable Britishness and Flexible Gender Roles in G. A. Henty’s Books for Boys" —Deirdre H. McMahon, p. 154
  • "Nancy Drew’s Body: The Case of the Autonomous Female Sleuth" —Jennifer M. Woolston, p. 173
  • "Solving the Crime of Modernity: Nancy Drew in 1930" —Amy Boesky, p. 185
     Misc:

  • Notes on Contributors, p. 202

42.3—FALL 2010

     Articles:

  • “Scott’s Elementals: Vanishing Points between Space and Narrative in the Waverley Novels”—Tom Bragg, p. 205
  • "Toward an Entente Cordiale: The Cultivation of Cosmopolitan Sympathies in Ouida’s Under Two Flags”—Kristi Embry, p. 227
  • “Reading Meat in H. G. Wells”—Michael Parrish Lee, p. 249
  • “Unsettled Worlds: Aesthetic Emplacement in Willa Cather’s My Ántonia”—Keith Wilhite, p. 269
  • “’A Biology of Dictatorships’: Liberalism and Modern Realism in Sinclair Lewis’s It Can’t Happen Here”—Andrew Corey Yerkes, p. 287
  • “The Mind and Nature of Locked Rooms: Tarjei Vessas’s Novel The Ice Palace and Metaphysical Crime Fiction”— Anna Westerståhl Stenpor, p. 305
  • “Fictions of Class and Community in Henry Green’s Living”—Marius Hentea, p. 321
     Essay-Reviews:

  • “Three Approaches to the American Romantic Tradition”—Gabriela Serrano, p. 340
     Reviews:

  • Park, Julie. The Self and It: Novel Objects in Eighteenth-Century England—Nicholas Hudson, p. 350
  • Plotz, John. Portable Property: Victorian Culture on the Move—Laurie Langbauer, p. 352
  • Youngkin, Molly. Feminist Realism at the Fin de Siècle: The Influence of the Late-Victorian Woman’s Press on the Development of the Novel—Jennifer Phegley, p. 354

42.4—WINTER 2010

     Articles:

  • “Mocking the Mothers of the Novel: Mary Wollstonecraft, Maternal Metaphor, and the Reproduction of Sympathy”—Mary Beth Tegan, p. 357
  • “Prevention as Narrative in Jane Austen’s Mansfield Park”—Erika Wright, p. 377
  • “Tradition and Individual Talent in Willa Cather’s Death Comes for the Archbishop”—Adam Jabbur, p. 395
  • “Pleasure and Peril: Dynamic Forces of Power and Desire in Siri Hustvedt’s The Blindfold”—Alise Jameson, p. 421
  • “Resurveying DeLillo’s ‘White Space on Map’: Liminality and Communitas in Underworld”—Lee Rozelle, p. 443
  • “The Waiting Game: Medieval Allusions and the Lethal Nature of Passivity in Ian McEwan’s Atonement”—Mary Behrman, p.453
     Essay-Reviews:

  • “Faulknerscapes”—Ted Atkinson, p. 471
     Reviews:

  • Garcha, Amanpal. From Sketch to Novel—Julia Lee, p. 480
  • Gillooly, Eileen and Deirdre David, eds. Contemporary Dickens—Shale Preston, p. 482
  • Halldorson, Stephanie. The Hero in Contemporary American Fiction—Jeff Severs, p. 484
  • Heath, Kay. Aging by the Book: The Emergence of Midlife in Victorian Britain—Tamara Silvia Wagner, p. 486
  • Shepherd, Lynn. Clarissa’s Painter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson—Janet Aikins Yount, p. 489
  • Wilkes, Joanne. Women Reviewing Women in Nineteenth-Century Britain: The Critical Reception of Jane Austen, Charlotte Bronte and George Eliot—Lesa Scholl, p. 492