CUMULATIVE INDEX BY SUBJECT
LISTINGS FOR K - Z
1969 – 2007 (VOLUMES 1 THROUGH 39)
DIRECTORY :
NINETEENTH-CENTURY AMERICAN NOVELS
NINETEENTH-CENTURY SENSATIONAL NOVELS
POST-APARTHEID SOUTH AFRICAN NOVEL
POSTCOLONIAL AFRICA HISTORICAL NOVEL
*SPECIAL NUMBERS*:
AMERICAN NEGRO NOVELISTS (Vol. 3, No. 2)
AUSTEN, JANE (Vol. 7, No. 1)
BRITISH NEO-CLASSICAL NOVEL (Vol. 2, No. 2)
THE LEGACY OF RAYMOND CHANDLR (Vol. 35, No. 3)
COMMONWEALTH NOVEL (Vol. 4, No. 2)
CRANE, STEPHEN (Vol. 10, No. 1)
DEATH IN THE NOVEL (Vol. 32, No. 2)
DICKENS, CHARLES (Vol. 1, No. 2)
EDITING NOVELS AND NOVELISTS, NOW (Vol. 27, No. 3)
ELIOT, GEORGE (Vol. 15, No. 1)
HARDY, THOMAS (Vol. 4, No. 4)
HAWTHORNE, NATHANIEL (Vol. 2, No. 4)
HAWTHORNE IN THE NINETIES (Vol. 23, No. 1)
HUXLEY, ALDOUS (Vol. 9, No. 4)
JOYCE, JAMES (A SPECIAL ISSUE ON EDITING ULYSSES) (Vol. 22, No. 2)
MAKING GENRE: STUDIES IN THE NOVEL, OR SOMETHING LIKE IT, 1684-1762 (Vol. 30, No. 2)
MELVILLE, HERMAN (Vol. 1, No. 4)
OATES, JOYCE CAROL (Vol. 38, No. 4)
POSTCOLONIALISM, HISTORY, AND THE NOVEL (Vol. 29, No. 3)
POSTCOLONIAL TRAUMA NOVELS (Vol. 40, Nos. 1&2)
QUEERER THAN FICTION (Vol. 28, No. 3)
THE ROMANTIC NOVEL (Vol. 26, Nos. 1&2)
SIMMS, WILLIAM GILMORE (Vol. 35, No. 2)
TERRORISM AND THE POSTMODERN NOVEL (Vol. 36, No. 3)
TEXTUAL STUDIES IN THE NOVEL (Vol. 7, No. 3)
THACKERAY, WILLIAM MAKEPEACE (Vol. 13, Nos. 1 and 2)
TWENTIETH CENTURY BRITISH NOVEL (Vol. 3, No. 4)
WOMEN AND EARLY FICTION (Vol. 19, No. 3)
TERRORISM AND THE POSTMODERN NOVEL
* * *
CHALLAKERE, Padmaja. "Witnessing ‘History’ Otherwise: Mukul Kesavan’s Looking Through Glass" (30:574).
DAVIES, Barrie. "The Personal Sense of a Society--Minority View: Aspects of the ‘East Indian’ Novel in the West Indies" (4:284).
RAUCH, Alan. "The Tailor Transformed: Kingsley’s Alton Locke and the Notion of Change (25:196).
YOUNG, Michael A. "History as Myth: Charles Kingsley’s Hereward the Wake" (17:174).
FEELEY, Margaret Peller. "The Kim that Nobody Reads" (13:266).
MATIN, A. Michael. "'The Hun is at the gate!': Historicizing Kipling's Militaristic Rhetoric, From the Imperial Periphery to the National Center; Part One: The Russian Threat to British India" (31:317).
MATIN, A. Michael. "'The Hun is at the gate!': Historicizing Kipling's Militaristic Rhetoric, from the Imperial Periphery to the National Center; Part Two: The French, Russian, and German Threats to Great Britain" (31:432).
RYAN, Katy. "Falling in Public: Larsen's Passing, McCarthy's The Group, and Baldwin's Another Country (36:95).
THOMAS, Clara. "The Novels of Margaret Laurence" (4:154).
BALBERT, Peter. "Ursula Brangwen and ‘The Essential Criticism’: The Female Corrective in Women in Love" (17:267).
___. "From Lady Chatterley's Lover to The Deer Park: Lawrence, Mailer, and the Dialectic of Erotic Risk" (22:67).
___. "Pan and the Appleyness of Landscape: Dread of the Procreative Body in 'The Princess'" (34:282).
___. "Freud, Frazer, and Lawrence's Palimpsestic Novella: Dreams and the Heaviness of Male Destiny in The Fox" (38:211).
BURACK, Charles M. "Mortifying the Reader: The Assault on Verbal and Visual Consciousness in D. H. Lawrence’s Lady Chatterley’s Lover" (29:491).
CHRISTENSEN, Peter G. "Mr. Noon: Some Old Problems in a New Text" (18:415).
FRIEDMAN, Alan. "D. H. Lawrence: Pleasure and Death" (32:207).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
GINDIN, James. REVIEW-ESSAY: "Tripartite Themes" (7:584).
HARRISON, Andrew. REVIEW-ESSAY: "D. H. Lawrence Today: Old Issues and New Editions" (38:250).
HARRISON, John R. "The Flesh and the Word: The Evolution of a Metaphysic in the Early work of D. H. Lawrence" (32:29).
HUMMA, John B. REVIEW-ESSAY: "Recent Lawrence Criticism" (16:111).
HUMMA, John B. REVIEW-ESSAY: "More Matter, Less Art: The Continuing Course of Lawrence Criticism" (19:79).
HUMMA, John B. "Lawrence in Another Light: Women in Love and Existentialism" (24:392).
INGERSOLL, Earl. "Staging the Gaze in D. H. Lawrence’s Women in Love" (26:268).
KIM, Sung Ryol. "The Vampire Lust in D. H. Lawrence" (25:436).
MEYERS, Jeffrey. REVIEW-ESSAY: "Surgery for the Critics--or a Bomb?" (13:449).
MORTLAND, Donald E. "The Conclusion of Sons and Lovers: A Reconsideration" (3:305).
SCHWARZ, Daniel R. "Speaking of Paul Morel: Voice, Unity, and Meaning in Sons and Lovers" (8:255).
SQUIRES, Michael. "Modernism and the Contours of Violence in D. H. Lawrence's Fiction" (39:84).
TWITCHELL, James. "Lawrence’s Lamias: Predatory Women in The Rainbow and Women in Love" (11:23).
WIDMER, Kingsley. "The Pertinence of Modern Pastoral: The Three Versiona of Women in Love" (5:298).
WIDMER, Kingsley. REVIEW-ESSAY: "Lawrentian Manias: A Review of Recent Studies of D. H. Lawrence" (5:547).
WIDMER, Kingsley. REVIEW-ESSAY: "Profiling and Erotic Prophet: Recent Lawrence Biographies" (8:234).
WIDMER, Kingsley. REVIEW-ESSAY: "Psychiatry and Piety on Lawrence" (9:195).
COHN, Jack R. REVIEW-ESSAY: "The Watch on John Le Carr‚" (20:323).
ISAAC, Megan Lynn. "Sophia Lee and the Gothic of Female Community" (28:200).
NORDIUS, Janina. "A Tale of Other Places: Sophia Lee's The Recess and Colonial Gothic" (34:162).
MANGUM, Teresa. "Sheridan Le Fanu’s Ungovernable Governesses" (29:214).
FRY, Phillip. "An Interview in Austin with John Lehmann" (3:80).
LEWIS, Andrea. "‘Glorious Pagan That I Adore’: Resisting the National Reproductive Imperative in Rosamond Lehmann’s Dusty Answer" (31:357).
DOODY, Margaret Anne. "Shakespeare’s Novels: Charlotte Lennox Illustrated" (19:296).
GARDINER, Ellen. "Writing Men Reading in Charlotte Lennox’s The Female Quixote" (28:1).
HOWARD, Susan Kubica. "Seeing Colonial America and Writing Home about It: Charlotte Lennox's Euphemia, Epistolarity, and the Feminine Picturesque" (37:273).
STETZ, Margaret D. "The Ghost and Mrs. Muir: Laughing With the Captain in the House" (28:93).
DRAINE, Betsy. "Changing Frames: Doris Lessing’s Memoirs of a Survivor" (11:51).
FISHBURN, Katherine. "Wor(l)ds Within Words: Doris Lessing as Meta-Fictionist and Meta-Physician" (20:186).
LIGHTFOOT, Marjorie J. "Breakthrough in The Golden Notebook" (7:277).
MARCHINO, Lois A. "The Search for Self in the Novels of Doris Lessing" (4:252).
MULKEEN, Anne M. "Twentieth-Century Realism: The ‘Grid’ Structure of The Golden Notebook" (4:262).
HUNT, Linda. "Amy Levy and the ‘Jewish Novel’: Representing Jewish Life in the Victorian Period" (26:235).
BLAKEMORE, Steven. "Matthew Lewis’s Black Mass: Sexual, Religious Inversion in The Monk" (30: 521).
HAGGERTY, George. "Literature and Homosexuality in the Late Eighteenth Century: Walpole, Beckford, and Lewis" (18:341).
WATKINS, Daniel P. "Social Hierarchy in Matthew Lewis’s The Monk" (18:115).
HUTCHISSON, James M. "Sinclair Lewis, Paul De Kruif, and the Composition of Arrowsmith" (24:48).
LAND, Mary G. "Three Max Gottliebs: Lewis’s, Dreiser’s, and Walker Percy’s View of the Mechanist-Vitalist Controversy" (15:314).
TANNER, Stephen L. "Sinclair Lewis and Fascism" (22:57).
LESSER, Wayne. REVIEW-ESSAY: "The Frustrations and Possibilities of Literary History" (14:105).
GAIR, Christopher. "‘The Way Our People Came’: Citizenship, Capitalism and Racial Difference in The Valley of the Moon" (25:418).
BAREHAM, Terence. "After the Volcano: An Assessment of Malcolm Lowry’s Posthumous Fiction" (6:349).
COSTA, Richard Hauer. "The Northern Paradise: Malcolm Lowry in Canada" (4:165).
GAARDEN, Bonnie. "Cosmic and Psychological Redemption in George MacDonald's Lilith" (37:20).
BALBERT, Peter. REVIEW-ESSAY: "Configurations of the Ego: Studies of Mailer, Roth, and Salinger" (12:73).
BALBERT, Peter. "From Lady Chatterley's Lover to The Deer Park: Lawrence, Mailer, and the Dialectic of Erotic Risk (22:67).
DATHORNE, Oscar R. "Roger Mais: The Man on the Cross" (4:275).
KELLMAN, Stephen G. "The Tenants in the House of Fiction" (8:458).
LEE, James W. "An Interview in Minnesota with Frederick Manfred" (5:358).
BENEDICT, Barbara M. "The Curious Genre: Female Inquiry in Amatory Fiction" (30:194).
REISS, Timothy J. "Caribbean Knights: quijote, Galahad, and the Telling of History" (29:297).
RAO, K.S. Narayana. "The Indian Novel in English: A Search for Identity" (4:296).
LEW, Joseph. "‘Unprepared for Sudden Transformation’: Identity and Politics in Melmoth the Wanderer" (26:173).
MACEY, David J., Jr. "Fantasy as Necessity: The Role of the Biographer in The Moon and Sixpence" (29:61).
KESTNER, Joseph A. "Fanny N. Mayne’s Jane Rutherford and the Tradition of the Social-Protest Novel in England" (19:368).
MARSH, Kelly A. "All My Habits of Mind": Performance and Identity in the Novels of Mary McCarthy" (34:303).
RYAN, Katy. "Falling in Public: Larsen's Passing, McCarthy's The Group, and Baldwin's Another Country (36:95).
ALBRECHT, Robert C. "White Jacket’s Intentional Fall" (4:17).
BENDER, Bert. "Moby-Dick, an American Lyrical Novel" (10:346).
BERNARD, Ernest S. "Spontaneous Combustion in Redburn: Redburn’s Ultimate Guidebook?" (23:348).
BERTHOLD, Michael C. "‘born-free-and-equal’: Benign Clich‚ and Narrative Imperialism in Melville’s Mardi" (25:16).
BOWEN, Merlin. "Tactics of Indirection in Melville’s The Confidence-Man" (1:401).
BRODTKORB, Paul, Jr. "The Confidence-Man: The Con-Man as Hero" (1:421).
BRUSS, Paul S. "Marlow’s Interview with Stein: The Implications of the Metaphor" (5:491).
CANADY, Nicholas. "Pierre in the Domestic Circle" (18:395).
CLARK, Marden J. "Blending Cadences: Rhythm and Structure in Moby-Dick" (8:158).
COHEN, Hennig. "Melville’s Surgeon Cuticle and Surgeon Cutbush" (5:251).
COHEN, Hennig. "Melville’s Tomahawk Pipe: Artifact and Symbol" (1:397).
DIMOCK, Wai-chee. "Pierre: Domestic Confidence Game and the Drama of Knowledge" (16:396).
EBERWEIN, Robert T. "The Impure Fiction of Billy Budd" (6:318).
EGAN, Philip J. "Time and Ishmael’s Character in ‘The Town-Ho’s Story’ of Moby-Dick" (14:337).
GOLDMAN, Eric. "Bringing out the Beast in Melville's Billy Budd: The Dialogue of Darwinian and 'Holy' Lexicons on Board the Bellipotent" (37:430).`
GOLEMBA, Henry L. "The Shape of Moby-Dick" (5:197).
HABERSTROH, Charles, Jr. "Melville, Marriage, and Mardi" (9:247).
HEDDENDORF, David. "Pragmatists and Plots: Pierre and The Damnation of Theron Ware" (22:271).
HELLER, Lee E. "The Stranger in the Mirror: Incest, Text, and the Making of Meaning in Pierre" (21:389).
HIGGINS, Brian. "Plinlimmon and the Pamphlet Again" (4:27).
HOLLISTER, Michael. "Melville’s Gam with Poe in Moby-Dick: Bulkington and Pym" (21:279).
HUTCHINSON, George B. "The Conflict of Patriarchy and Balanced Sexual Principles in Billy Budd" (13:388).
ISANI, Mukhtar A. "Melville’s Use of John and Awnsham Churchill’s Collection of Voyages and Travels" (4:390).
KEMPER, Steven E. "Omoo: Germinal Melville" (10:420).
KIER, Kathleen E. "White-Jacket’s Classical Oration" (23:237).
LACKEY, Kris. "The Holy Guide-Book and The Sword of the Lord: How Melville Used the Bible in Redburn and White-Jacket" (17:241).
LEWIS, Paul. "Melville’s Pierre and the Psychology of Incongruity" (15:183).
MARGRETTA, Joan. "Radical Disunities: Models of Mind and Madness in Pierre and The Idiot" (10:234).
McCARTHY, Paul. REVIEW-ESSAY: "Books on Melville in 1970" (4:98).
McCARTHY, Paul. REVIEW-ESSAY: "Elements of Anatomy in Melville’s Fiction" (6:38).
McCARTHY, Paul. REVIEW-ESSAY: "Six Views of Melville" (10:267).
McCARTHY, Paul. "Fact, Opinions, and Possibilities: Melville’s Treatment of Insanity Through White-Jacket" (16:167).
MELDRUM, Barbara. "The Artist in Melville’s Mardi" (1:459).
MILDER, Robert. "Melville’s ‘Intentions’ in Pierre" (6:186).
MOSES, Carole. "Spenser and the Structure of Mardi" (18:258).
NOVAK, Frank G., Jr. "‘Warmest Climes but Nurse the Cruellest Fangs’: The Metaphysics of Beauty and Terror in Moby-Dick" (15:332).
___. REVIEW-ESSAY: "The Kraken in the Computer" (37:82).
PARKER, Hershel. "Evidences for ‘Late Insertions’ in Melville’s Works" (7:407).
PARKER, Hershel. "Why Pierre Went Wrong" (8:7).
PATTERSON, Mark R. "Democratic Leadership and Narrative Authority in Moby-Dick" (16:288).
PUTZ, Manfred. "The Narrator as Audience: Ishmael as Reader and Critic in Moby-Dick" (19:160).
REYNOLDS, Larry J. "Kings and Commoners in Moby-Dick" (12:101).
ROSS, Morton L. "Moby-Dick as an Education" (6:62).
SAUNDERS, Brian. "Facing the Fire at Home: Redburn’s ‘Inland Imagination’" (17:355).
SAUNDERS, Brian. "Melville’s Sea Change: From Irving to Emerson" (20:374).
SEARS, J. Michael. "Melville’s Mardi: One Book or Three?" (10:411).
SEELYE, John D. "‘Ungraspable Phantom’: Reflections of Hawthorne in Pierre and The Confidence-Man" (1:436).
STEN, Christopher W. "The Dialogue of Crisis in The Confidence-Man: Melville’s ‘New Novel’" (6:165).
STONE, Edward. "The Buried Book: Moby-Dick a Century Ago" (7:552).
STRAUCH, Carl F. "Ishmael: Time and Personality in Moby-Dick" (1:468).
THOMAS, Brook. "The Writer’s Procreative Urge in Pierre: Fictional Freedom or Convoluted Incest?" (11:416).
TOLCHIN, Neal. "The Social Construction of Redburn’s ‘Mourning Pilgrimage’" (18:157).
VANN, J. Don. "A Checklist of Melville Criticism, 1958-1968" (1:507).
WAGGONER, Hyatt. "Hawthorne and Melville Acquaint the Reader with Their Abodes" (2:420).
WATSON, Charles N., Jr. "Melville’s Israel Potter: Fathers and Sons" (7:563).
WERGE, Thomas. "Moby-Dick and the Calvinist Tradition" (1:484).
WIDMER, Kingsley. "Melville’s Radical Resistance: The Method and Meaning of Bartleby" (1:444).
WIDMER, Kingsley. REVIEW-ESSAY: "The Learned Try-Works: A Review of Recent Scholarly Criticism of Melville" (5:117).
YANNELLA, Donald. REVIEW-ESSAY: "Some Recent Melville Studies" (8:214).
See SPECIAL NUMBER -- Volume 1, Number 4.
BAKER, Robert S. "The Ordeal of Richard Feverel: A Psychological Approach" (6:200).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
HORNE, Lewis. "Sir Austin, His Devil, and the Well-Designed World" (24:35).
McGLAMERY, Gayla. "In His Beginning, His Ends: The ‘Preface’ to Meredith’s Diana of the Crossways" (23:470).
MICHTA, Natalie Cole. "The Legitimate Self in George Meredith’s Evan Harrington" (21:41).
STEWART, Maaja A. and Elvira Casal. "Clara Middleton: Wit and Pattern in The Egoist" (12:210).
RHINE, Marjorie. "Glossing Scripts and Scripting Pleasure in Mishina's Confessions of a Mask" (31:222).
TRATNER, Michael. REVIEW-ESSAY: "The Function of Literature in the Age of the Masses" (28:244).
WEXLER, Joyce. "Modernist Writers and Publishers" (17:286).
SALE, Richard B. "An Interview in London with Brian Moore" (1:67).
BREDAHL, A. Carl. "The Outsider as Sexual Center: Wright Morris and the Integrated Imagination" (18:66).
HEFFERNAN, Teresa. " Beloved and the Problem of Mourning" (30:558).
MORRISON, TONI.STOCKTON, Kathryn Bond. "Prophylactics and Brains: Beloved in the Cybernetic Age of Aids" (28: 434).
RAMADANOVIC, Petar. "'You your best thing, Sethe': Trauma's Narcissism" (40:178)
GRIMSHAW, Tammy. "The Social Construction of Homosexuality in Iris Murdoch's Fiction" (36:552).
PIPER, William Bowman. "The Accomodation of the Present in Novels by Murdock and Powell" (11:178).
ROWE, Margaret Moan. "Iris Murdoch and the Case of 'too many men'" (36:79).
BALBERT, Peter. REVIEW-ESSAY: "Perceptions of Exile: Nabokov, Bellow and the Province of Art" (14:95).
BUTLER, Stephen H. "Lolita and the Modern Experience of Beauty" (18:427).
JOYCE, James. "Lolita in Humberland" (6:339).
LIVAK, Leonid. "The Novel as Target Practice: Vladimir Nabokov's The Gift and the 'New Malady of the Century'" (34:198).
McDONALD, James L. "John Ray, Jr., Critic and Artist: The Foreword to Lolita" (5:352).
McNEELY, Trevor. "‘Lo’ and Behold: Solving the Lolita Riddle" (21:182).
MEGERLE, Brenda. "The Tantalization of Lolita" (11:338).
DAVIES, Barrie. "The Personal Sense of a Society--Minority View: Aspects of the ‘East Indian’ Novel in the West Indies" (4:284).
HEMENWAY, Robert. "Sex and Politics in V. S. Naipaul" (14:189).
RAO, K.S. Narayana. "The Indian Novel in English: A Search for Identity" (4:296).
SHILLER, Dana. "The Redemptive Past in the Neo-Victorian Novel" (29:538).
CLARK, Priscilla P. "Newspapers and Novels: Some Common Functions and Themes" (7:166).
SCHEICK, William J. ESSAY-REVIEW: "Delivered in Plain Brown Wrapping: The Naughty Early American Novel" (39:368).
MOODY, Ellen. REVIEW-ESSAY: "Taking Sides" (36:251).
DALKE, Anne. "‘The shameless woman is the worst of men’: Sexual Agression in Nineteenth-Century Sensational Novels" (18:291).
SHAFFER, Julie. "Non-Canonical Women’s Novels of the Romantic Era: Romantic Ideologies and the Problematics of Gender and Genre" (28:469).
FOERTSCH, Jacqueline. "Not Bombshells But Basketcases: Gendered Illness in Nuclear Texts" (31:471).
LINDFORS, Bernth O. "Oral Tradition and the Individual Literary Talent" (4:200).
ARAUJO, Susanna. "Space, Property, and the Psyche: Violent Topographies in Early Oates Novels" (38:397).
BINETTE, Kori A. "What Does it Mean to be a Woman?: The Daughter’s Story in Oates’s Novels" (38:440)
COALE, Samuel Chase. "Psychic Visions and Quantum Physics: Oates’s Big Bang and the Limits of Language" (38:427).
COLOGNE-BROOKES, Gavin. JOYCE CAROL OATES SPECIAL NUMBER: "Introduction: Humility, Audacity and the Novels of Joyce Carol Oates" (38:385).
___. JOYCE CAROL OATES SPECIAL NUMBER: "Written Interviews and a Conversation with Joyce Carol Oates" (38:547).
CREIGHTON, Joanne V. "What Does it Mean to be a Woman?: The Daughter’s Story in Oates’s Novels" (38:440)
DALY, Brenda. "The Art of Democracy: Photography in the Novels of Joyce Carol Oates/Rosamond Smith" (38:457).
DEAN, Sharon L. "History and Representation in The Falls" (38:525).
FOSSUM, Robert H. "Only Control: The Novels of Joyce Carol Oates" (7:285).
FRIEDMAN, Julie. "Feminism, Masculinity, and Nation in Joyce Carol Oates’s Fiction " (38:478).
GATES, Henry Louis, Jr. "Murder She Wrote: Review of Because It Is Bitter, and Because It Is My Heart" (38:543).
HIGDON, David Leon. "‘Suitable Conclusions’: The Two Endings of Oates’s Wonderland" (10:447).
SHERIDAN, Julie. "'Why Such Discontent?': Race, Ethnicity and Masculinity in What I Lived For" (38:494).
WARNER, Sharon L. "The Fairest in the Land: Blonde and Black Water, the Nonfiction Novels of Joyce Carol Oates" (38:513)
WESLEY, Marilyn C. "Why Can’t Jesse Read? Ethical Identity in Wonderland" (38:414).
WHITE, Edmund V. "Joyce Carol Oates: Writer, Colleague, Friend" (38:395).
See SPECIAL NUMBER -- Volume 38, Number 4 (Winter 2006).
O’GRADY, Thomas B. "High Anxiety: Flann O’Brien’s Portrait of the Artist" (21:200).
PALMER, Eustace. "Social Comment in The West African Novel" (4:218).
O’MEALY, Joseph H. "Scenes of Professional Life: Mrs. Oliphant and the New Victorian Clergyman" (23:245).
NOVAK, Amy. "Textual Hauntings: Narrating History, Memory, and Silence in The English Patient" (36:206).
SCANLAN, Margaret. "Anil's Ghost and Terrorism's Time" (36:302).
BURROWS, Victoria. "The Heterotopic Spaces of Postcolonial Trauma in Michael Ondaatje's Anil's Ghost" (40:161)
EBERLE, Roxanne. "Amelia Opie’s Adeline Mowbray: Diverting the Libertine Gaze; or, The Vindication of a Fallen Women" (26:121).
HOWARD, Carol. "‘The Story of the Pineapple’: Sentimental Abolitionism and Moral Motherhood in Amelia Opie’s Adeline Mowbray" (30:355).
TONG, Joanne. "The Return of the Prodigal Daughter: Finding the Family in Amelia Opie's Novels" (36:465).
FEDERICO, Annette. "Making Do: George Orwell's Coming Up for Air" (37:50).
LAND, Mary G. "Three Max Gottliebs: Lewis’s, Dreiser’s, and Walker Percy’s View of the Mechanist-Vitalist Controversy" (15:314).
CRAPS, Stef. "Linking Legacies of Loss: Traumatic Histories and Cross-Cultural Empathy in Caryl Phillips's Higher Ground and The Nature of Blood" (40:191)
KENNEDY, J. Gerald. "The Preface as a Key to the Satire in Pym" (5:191).
ROSENZWEIG, Paul. "‘Dust Within the Rock’: The Phantasm of Meaning in The Narrative of Arthur Gordon Pym" (14:137).
WHALEN-BRIDGE, John. REVIEW-ESSAY: "Some New American Adams: Politics and the Novel into the Nineties" (24:187).
TURNER, James Grantham. REVIEW-ESSAY: "Pornography and the Fall of the Novel" (33358).
STOUT, Janis P. "'Practically Dean with Fine Rivalty': The Leaning Towers of Katherine Anne Porter and Glenway Wescott" (33:444).
GALLAGHER, Susan VanZanten. "The Backward Glance: History and the Novel in Post-Apartheid South Africa" (29:376).
BOOKER, M. Keith and Dubravka JURRAGA. "The Reds and the Blacks: The Historical Novel in the Soviet Union and Postcolonial Africa" (29:274).
YELIN, Louise. REVIEW-ESSAY: "Postcolonial Criticism in the Era of Globalization" (34:90).
MASCARO, John. REVIEW-ESSAY: "Kant Touch This: Joseph Tabbi's Postmodern Sublime" (31:506).
DAVIS, Robert Murray. "Contributions to Night and Day by Elizabeth Bowen, Graham Greene, and Anthony Powell" (3:401).
McLEOD, Dan. "Anthony Powell: Some Notes on the Art of the Sequence Novel" (3:44).
PIPER, William Bowman. "The Accomodation of the Present in Novels by Murdock and Powell" (11:178).
CLARK, Michael. "Charles Brockden Brown’s Wieland and Robert Proud’s History of Pennsylvania" (20:239).
AYNESWORTH, Donald. "Essence and Apparition in Proust" (12:29).
BRATU, Florian. "The Perspective of the Look in the Introspective and Truth-Quest Novel" (39:326).
GOSEK, Katrina. "KKKKultur: Kitsch & Camp in A la Recherche Du Temps Perdu" (32:318).
HOLLAHAN, Eugene. "Nemerov’s Definition and Proust’s Example: A Model for the Short Novel" (11:162).
LITVAK, Joseph. "Strange Gourmet: Taste, Waste, Proust" (28:338).
BALBERT, Peter. REVIEW-ESSAY: "A Panoply of Metaphor: Exuberances of Style in Pynchon and Updike" (15:265).
HAWTHORNE, Mark D. "A ‘Hermaphrodite Sort of Diety’: Sexuality, Gender, and Gender Blending in Thomas Pynchon’s V" (29:74).
MEDORO, Dana. REVIEW-ESSAY: "The Scholar-Magicians of the Zone" (33:351).
NADEAU, Robert L. "Readings from the New Book of Nature: Physics and Pynchon’s Gravity’s Rainbow" (11:454).
NOYA, Jos‚ Liste. "Mapping the ‘Unmappable’: Inhabiting the Fantastic Interface of Gravity’s Rainbow" (29:512).
OLSEN, Lance. "Deconstructing the Enemy of Color: The Fantastic in Gravity’s Rainbow" (18:74).
PUTZ, Manfred. "The Art of the Acronym in Thomas Pynchon" (23:371).
TABBI, Joseph. REVIEW-ESSAY: "The Pyndustry inWarwick" (30:438).
CHANDLER, Anne. "Ann Radcliffe and Natural Theology" (38:133).
HORROCKS, Ingrid. "More Than a Gravestone: Caleb Williams, Udolpho, and the Politics of the Gothic" (39:31).
MACKENZIE, Scott. "Ann Radcliffe's Gothic Narrative and the Readers at Home" (31:409).
SAGLIA, Diego. "Looking at the Other: Cultural Difference and the Traveller’s Gaze in The Italian" (28:12).
SCHROEDER, Natalie. "The Mysteries of Udolpho and Clermont: The Radcliffean Encroachment on the Art of Regina Maria Roche" (12:131).
RAO, K.S. Narayana. "The Indian Novel in English: A Search for Identity" (4:296).
WEXLER, Joyce. "Realism and Modernists' Bad Reputation" (31:60).
FORD, Nick Aaron. "A Note on Ishmael Reed: Revolutionary Novelist" (3:216).
BERRY, Betsy. "‘Between Dog and Wolf’: Jean Rhys’s Version of Naturalism in After Leaving Mr. Mackenzie" (27:544).
DAVIDSON, Arnold E. "The Art and Economics of Destitution in Jean Rhys’s After Leaving Mr. Mackenzie" (16:215).
ELLIOTT, William D. "H. H. Richardson: The Education of an Australian Realist" (4:141).
PARKINSON, Edward. "‘That ‘ere Ingian’s one of us!’: Orality and Literacy in Wacousta" (29:453).
BERG, Temma F. "From Pamela to Jane Gray; or, How Not to Become the Heroine of Your Own Text" (17:115).
BROWN, Murray L. "Learning to Read Richardson: Pamela, ‘speaking pictures,’ and the Visual Hermeneutic" (25:129).
BROWN, Murray L. "Emblemata Rhetorica: Glossing Emblematic Discourse in Richardson’s Clarissa" (27:455).
BROWN, Murray L. "Authorship and Generic Exploitation: Why Lovelace Must Fear Clarissa" (30:246).
COPELAND, Edward W. "Clarissa and Fanny Hill: Sisters in Distress" (4:343).
INGRASSIA, Catherine. "‘I am become a Mere Usurer’: Pamela and Domestic Stock -jobbing" (30:303).
McGIRR, Elaine. "Manly Lessons: Sir Charles Grandison, the Rake, and the Man of Sentiment" (39:267).
MILES, Kathleen. "Richardson’s Response to Fielding’s Felon" (1:373).
MORTON, Donald E. "Theme and Structure in Pamela" (3:242).
PALMER, William J. "Two Dramatists: Lovelace and Richardson in Clarissa" (5:7).
PARK, Julie. "'I Shall Enter Her Heart': Fetishizing Feeling in Clarissa" (37:371).
ZIGAROVICH, Jolene. "Courting Death: Necrophilia in Samuel Richardson's Clarissa" (32:112).
KING, Kristin. "Resurfacings of The Deeps: Semiotic Balance in Marilynne Robinson’s Housekeeping" (28:565).
PARK, William. "Rococo and the Novel" (19:125).
SAMET, Tom. "Henry Roth’s Bull Story: Guilt and Betrayal in Call It Sleep" (7:569).
BALBERT, Peter. REVIEW-ESSAY: "Configurations of the Ego: Studies of Mailer, Roth, and Salinger" (12:73).
HENDLEY, W. Clark. "An Old Form Revitalized: Philip Roth’s Ghost Writer and the Bildungsroman" (16:87).
CANTOR, Paul A. "Tales of the Alhambra: Rushdie’s Use of Spanish History in The Moor’s Last Sigh" (29:323).
CAVANAUGH, Christine. "Auguries of Power: Prophecy and Violence in The Satanic Verses" (36:393).
RAMADANOVIC, Petar. "'You your best thing, Sethe': Trauma's Narcissism" (40:178)
REGE, Josna E. "Victim in Protagonist? Midnight’s Children and the Post-Rusdie National Narratives of the Eighties" (29:342).
EHRE, Milton. "A Classic of Russian Realism: Form and Meaning in The Golovlyovs" (9:3).
BALBERT, Peter. REVIEW-ESSAY: "Configurations of the Ego: Studies of Mailer, Roth, and Salinger" (12:73).
TAKEUCHI, Yasuhiro. "The Burning Carousel and the Carnivalesque: Subversion and Transcendence at the Close of the Catcher in the Rye" (34:320).
RIVE, Richard M. "Olive Schreiner: A Critical Study and a Checklist" (4:231).
HASWELL, Janis E. REVIEW-ESSAY: "Advancing the Dialogue: Reading Paul Scott's Raj Quartet" (32:70).
HASWELL, Janis E. "Images of Rape and Buggery: Paul Scott's View of the Dual Evils of Empire" (33:202).
BARCHAS, Janine. "Prefiguring Genre: Frontispiece Portraits from Gulliver’s Travels to Millenium Hall" (30:260).
CHANDLER, James. "Scott and the Scene of Explanation: Framing Contextuality in The Bride of Lammermoor" (26:69).
DRAKE, George A. "'The Ordinary Rules of the Pave': Urban Spaces in Scott's Fortunes of Nigel" (33:416).
HANNAFORD, Richard. "Dumbiedikes, Ratcliffe, and a Surprising Jeanie Deans: Comic Alternatives in The Heart of Midlothian" (30:1).
HUMMA, John B. "The Narrative Framing Apparatus of Scott’s Ole Mortality" (12:301).
KERR, James. "Scott’s Dreams of the Past: The Bride of Lammermoor as Political Fantasy" (18:125).
LACKEY, Lionel. "The Monastery and The Abbot: Scott’s Religious Dialectics" (19:46).
LINCOLN, Andrew. "Scott and Empire: The Case of Rob Roy" (34:43).
MAITZEN, Rohan. "‘By No Means An Improbable Fiction’: Redgauntlet’s Novel Historicism" (25:170).
MORILLO, John & Wade Newhouse. "History, Romance, and the Sublime Sound of Truth in Ivanhoe" (32:267).
NEWHOUSE, Wade & John Morillo. "History, Romance, and the Sublime Sound of Truth in Ivanhoe" (32:267).
SCHMIDGEN, Wolfram. "Picturing Property: Waverly and the Common Law" (29:191).
SHAW, Harry E. "Scott, Mackenzie, and Structure in The Bride of Lammermoor" (13:349).
DAVIES, Barrie. "The Personal Sense of a Society--Minority View: Aspects of the ‘East Indian’ Novel in the West Indies" (4:284).
AMIRAN, Eyal. REVIEW-ESSAY: "Oedipuscripts" (31:234).
BURNHAM, Michelle. "‘Dark Lady and Fair Man’: The Love Triangle in Shakespeare’s Sonnets and Ulysses" (22:43).
CLARIDGE, Laura P. "Parent-Child Tensions in Frankenstein: The Search for Communion" (17:14).
CRAWFORD, Iain. "Wading Through Slaughter: John Hampden, Thomas Gray, and Mary Shelley’s Frankenstein" (20:249).
DUNN, Richard J. "Narrative Distance in Frankenstein" (6:408).
DUSSINGER, John A. "Kinship and Guilt in Mary Shelley’s Frankenstein" (8:38).
DUYFHUIZEN, Bernard. "Periphrastic Naming in Mary Shelley’s Frankenstein" (27:477).
GOODALL, Jane. "Frankenstein and the Reprobate's Conscience" (31:19).
HOBBS, Colleen. "Reading the Symptoms: An Exploration of Repression and Hysteria in Mary Shelley’s Frankenstein" (25:152).
LIGGINS, Emma. "The Medical Gaze and the Female Corpse: Looking at Bodies in Mary Shelley's Frankenstein" (32:129).
RAJAN, Tilottama. "Mary Shelley’s Mathilda: Melancholy and the Political Economy of Romanticism" (26:43).
ROVEE, Christopher. "Monsters, Marbles, and Miniatures: Mary Shelley's Reform Aesthetic" (36:147).
SPATT, Hartley S. "Mary Shelley’s Last Men: The Truth of Dreams" (7:526).
YOUNG, Arlene. "The Monster Within: The Alien Self in Jane Eyre and Frankenstein" (23:325).
NARDELLA, Anna Ryan. "The Existential Dilemmas of Alan Sillitoe's Working-Class Heroes" (5:469).
BAKKER, Jan. "Simms and the American Apocalypse: Woodcraft and The Cassique of Kiawah Chart a Course" (35:149).
BOYD, Molly. "‘The Fall of the House of Usher,' Simms's Castle Dismal, and The Scarlet Letter: Literary Interconnections" (35:231).
COLLINS, Caroline. "Jilted Southern Women: The Defiance of Margaret Cooper and Her Twentieth-Century Successors" (35:178).
DYE, Renee. "Narrating Social Theory: William Gilmore Simms's Woodcraft" (35:190).
FISHER, Benjamin F. "Simms's Bosky Gothic, the "‘Region of Doubt and Shadow’" (35:157).
KIBLER, James Everett. "Dory's Bible, Acts, and The Devil at Our Elbow" (35:208).
KING, Vincent. "Foolish Talk 'Bout Freedom": Simms’s Vision of America in The Yemassee" (35:139).
MURPHY, Peter. "Simms's Vasconselos: A Multicultural Reading" (35:243)
SHILLINGSBURG , Miriam J. "Introduction" (35:135).
SHILLINGSBURG, Miriam J. "The Battered Woman Syndrome in Simms's Fiction" (35:219).
SIEGEL, Ben. "The Jew as Underground/Confidence Man: I. B. Singer’s Enemies, a Love Story" (10:397).
GUTTMAN, Sondra. "Working Towards 'Unity in Diversity': Rape and the Reconciliation of Color and Comrade in Agnes Smedley's Daughter of the Earth" (32:488).
BRACK, O M, Jr. "Toward A Critical Edition of Smollett’s Peregrine Pickle" (7:361).
EVANS, David L. "Peregrine Pickle: The Complete Satirist" (3:258).
LUTZ, Alfred. "Representing Scotland in Roderick Random and Humphry Clinker: Smollett's Development as a Novelist" (33:1).
PRIOR, Tim. "Lydia Melford and the Role of the Classsical Body in Smollett’s Humphry Clinker" (30:489).
SIEBERT, Donald T., Jr. "The Role of the Senses in Humphry Clinker" (6:17).
WARNER, John M. "The Interpolated Narratives in the Fiction of Fielding and Smollett: An Epistemological View" (5:271).
BOOKER, M. Keith and Dubravka JURRAGA. "The Reds and the Blacks: The Historical Novel in the Soviet Union and Postcolonial Africa" (29:274).
WHITEHEAD, Anne. "Journeying through Hell: Wole Soyinka, Trauma and Postcolonial Nigeria" (40:13).
MANN, Jeanette W. "Toward new Archetypal Forms: Boston Adventure" (8:291).
ACKLAND, Michael. "Blake's Dialectics of Vision and Stead's Critique of Pollitry in The Man Who Loved Children" (38:234).
LIDOFF, Joan. "Domestic Gothic: The Imagery of Anger, Christina Stead’s The Man Who Loved Children" (11:201).
FREEMAN, John. "Delight in the (Dis)order of Things: Tristram Shandy and the Dynamics of Genre" (34:141).
HARTLEY, Lodwick. "Yorick Redivivus: A Bicentenary Review of Studies on Laurence Sterne" (1:81).
KOPPEL, Gene. "Fulfillment Through Frustration: Some Aspects of Sterne’s Art of the Incomplete in A Sentimental Journey" (2:168).
KORKOWSKI, Eugene. "The Second Tale of a Tub: A Link from Swift to Sterne?" (6:470).
MAZELLA, David. "'Be wary, Sir, when you imitate him': The Perils of Didacticism in Tristram Shandy" (31:152).
PARK, William. "Tristram Shandy and the New ‘Novel of Sensibility’" (6:268).
PERRY, Ruth. "Words for Sex: The Verbal-Sexual Continuum in Tristram Shandy" (20:27).
WARD, Hayden W. "‘The Pleasure of Your Heart’: Treasure Island and the Appeal of Boys’ Adventure Fiction" (6:304).
WRIGHT, Daniel L. "The Prisonhouse of My Disposition: A Study of the Psychology of Addiction in Dr. Jekyll and Mr. Hyde" (26:254).
BOONE, Troy. "‘He is English and Therefore Adventurous": Politics, Decandence, and Dracula" (25:76).
HUSTIS, Harriet. "Black and White and Read all Over: Performative Textuality in Bram Stoker's Dracula" (33:18).
WILLIS, Martin. "Dracula, Miasma and Germ Theory" (39:301).
MARKOS, Donald W. "Margaret Whitehead in The Confessions of Nat Turner" (4:52).
METRESS, Christopher. "‘a new father, a new home’: Styron, Faulkner, and Southern Revisionism" (22:308).
STEWART, Anthony. "William Turnergraystyron, Novelist (s): Reactivating State Power in The Confessions of Nat Turner" (27:169).
BARCHAS, Janine. "Prefiguring Genre: Frontispiece Portraits from Gulliver’s Travels to Millenium Hall" (30:260).
COHAN, Steven M. "Gulliver’s Fiction" (6:7).
KORKOWSKI, Eugene. "The Second Tale of a Tub: A Link from Swift to Sterne?" (6:470).
ROMAGNOLO, Catherine. "Narrative Beginnings in Amy Tan's The Joy Luck Club: A Feminist Study" (35:89).
CAVANAUGH, Christine. "Auguries of Power: Prophecy and Violence in The Satanic Verses" (36:393).
FOERTSCH, Jacqueline. "Introduction: The Terror! The Terror!" (36:285).
HARDACK, Richard. "Two’s a Crowd: Mao Ii, Coke Ii, and The Politics of Terrorism in Don Delillo" (36:374).
HOUEN, Alex. "Novel Spaces and Taking Place(s) in the Wake of September 11" (36:419).
KUBIAK, Anthony. "Telling and Doing: The Functions of Fiction in Terror Narratives" (36" 294).
MEXAL, Stephen J. "Spectacular Spectacular!: Underworld and the Production of Terror" (36:318).
MILLETTI, Christina. "Violent Acts, Volatile Words: Kathy Acker’s Terrorist Aesthetic" (36:352).
SCANLAN, Margaret. Anil’s Ghost and Terrorism’s Time" (36:302).
VAN TEEFFELEN, Toine. "(Ex)communicating Palestine: from Best-Selling Terrorist Fiction to Real-Life Personal Accounts" (36:438).
VELCIC, Vlatka. "Reshaping Ideologies: Leftists as Terrorists/Terrorists as Leftists in DeLillo’s Novels" (36:405).
WALKER, Joseph S. "A Kink in the System: Terrorism and the Comic Mystery Novel" (36:336).
REVIEW: Clymer, Jeffory A. America’s Culture of Terrorism: Violence, Capitalism, and the Written Word by Kevin Grauke (36:461).
See SPECIAL NUMBER -- Volume 36, Number 3.
BLEDSOE, Robert. "Sibi Constet: The Goddess of Castlewood and the Goddess of Walcote" (5:211).
FISHER, Judith L. REVIEW-ESSAY: "Scholarly Editing, Textual Criticism, and Aesthetic Value: The Garland Thackeray Edition Project, A Case Study" (24:309).
FISHER, Judith. REVIEW-ESSAY: "Ethical Narrative in Dickens and Thackeray" (29:108).
FLETCHER, Robert P. "‘Proving a thing even while you contradict it’: Fictions, Beliefs, and Legitimation in The Memoirs of Barry Lyndon, Esq." (27:493).
HAGAN, John. "Vanity Fair: Becky Brought to Book Again" (7:479).
LUND, Michael. "Beyond the Text of Vanity Fair" (11:147).
MARKS, Patricia. "‘Mon Pauvre Prisonnier’: Becky Sharp and the Triumph of Napoleon" (28:76).
SALMON, Richard. "The Genealogy of the Literary Bildungsroman: Edward Bulwer-Lytton and W. M. Thackeray" (36:41).
THOMAS, Deborah A. "Bondage and Freedom in Thackeray’s Pendennis" (17:138).
TIERNEY, Terry. "Henry Esmond’s Double Vision" (24:349).
See also SPECIAL NUMBER -- Volume 13, Numbers 1 and 2.
ROSENBERG, Brian. "Resurrection and Little Dorrit: Tolstoy and Dickens Reconsidered" (17:27).
FISCHER, William C. "The Aggregate Man in Jean Toomer’s Cane" (3:190).
REILLY, John M. "The Search for Black Redemption: Jean Toomer’s Cane" (2:312).
CRAIG, Randall. "Plato’s Symposium and the Tragicomic Novel" (17:158).
LANGFORD, Thomas A. "Trollope’s Satire in The Warden" (19:435).
MECKIER, Jerome. "The Cant of Reform: Trollope Rewrites Dickens in The Warden" (15:202).
MURFIN, Ross C. "The Gap in Trollope’s Fiction: The Warden as Example" (14:17).
NARDIN, Jane. "Conservative Comedy and the Women of Barchester Towers" (18:381).
SIBLEY, Gay. "The Spectrum of ‘Taste’ in Barchester Towers" (17:38).
TROTTER, Jackson. "Foxhunting and the English Social Order in Trollope’s The American Senator" (24:227).
ZIEGENHAGEN, Timothy. "Trollope's Professional Gentlemen: Medical Training and Medical Practice in Doctor Thorne and The Warden" (38:154).
KISSEL, Susan S. "‘What Shall Become of Us All?’: Frances Trollope’s Sense of the Future" (20:151).
STEPHENS, Robert O. "Cable and Turgenev: Learning How to Write a Modern Novel" (15:237).
LINDFORS, Bernth O. "Oral Tradition and the Individual Literary Talent" (4:200).
ASPIZ, Harold. "Tom Sawyer’s Games of Death" (27:141).
BASSETT, John. "The Gilded Age: Performance, Power, and Authority" (17:395).
FETTERLEY, Judith. "The Sanctioned Rebel" (3:293).
GARDINER, Jane. "A More Splendid Necromancy: Mark Twain’s Connecticut Yankee and the Electrical Revolution" (19:448).
HARRIS, Susan K. "Four Ways to Inscribe a Mackerel: Mark Twain and Laura Hawkins" (21:138).
HIRSH, James. "Samuel Clemens and the Ghost of Shakespeare" (24:251).
KAUFMANN, David. "Satiric Deceit in the Ending of Adventures of Huckleberry Finn" (19:66).
LYNCH, Paul. "Not Trying to Talk Alike and Succeeding: The Authoritative Word and Internally-Persuasive Word in Tom Sawyer and Huckleberry Finn" (38:172).
MILLER, Michael G. "Geography and Structure in Huckleberry Finn" (12:192).
ROYAL, Derek Parker. "Terrible Dreams of Creative Power: The Question of No. 44" (31:44).
SCHMIDT, Peter. REVIEW-ESSAY: "Seven Recent Commentaries on Mark Twain" (34:448).
SCOTT, Kevin Michael. "'There's More Honor': Reinterpreting Tom and the Evasion in Huckleberry Finn" (37:187).
POPESCU, Monica. "Imaging the Past: Cultural Memory in Dubravka Ugrešič's The Museum of Unconditional Surrender" (39:336).
BALBERT, Peter. REVIEW-ESSAY: "A Panoply of Metaphor: Exuberances of Style in Pynchon and Updike" (15:265).
BURHANS, Clinton S., Jr. "Things Falling Apart: Structure and Theme in Rabbit, Run" (5:336).
HOAG, Ronald Wesley. "A Second Controlling Myth in John Updike’s Centaur" (11:446).
ROSENMAN, Ellen Bayuk. "'Mimic Sorrows': Masochism and the Gendering of Pain in Victorian Melodrama" (35:22)
NAJARIAN, James. REVIEW-ESSAY: "The Victorian Novel in the Material World" (37:223).
MATHESON, T. J. "‘This Lousy Little Book’: The Genesis and Development of Slaughterhouse-Five as Revealed in Chapter One" (16:228).
HAGGERTY, George. "Literature and Homosexuality in the Late Eighteenth Century: Walpole, Beckford, and Lewis" (18:341).
SCHORK, R. J. "Victorian Hagiography: A Pattern of Allusions in Robert Elsmere and Hellbeck of Bannisdale (21:292).
BLAIR, John. "‘The Lie We Must Learn to Live By’: Honor and Tradition in All the King’s Men" (25:457).
CLARK, William Bedford. "Where Ideoloy Leaves Off: Cowley, Warren, and Faulkner Revisited" (24:298).
MECKIER, Jerome. "Burden’s Complaint: The Disintegrated Personality as Theme and Style in Warren’s All the King’s Men" (2:7).
SALE, Richard B. "An Interview in New Haven with Robert Penn Warren" (2:325).
ROTHSTEIN, David. "Brideshead Revisited and the Modern Historicization of Memory" (25:318).
BOWEN, Roger. "Science, Myth, and Fiction in H. G. Wells’s Island of Dr. Moreau" (8:318).
CANTOR, Paul and Peter Hufnagel. "The Empire of the Future: Imperialism and Modernism in H. G. Wells (38:36).
HARRIS, Janice. "Wifely Silence and Speech in Three Marriage Novels by H. G. Wells" (26:404).
SOMMERS, Jeffrey. "Wells’s Tono-Bungay: The Novel Within the Novel" (17:69).
STOUT, Janis P. "'Practically Dean with Fine Rivalty': The Leaning Towers of Katherine Anne Porter and Glenway Wescott" (33:444).
WYRICK, Deborah. "Dadaist Collage Structure and Nathaniel West’s Dream Life of Balso Snell" (11:349).
BENERT, Annette L. "The Geography of Gender in The House of Mirth" (22:26).
CLUBBE, John. "Interiors and the Interior Life in Edith Wharton’s The House of Mirth" (28:543).
EGGENSCHWILER, David. "The Ordered Disorder of Ethan Frome" (9:237).
GRIFFITH, Jean C. "'Lita is--jazz': The Harlem Renaissance, Cabaret Culture, and Racial Amalgamation in Edith Wharton's Twilight Sleep" (38:74).
HADLEY, Kathy Miller. "Ironic Structure and Untold Stories in The Age of Innocence" (23:262).
KIM, Sharon. "Lamarckism and the Construction of Transcendence in The House of Mirth" (38:187).
MacNAUGHTON, William R. "Edith Wharton’s ‘Bad Heroine’: Sophy Viner in The Reef" (25:214).
NOWLIN, Michael E. "Edith Wharton as Critic, Traveller, and War Hero" (30:444).
NOWLIN, Michael E. REVIEW-ESSAY: "Edith Wharton and the Matter of Contexts" (33:224).
TUTTLETON, James W. "Mocking Fate: Romantic Idealism in Edith Wharton’s The Reef" (19:459).
VON ROSK, Nancy. "Spectacular Homes and Pastoral Theaters: Gender, Urbanity and Domesticity in The House of Mirth" (33:322).
KEEFE, Robert. "Artist and Model in The Picture of Dorian Gray" (5:63).
LIEBMAN, Sheldon W. "Character Design in The Picture of Dorian Gray" (31:296).
NUNOKAWA, Jeff. "The Importance of Being Bored: The Dividends of Ennui in The Picture of Dorian Gray" (28:357).
GRAHAM, Shane. "'This text deletes itself': Traumatic Memory and Space-Time in Zoë Wicomb's David's Story" (40:127).
BILES, Jack I. "An Interview in London with Angus Wilson" (2:76).
SUDRANN, Jean. "The Lion and the Unicorn: Angus Wilson’s Triumphant Tragedy" (3:390).
HOEVELER, Diane Long. "Reading the Wound: Wollstonecraft's Wrongs of Woman, or Maria and Trauma Theory" (31:387).
BACKSCHEIDER, Paula R. "Woman’s Influence" (11:3).
HOEVELER, Diane. REVIEW-ESSAY: "Women and Novelistic Authority" (36:571).
See also SPECIAL NUMBER -- Volume 19, Number 3.
BASSOFF, Bruce. "Tables in Trees: Realism in To the Lighthouse" (16:424).
CLARK, Miriam Marty. "Consciousness, Stream and Quanta, in To the Lighthouse" (21:413).
CORNER, Martin. "Mysticism and Atheism in To the Lighthouse" (13:408).
CRAMER, Patricia. "Jane Harrison and Lesbian Plots: The Absent Lover in Virginia Woolf's The Waves" (37:443).
ELLIOTT, Jean. "The Protean Image: The Role of Mr. Carmichael in To the Lighthouse" (12:359).
FORBES, Shannon. "'When Sometimes She Imagined Herself Like Her Mother': The Contrasting Responses of Cam and Mrs. Ramsay to the Role of the Angel in the House" (32:464).
GILLEN, Francis. "‘I am This, I am That’: Shifting Distance and Movement in Mrs. Dalloway" (4:484).
HOFFMAN, Anne G. "Demeter and Poseidon: Fusion and Distance in To the Lighthouse" (16:182).
MILLER, Andrew John. "'Our Representative, Our Spokesman': Modernity, Professionalism, and Representation in Virginia Woolf's Between the Acts" (33:34).
RICHTER, Harvena. "The Ulysses Connection: Clarissa Dalloway’s Bloomsday" (21:305).
SOUTHWORTH, Helen. Virginia Woolf’s "Wild England": George Borrow, Autoethnography and Between the Acts (39:196).
STEWART, Jack F. "Historical Impressionism in Orlando" (5:71).
THOMPSON, Nicola. "Some Theories of One’s Own: Orlando and the Novel" (25:306).
FABRE, Michel. "Richard Wright: The Man Who Lived Underground" (3:165).
FISHBURN, Katherine. "The Delinquent's Sabbath; or, The Return of the Repressed: The Matter of Bodies in Native Son" (31:202).
SCHAUB, Melissa. "'Worthy Ambition': Religion and Domesticity in The Daisy Chain" (39:65).
* * *
*SPECIAL NUMBERS*:
AMERICAN NEGRO NOVELISTS (Vol. 3, No. 2):
FABRE, Michel. "Richard Wright: The Man Who Lived Underground" (p. 165).
FISCHER, William C. "The Aggregate Man in Jean Toomer’s Cane" (p. 190).
FORD, Nick Aaron. "A Note on Ishmael Reed: Revolutionary Novelist" (p. 216).
GRARD, Albert. "The Sons of Ham" (p. 148).
HAGOPIAN, John V. "Mau-Mauing the Literary Establishment" (p. 135).
McDOWELL, Robert E. and George Fortenberry. "A Checklist of Books and Essays About American Negro Novelists" (p. 219).
PEAVY, Charles D. "The Black Revolutionary Novel: 1899-1969" (p. 180).
AUSTEN, JANE (Vol. 7, No. 1):
BRENNER, Gerry. "Mansfield Park: Reading for ‘Improvement’" (p. 24).
CHANDLER, Alice. "‘A Pair of Fine Eyes’: Jane Austen’s Treatment of Sex" (p. 88).
CHARD, Leslie F., II. "Jane Austen and the Obituaries: The Names of Northanger Abbey" (p. 133).
HALPERIN, John. "The Trouble with Mansfield Park" (p. 6).
MAGEE, William H. "The Happy Marriage: The Influence of Charlotte Smith on Jane Austen" (p. 120).
MONAGHAN, David M. "The Decline of the Gentry: A Study of Jane Austen’s Attitude to Formality In Persuasion" (p. 73).
MORGAN, Susan J. "Emma Woodhouse and the Charms of Imagination" (p. 33).
NARDIN, Jane. "Charity in Emma" (p. 61).
WILHELM, Albert E. "Three Word Clusters in Emma" (p. 49).
WILLIS, Lesley H. "Object Association and Minor Characters in Jane Austen’s Novels" (p. 104).
BRITISH NEO-CLASSICAL NOVEL (Vol. 2, No. 2):
JENKINS, Ralph E. "The Structure of Roxana" (p. 145).
JOBE, Alice. "Fielding’s Novels: Selected Criticism (1940-1969)" (p. 246).
KAUVAR, Elaine M. "Jane Austen and The Female Quixote" (p. 211).
KISSANE, James. "Comparison’s Blessed Felicity: Character Arrangement in Emma" (p. 173).
KNIGHT, Charles A. "Irony and Mr. Knightly" (p. 185).
KOPPEL, Gene. "Fulfillment Through Frustration: Some Aspects of Sterne’s Art of the Incomplete in A Sentimental Journey" (p. 168).
LAUBER, John. "Minds Bewildered and Astray: The Crawfords in Mansfield Park" (p. 194).
McMASTER, Juliet. "The Equation of Love and Money in Moll Flanders" (p. 131).
PARK, William. "What Was New About the ‘New Species of Writing’?" (p. 112).
SHESGREEN, Sean. "The Moral Function of Thwackum, Square, and Allworthy" (p. 159).
THE LEGACY OF RAYMOND CHANDLER (Vol. 35, No. 3):
ABBOTT, Megan E. “‘Nothing You Can’t Fix’: Screening Marlowe Masculinity” (pp. 305).ATHANASOURELIS, John Paul. “Film Adaptation and the Censors: 1940s Hollywood and Raymond Chandler” (pp. 325).
BUNYAN, Scott. “No Order From Chaos: The Absence of Chandler’s Extra-Legal Space in the Detective Fiction of Chester Himes and Walter Mosley” (pp. 339).
EBURNE, Jonathan P. “Chandler’s Waste Land” (pp. 366).
HICKMAN, Miranda B. “Introduction: The Complex History of a “Simple Art” (pp. 285).
NAZARE, Joseph. “Marlowe in Mirrorshades: The Cyberpunk (Re-)Vision of Chandler” (pp. 383).SHARP, Michael D. Plotting Chandler’s Demise: Ross Macdonald and the Neo-Aristotelian Detective Novel” (pp. 405).
COMMONWEALTH NOVEL (Vol. 4, No. 2):
Australia
ELLIOT, William D. "H. H. Richardson: The Education of an Australian Realist" (p. 141).
Canada
COSTA, Richard Hauer. "The Northern Paradise: Malcolm Lowry in Canada" (p. 165).
STOBIE, Margaret R. "‘Frederick Philip Grove’ and the Canadianism Movement" (p. 173).
THOMAS, Clara. "The Novels of Margaret Laurence" (p. 154).
India
McCUTCHION, David. "The Indian Novel in English" (p. 304).
McDOWELL, Robert E. and Joseph J. Jones. "A Selected Checklist of Commonwealth English Novels" (p. 321).
RAO, K. S. Narayana. "The Indian Novel in English: A Search for Identity" (p. 296).
New Zealand
ROBERTSON, Robert T. "Bird, Hawk, Bogie: Janet Frame, 1952-62" (p. 186).
South Africa
MARCHINO, Lois A. "The Search for Self in the Novels of Doris Lessing" (p. 252).
MULKEEN, Anne M. "Twentieth-Century Realism: The ‘Grid’ Structure of The Golden Notebook" (p. 262).
RIVE, Richard M. "Olive Schreiner: A Critical Study and a Checklist" (p. 231).
West Africa
LINDFORS, Bernth O. "Oral Tradition and the Individual Literary Talent" (p. 200).
PALMER, Eustace. "Social Comment in the West African Novel" (p. 218).
West Indies
DATHORNE, Oscar R. "Roger Mais: The Man on the Cross" (p. 275).
DAVIES, Barrie. "The Personal Sense of a Society--Minority View: Aspects of the ‘East Indian’ Novel in the West Indies" (p. 284).
CRANE, STEPHEN (Vol. 10, No. 1):
BINDER, Henry. "The Red Badge of Courage Nobody Knows" (p. 9).
CARRUTHERS, Sharon. "‘Old Soldiers Never Die’: A Note on Col. John L. Burleigh" (p. 158).
DOSSETT, Gordon. "A Letter from Grant Richard to Cora Crane" (p. 156).
FERRARA, Marc and Gordon Dossett. "A Sheaf of Contemporary American Reviews of Stephen Crane" (p. 168).
GULLASON, Thomas A. "The Permanence of Stephen Crane" (p. 86).
HIGGINS, Brian and Hershel Parker. "Maggie’s ‘Last Night’: Authorial Design and Editorial Patching" (p. 64).
MAILLOUX, Steven. "The Red Badge of Courage and Interpretive Conventions: Critical Response to a Maimed Text" (p. 48).
MORACE, Robert. "Stephen Crane’s ‘The Merry-Go-Round’: An Earlier Version of ‘The Pace of Youth’" (p. 146).
MORACE, Robert. "The Sketch’s ‘Mr. Stephen Crane’" (p. 154).
NAGEL, James. "Stephen Crane and the Narrative Methods of Impressionism" (p. 76).
NORDLOH, David J. "On Crane Now Edited: The University of Virginia Edition of The Works of Stephen Crane" (p. 103).
PARKER, Hershel. "Special Number on Stephen Crane, 1978" (p. 6).
PIZER, Donald. "Stephen Crane: A Review of Scholarship and Criticism since 1969" (p. 120).
RICHTER, Heddy A. "The Long Foreground of Corwin Knapp Linson’s My Stephen Crane" (p. 161).
SOLOMON, Eric. "Stephen Crane: An Autobibliography" (p. 96).
DEATH AND THE NOVEL (Vol. 32, No. 2):
BLAINE, Diana York. "Introduction" (pp. 106-110).
DEVER, Carolyn. "The Feminist Abject: Death and the Constitution of Theory" (pp. 184-205).
FRIEDMAN, Alan. "D. H. Lawrence: Pleasure and Death" (pp. 206-227).
HIGONNET, Margaret. "Frames of Female Suicide" (pp. 228-241).
HOTZ, Mary E. "'Taught by Death What Life Should Be'": Elizabeth Gaskell’s Representation of Death in North and South" (pp. 164-183).
LIGGINS, Emma. "The Medical Gaze and the Female Corpse: Looking at Bodies in Mary Shelley’s Frankenstein" (pp. 128-145).
MALTON, Sara. "'The Woman Shall Bear Her Iniquity': Death as Social Discipline in Thomas Hardy’s The Return of the Native" (pp. 146-163).
WORTHINGTON, Marjorie. "Posthumous Posturing: The Subversive Power of Death in Contemporary Women’s Fiction" (pp. 242-263).
ZIGAROVICH, Jolene. "Courting Death: Necrophilia in Samuel Richardson’s Clarissa" (pp. 111-127).
DICKENS, CHARLES (Vol. 1, No. 2):
COLLINS, Philip. "Dickens’ Public Readings: The Performer and the Novelist" (p. 118).
DUNN, Richard J. "Dickens and The Tragi-Comic Grotesque" (p. 147).
KINCAID, James R. "Symbol and Subversion in David Copperfield" (p. 196).
LANE, Lauriat, Jr. "Dickens Studies, 1958-1968: An Overview" (p. 240).
LEVINE, Richard A. "Dickens, The Two Nations, and Individual Possibility" (p. 157).
MANHEIM, Leonard. "The Dickens Hero as Child" (p. 189).
McMASTER, R. D. "Dickens, the Dandy, and the Savage: A Victorian View of the Romantic" (p. 133).
NADELHAFT, Janice. "The English Malady, Corrupted Humors, and Krook’s Death" (p. 230).
PATTEN, Robert L. "Capitalism and Compassion in Oliver Twist" (p. 207).
STEIG, Michael. "Martin Chuzzlewit: Pinch and Picksniff" (p. 181).
THOMPSON, Leslie M. "Mrs. Nickleby’s Monologue: The Dichotomy of Pessimism and Optimism in Nicholas Nickleby" (p. 222).
VANN, J. Don. "Dickens Criticism, 1963-1967" (p. 255).
EDITING NOVELS AND NOVELISTS, NOW (Vol. 27, No. 3):
BORCK, Jim Springer. "Composed in Tears: The Clarissa Project" (p. 341).
BRACK, O M, JR. "Smollett’s Peregrine Pickle Revisited" (p. 260).
BUTLER, Marilyn. "Editing Women" (p. 273).
GREETHAM, D. C. "If That Was Then, Is This Now?" (p. 427).
HUNTER, Paul. "Editing for the Classroom: Texts in Contexts" (p. 284).
KAUVAR, Elaine M. "Notes Toward Editing a Contemporary Writer’s Letters" (p. 401).
MENIKOFF, Barry. "Toward the Production of a Text: Time, Space, and David Balfour" (p. 351).
PARKER, Hershel. "The Auteur-Author Paradox: How Critics of the Cinema and the Novel Talk About Flawed or Even ‘Mutilated’ Texts" (p. 413).
PETTIT, Alexander. "A Few Last Words, First" (p. 251).
REID, S. W. "Conrad in Print and on Disk" (p. 375).
ROSOWSKI, Susan, Charles Mignon, Frederick M. Link, and Kari Ronning. "Editing Cather" (p. 387).
ROTHMAN, Irving N. "Coleridge on the Semi-Colon in Robinson Crusoe: Problems in Editing Defoe" (p. 320).
SHILLINGSBURG, Peter. "Editing Thackeray: A History" (p. 363).
TODD, Janet. "‘Pursue that way of Fooling, and be dam’d’: Editing Aphra Behn" (p. 304).
WEST, James L. W., III. "The Scholarly Editor as Biographer" (p. 295).
ELIOT, GEORGE (Vol. 15, No. 1):
CARON, James. "The Rhetoric of Magic in Daniel Deronda" (p. 1).
CARROLL, David. "George Eliot: The Sibyl of Mercia" (p. 10).
GRAVER, Suzanne. "Modeling Natural History: George Eliot’s Framings of the Present" (p. 26).
NEUFELDT, Victor A. "The Madonna and the Gypsy" (p. 44).
RINGLER, Ellin. "Middlemarch: A Feminist Perspective" (p. 55).
ROCHELSON, Meri-Jane. "The Weaver of Raveloe: Metaphor as Narrative Persuasion in Silas Marner" (p. 35).
VAN ARSDEL, Rosemary T. "The George Eliot Centenary Year" (p. 74).
WITEMEYER, Hugh. "George Eliot’s Romola and Bulwer Lytton’s Rienzi" (p. 62).
HARDY, THOMAS (Vol. 4, No. 4):
ALEXANDER, B. J. "Criticism of Thomas Hardy’s Novels: A Selected Checklist" (p. 630).
EDWARDS, Duane D. "The Mayor of Casterbridge as Aeschylean Tragedy" (p. 608).
FLEISSNER, Robert F. "‘Ideas Striking, Novel, or Beautiful’: A Hitherto Unpublished Comment of Hardy’s" (p. 628).
GIORDANO, Frank R., Jr. "Jude the Obscure and the Bildungsroman" (p. 580).
HORNE, Lewis B. "‘The Art of Renunciation’ in Hardy’s Novels" (p. 556).
MARTIN, Bruce K. "Whatever Happened to Eustacia Vye" (p. 619).
OSBORNE, L. MacKenzie. "The ‘Chronological Frontier’ in Thomas Hardy’s Novels" (p. 543).
STARZYK, Lawrence J. "Hardy’s Mayor: The Antitraditional Basis of Tragedy" (p. 592).
WING, George. "‘Forbear, Hostler, Forbear!’: Social Satire in The Hand of Ethelberta" (p. 568).
HAWTHORNE, NATHANIEL (Vol. 2, No.4):
BATTAGLIA, Frank. "The (Unmeretricious) House of the Seven Gables" (p. 468).
BEEBE, Maurice and Jack Hardie. "Hawthorne Checklist" (p. 519).
CLARK, C.E. Frazer, Jr. "Posthumous Papers of a Decapitated Surveyor: The Scarlet Letter in the Salem Press" (p. 395).
DWIGHT, Sheila. "Hawthorne and the Unpardonable Sin" (p. 499).
FREEHAFER, John. "The Marble Faun and the Editing of Nineteenth-Century Texts" (p. 487).
HILTON, Earl. "Hawthorne, the Hippie, and the Square" (p. 425).
HORNE, Lewis B. "Place, Time, and Moral Growth in The House of Seven Gables" (p. 459).
JONES, Buford. "Hawthorne Studies: The Seventies" (p. 504).
LEVY, Leo B. "Fanshawe: Hawthorne’s World of Images" (p. 440).
STANTON, Robert. "The Scarlet Letter as Dialectic of Temperament and Idea" (p. 474).
WAGGONER, Hyatt. "Hawthorne and Melville Acquaint the Reader with Their Abodes" (p. 420).
HAWTHORNE IN THE NINETIES (Vol. 23, No. 1):
ANHORN, Judy Schaaf. "Literary Reputation and the Essays of Our Old Home" (p. 152).
BROWN, Gillian. "Hawthorne, Inheritance, and Women’s Property" (p. 107).
COLACURCIO, Michael J. "Cosmopolotan and Provincial: Hawthorne and the Reference of American Studies" (p. 3).
FLEISCHNER, Jennifer. "Hawthorne and the Politics of Slavery" (p. 96).
GODDU, Teresa. "The Circulation of Women in The House of the Seven Gables" (p. 119).
GOLLIN, Rita K. "Introduction to Studies in the Novel Special Number: Hawthorne in the Nineties" (p. 1).
GOLLIN, Rita K. "Nathaniel Hawthorne: The Flesh and the Spirit; Or, ‘Gratifying Your Coarsest Animal Needs" (p. 82).
GREENWALD, Elissa. "Hawthorne and Judaism: Otherness and Identity in The Marble Faun" (p. 128).
HERBERT, T. Walter, Jr. "During Cultural Work: ‘My Kinsman Major Molineaux’ and the Construction of the Self-Made Man" (p. 20).
IDOL, John L. "‘A Linked Circle of Three’ Plus One: Nonverbal Communication in The Marble Faun" (p. 139).
KESTERSON, DAVID B. "Introduction to Studies in the Novel Special Number: Hawthorne in the Nineties" (p. 1).
NEWBERRY, Frederick. "Fantasy, Reality, and Audience in Hawthorne’s ‘Drowne’s Wooden Image’" (p. 28).
PERSON, Leland S., Jr. "Hawthorne’s Bliss of Paternity: Sophia’s Absence from ‘The Old Manse’" (p. 46).
REYNOLDS, Larry J. "Hawthorne and Emerson in ‘The Old Manse’" (p. 60).
WOODSON, Thomas. "‘Hawthornesque Shapes’: The Picturesque and the Romance" (p. 167).
HUXLEY, ALDOUS (Vol. 9, No. 4):
ALLEN, Walter. "Point Counter Point Revisited" (p. 373).
BAKER, Robert S. "A Tour of Brighton Pavilion and Gog’s Court: The Romantic Context of Point Counter Point and Eyeless in Gaza" (p. 537).
BIRNBAUM, Milton. "Politics and Character in Point Counter Point" (p. 468).
BOWEN, Zack. "Allusions to Musical Works in Point Counter Point" (p. 488).
BOWERING, Peter. "‘The Source of Light’: Pictorial Imagery and Symbolism in Point Counter Point" (p. 389).
FIRCHOW, Peter. "Mental Music: Huxley’s Point Counter Point and Mann’s Magic Mountain as Novels of Ideas" (p. 518).
MAY, Keith. "Accepting the Universe: The ‘Rampion-Hypothesis’ in Point Counter Point and Island" (p. 418).
MECKIER, Jerome. "Fifty Years of Counterpoint" (p. 367).
MECKIER, Jerome. "Philip Quarles’s Passage to India: Jesting Pilate, Point Counter Point, and Bloomsbury" (p. 445).
QUINA, James. "The Mathematical-Physical Universe: A Basis for Multiplicity and the Quest for Unity in Point Counter Point" (p. 428).
ROSTON, Murray. "The Technique of Counterpoint" (p. 378).
WATT, Donald J. "The Fugal Construction of Point Counter Point" (p. 509).
WATTS, Harold H. "The Viability of Point Counter Point" (p. 405).
JOYCE, JAMES (A SPECIAL NUMBER ON EDITING ULYSSES (Vol. 22, No. 2):
AMIRAN, Eyal. "Rhetorics of Simulation and the 1984 Ulysses" (p. 142).
BATES, Robin. "Reflections on the Kidd Era" (p. 119).
GABLER, Hans Walter. "A Response to: John Kidd, ‘Errors of Execution in the 1984 Ulysses’" (p. 250).
GILLESPIE, Michael Patrick. "Certitude and Circularity: The Search for Ulysses" (p. 216).
HAYMAN, David. "What the Unpublished Letters Can Tell Us: Or, Is Anyone Watching?" (p. 187).
KIDD, John. "The Context of the First Salvo in the Joyce Wars" (p. 237).
KIDD, John. "Errors of Execution in the 1984 Ulysses" (p. 243).
McGEE, Patrick. "The Error of Theory" (p. 148).
NADEL, Ira B. "‘Circe’: Textual Method and Textual Meaning" (p. 163).
ROSSMAN, Charles. "Introduction" (p. 113).
ROSSMAN, Charles. "A Reply to Michael Patrick Gillespie" (p. 231).
ROSSMAN, Charles. "A Bibliography of the ‘Gabler Ulysses’" (p. 257).
SENN, Fritz. "Inherent Delicacy: Eumaean Questions" (p. 179).
SENN, Fritz. "Critical Sensitivity: Or, Minding the Stones" (p. 189).
VOGLER, Thomas A. "Wonder did He Wrote It Himself: Meditations on Editing Finnegans Wake in the ‘Gabler Era’" (p. 192).
MAKING GENRE: STUDIES IN THE NOVEL, OR SOMETHING LIKE IT, 1684-1762 (Vol. 30, No. 2):
BARCHAS, Janine. "Prefiguring Genre: Frontispiece Portraits from Gulliver’s Travels to Millenium Hall" (p. 260).
BEASLEY, Jerry C. "Little by Little; or, The History of the Early Novel, Now" (p. 287).
BENEDICT, Barbara M. "The Curious Genre: Female Inquiry in Amatory Fiction" (p. 194).
BROWN, Murray L. "Authorship and Generic Exploitation: Why Lovelace Must Fear Clarissa" (p. 246).
COPE, Kevin L. "All Aboard the Ark of Possibility; or, Robinson Crusoe Returns from Mars as a Small-Footprint, Multi-Channel Indeterminacy Machine" (p. 150).
KING, Kathryn R. "Spying upon the Conjurer: Haywood, Curiosity, and "The Novel" in the 1720s" (p. 178).
McDOWELL, Paula. "Narrative Authority, Critical Complicity: The Case of Jonathan Wild" (p. 211).
PETTIT, Alexander. "Old Issues and New" (p. 123).
RIVERO, Albert J. "‘Hieroglifick’d’ History in Aphra Behn’s Love-Letters between a Nobleman and His Sister" (p. 126).
SHERMAN, Sandra. "Reading at Arm’s Length: Fielding’s Contract with the Reader in Tom Jones" (p. 232).
TURLEY, Hans. "The Anomalous Fiction of Mary Hearne" (p. 139).
WALL, Cynthia. "Novel Streets: The Rebuilding of London and Defoe’s A Journal of the Plague Year" (p. 164).
MELVILLE, HERMAN (Vol. 1, No. 4):
BOWEN, Merlin. "Tactics of Indirection in Melville’s The Confidence-Man" (p. 401).
BRODTKORB, Paul, Jr. "The Confidence-Man: The Con-Man as Hero" (p. 421).
COHEN, Hennig. "Melville’s Tomahawk Pipe: Artifact and Symbol" (p. 397).
MELDRUM, Barbara. "The Artist in Melville’s Mardi" (p. 459).
SEELYE, John D. "‘Ungraspable Phantom’: Reflections of Hawthorne in Pierre and The Confidence-Man" (p. 436).
STRAUCH, Carl F. "Ishmael: Time and Personality in Moby-Dick" (p. 468).
VANN, J. Don. "A Checklist of Melville Criticism, 1958-1968" (p. 507).
WERGE, Thomas. "Moby-Dick and the Calvinist Tradition" (p. 484).
WIDMER, Kingsley. "Melville’s Radical Resistance: The Method and Meaning of Bartleby" (p. 444).
JOYCE CAROL OATES (Vol. 38, No. 4):
ARAUJO, Susanna. "Space, Property, and the Psyche: Violent Topographies in Early Oates Novels" (38:397).
BINETTE, Kori A. "What Does it Mean to be a Woman?: The Daughter's Story in Oates's Novels" (38:440)
COALE, Samuel Chase. "Psychic Visions and Quantum Physics: Oates's Big Bang and the Limits of Language" (38:427).
COLOGNE-BROOKES, Gavin. Introduction: Humility, Audacity and the Novels of Joyce Carol Oates" (38:385).
---. "Written Interviews and a Conversation with Joyce Carol Oates" (38:547)
CREIGHTON, Joanne V. "What Does it Mean to be a Woman?: The Daughter's Story in Oates's Novels" (38:440)
DALY, Brenda. "The Art of Democracy: Photography in the Novels of Joyce Carol Oates/Rosamond Smith" (38:457).
DEAN, Sharon L. "History and Representation in The Falls" (38:525).
FRIEDMAN, Ellen G. "Feminism, Masculinity, and Nation in Joyce Carol Oates's Fiction" (38:478).
GATES, Henry Louis, Jr. "Murder She Wrote: Review of Because It Is Bitter, and Because It Is My Heart" (38: 543).
SHERIDAN, Julie. "'Why Such Discontent?': Race, Ethnicity and Masculinity in What I Lived For" (38:494).
WARNER, Sharon Oard. "The Fairest in the Land: Blonde and Black Water, the Nonfiction Novels of Joyce Carol Oates" (38:513).
WESLEY, Marilyn C. "Why Can't Jesse Read? Ethical Identity in Wonderland" (38:414)
WHITE, Edmund V. "Joyce Carol Oates: Writer, Colleague, Friend" (38:395)
POSTCOLONIALISM, HISTORY, AND THE NOVEL (Vol. 29, No. 3):
BEGAM, Richard. "Achebe’s Sense of an Ending: History and Tragedy in Things Fall Apart" (p. 396).
BOOKER, M. Keith and Dubravka JURAGA. "The Reds and the Blacks: The Historical Novel in the Soviet Union and Postcolonial Africa" (p. 274).
CANTOR, Paul A. "Tales of the Alhambra: Rushdie’s Use of Spanish History in The Moor’s Last Sigh" (p. 323).
GALLAGHER, Susan VanZanten. "The Backward Glance: History and the Novel in Post-Apartheid South Africa" (p. 376).
HUGGAN, GRAHAM. "Prizing ‘Otherness’: A Short History of The Booker" (p. 412).
MAY, Brian. "INTRODUCTION: Back to the Future: History in/and the Postcolonial Novel" (p. 267).
REGE, Josna E. "Victim into Protagonist? Midnight’s Children and the Post-Rushdie National Narratives of the Eighties" (p. 342).
REISS, Timothy J. "Caribbean Knights: Quijote, Galahad, and the Telling of History" (p. 297).
POSTCOLONIAL TRAUMA NOVELS (Vol. 40, Nos. 1 & 2):
BURROWS, Victoria. "The Heterotopic Spaces of Postcolonial Trauma in Michael Ondaatje's Anil's Ghost" (40:161 ).
CRAPS, Stef and Gert BUELENS. "Introduction: Postcolonial Trauma Novels" (40:1).
CRAPS, Stef. "Linking Legacies of Loss: Traumatic Histories and Cross-Cultural Empathy in Caryl Phillips's Higher Ground and The Nature of Blood" (40:191).
EAGLESTONE, Robert. "'You would not add to my suffering if you knew what I have seen': Holocaust Testimony and Contemporary African Trauma Literature" (40:72).
GRAHAM, Shane. "'This text deletes itself': Traumatic Memory and Space-Time in Zöe Wicomb's David's Story" (40:127).
KENNEDY, Rosanne. "Mortgaged Futures: Trauma, Subjectivity, and the Legacies of Colonialism in Tsitsi Dangarembga's The Book of Not" (40:86).
MILLER, Ana. "The Past in the Present: Personal and Collective Trauma in Achmat Dangor's Bitter Fruit" (40:146).
MURPHY, Laura. "The Curse of Constant Remembrance: The Belated Trauma of the Slave Trade in Ayi Kwei Armah's Fragments" (40:52).
NEEVES. Emma. "Apartheid Haunts: Postcolonial Trauma in Lisa Fugard's Skinner’s Drift" (40:108).
NOVAK, Amy. "Who Speaks? Who Listens? The Problem of Address in Two Nigerian Trauma Novels" (40:31).
RAMADANOVIC, Petar. "'You your best thing, Sethe': Trauma's Narcissism" (40:178).
ROTHBERG, Michael. "Decolonizing Trauma Studies: A Response" (40:224).
VAN STYVENDALE , Nancy. "The Trans/historicity of Trauma in Jeannette Armstrong's Slash and Sherman Alexie's Indian Killer" (40:203).
WHITEHEAD, Anne. "Journeying Through Hell: Wole Soyinka, Trauma, and Postcolonial Nigeria" (40:13).
QUEERER THAN FICTION (Vol. 28, No. 3)
ARMSTRONG, Mary. "Pursuing Perfection: Dombey and Son, Female Homoerotic Desire, and the Sentimental Heroine" (p. 281).
CREECH, James. "Forged in Crisis: Queer Beginnings of Modern Masculinity in a Canonical French Novel" (p. 303).
GOLDBERG, Jonathan. "Strange Brothers" (p. 322).
LITVAK, Joseph. "Strange Gourmet: Taste, Waste, Proust" (p. 338).
NUNOKAWA, Jeff. "The Importance of Being Bored: The Dividends of Ennui in The Picture of Dorian Gray" (p. 357).
REID-PHARR, Robert. "Tearing the Goat’s Flesh: Homosexuality, Abjection and the Production of a Late-Twentieth-Century Black Masculinity" (p. 372).
SEDGWICK, Eve Kosofsky. "Introduction: Queer Readings in Fiction" (p. 277).
SOLOMON, Melissa. "The Female World of Exorcism and Displacement (or, Relations Between Women in Henry James’s Nineteenth-Century The Portrait of a Lady)" (p. 395).
STEVENS, Tyler. "‘Sinister Fruitiness’: Neuromancer, Internet Sexuality and the Turing Test" (p. 414).
STOCKTON, Kathryn Bond. "Prophylactics and Brains: Beloved in the Cybernetic Age of Aids" (p. 434).
THE ROMANTIC NOVEL (Vol. 26, Nos. 1&2):
BEHRENDT, Stephen C. "Questioning the Romantic Novel" (p. 5).
CHANDLER, James. "Scott and the Scene of Explanation: Framing Contextuality in The Bride of Lammermoor" (p. 69).
EBERLE, Roxanne. "Amelia Opie’s Adeline Mowbray: Diverting the Libertine Gaze; or, The Vindication of a Fallen Woman" (p. 121).
FAVRET, Mary A. "Telling Tales About Genre: Poetry in the Romantic Novel" (p. 153).
LEW, Joseph. "‘Unprepared for Sudden Transformations’: Identity and Politics in Melmoth the Wanderer" (p. 173).
RAJAN, Tilottama. "Mary Shelley’s Mathilda: Melancholy and the Political Economy of Romanticism" (p. 43).
RZEPKA, Charles. "Making it in a Brave New World: Marriage, Profession, and Anti-Romantic Ekstasis in Austen’s Persuasion" (p. 99).
SISKIN, Clifford. "Eighteenth-Century Periodicals and the Romantic Rise of the Novel" (p. 26).
SIMPKINS, Scott. "Introduction to Romantic Novel Special Number" (p. 1).
WILLIAM GILMORE SIMMS (1806-1870) (Vol. 35, No. 2)
BAKKER, Jan. "Simms and the American Apocalypse: Woodcraft and The Cassique of Kiawah Chart a Course" (pp. 149-56).
BOYD, Molly. "'The Fall of the House of Usher,' Simms's Castle Dismal, and The Scarlet Letter: Literary Interconnections" (pp. 231-42).COLLINS, Caroline. "Jilted Southern Women: The Defiance of Margaret Cooper and Her Twentieth-Century Successors" (pp. 178-89).
DYE, Renee. "Narrating Social Theory: William Gilmore Simms's Woodcraft" (pp. 190-207).
FISHER, Benjamin F. "Simms's Bosky Gothic, the 'Region of Doubt and Shadow'" (pp. 157-77).
KIBLER, James E., Jr. "Dory's Bible, Acts, and The Devil at Our Elbow" (pp. 208-18).KING, Vincent. "'Foolish Talk 'Bout Freedom': Simms's Vision of America in The Yemassee" (pp. 139-48).
MURPHY, Peter. "Simms's Vasconselos: A Multicultural Reading" (pp. 243-259).SHILLINGSBURG, Miriam J. "Introduction" (pp. 135-38) and "The Battered Woman Syndrome in Simms's Fiction" (pp. 219-30).
FOERTSCH, Jacqueline. "Introduction: The Terror! The Terror!" (285-93).
KUBIAK, Anthony. "Spelling it Out: Narrative Typologies of Terror" (294-301)
SCANLAN, Margaret. "Anil's Ghost and Terrorism's Time" (302-17)
MEXAL, Stephen J. "Spectacular Spectacular!: Underworld and the Production of Terror" (318-35)
WALKER, Joseph S. "A Kink in the System: Terrorism and the Comic Mystery Novel" (336-51)
MILLETTI, Christina. "Violent Acts, Volatile Words: Kathy Ackers Terrorist Aesthetic" (352-73)
HARDACK, Richard. "Two's a Crowd: Mao Ii, Coke Ii, and The Politics of Terrorism in Don Delillo" (374-92)
CAVANAUGH, Christine. "Auguries of Power: Prophecy and Violence in The Satanic Verses" (393-404)
VELCIC, Vlatka. "Reshaping Ideologies: Leftists as Terrorists/Terrorists as Leftists in DeLillo's Novels" (405-19)
HOUEN, Alex. "Novel Spaces and Taking Place(s) in the Wake of September 11" (420-38)
VAN TEEFFELEN, Toine. "(Ex)communicating Palestine: from Best-Selling Terrorist Fiction to Real-Life Personal Accounts" (439-59)
REVIEW: CLYMER, Jeffory A. America's Culture of Terrorism: Violence, Capitalism, and the Written Word. Reviewed by Kevin Grauke (462-64)
TEXTUAL STUDIES IN THE NOVEL (Vol. 7, No. 3):
BARNES, Warner and James T. Cox. "A Center for Editions of American Authors: A Forum on Its Editions and Practices" (p. 389).
BEBB, Bruce and Hershel Parker. "Freehafer on Greg and the CEAA: Secure Footing and ‘Substantial Shortfalls’" (p. 391).
BRACK, O. M., Jr. "Toward a Critical Edition of Smollett’s Peregrine Pickle" (p. 323).
CUSHMAN, Keith. "Mr. Bellow’s Sammler: The Evolution of a Contemporary Text" (p. 425).
DEARING, Vinton A. "Textual Criticism Today" (p. 394).
FREEHAFER, John. "Greg’s Theory of Copy-Text and the Textual Criticism in the CEAA Editions" (p. 375).
McHANEY, Thomas L. "The Important Questions Are Seldom Raised" (p. 399).
PARKER, Hershel. "Evidences for ‘Late Insertions’ in Melville’s Work" (p. 407).
PECKHAM, Morse. "Notes on Freehafer and the CEAA Editions" (p. 402).
PUTNAM, Margaret and Marvin Williams, compilers, and James T. Cox, editor. "Textual Studies in the Novel: A Selected Checklist, 1950-74" (p. 445).
TANSELLE, G. Thomas. "Problems and Accomplishments in the Editing of the Novel" (p. 323).
TANSELLE, G. Thomas. "Two Basic Distinctions: Theory and Practice, Text and Apparatus" (p. 404).
THACKERAY, WILLIAM MAKEPEACE (Vol. 13, Nos. 1 and 2):
BLEDSOE, Robert T. "Vanity Fair and Singing" (p. 51).
FERRIS, Ina. "The Demystification of Laura Pendennis" (p. 122).
HARDEN, Edgar F. "The Writing and Publication of Esmond" (p. 79).
HAWES, Donald. "Thackeray and French Literature in Perspective" (p. 5).
McMASTER, Juliet. "Funeral Baked Meats: Thackeray’s Last Novel" (p. 133).
MONOD, SylvŠre. "Thackeray’s ‘French Dressers’ with Foreword by Raymond Las Vergnas" (p. 184).
NADEL, Ira Bruce. "Thackeray and Clough" (p. 64).
OLMSTED, John C. "Richard Doyle’s Illustrations to The Newcomes"(p. 93).
ORAM, Richard W. "‘Just a Little Turn of the Circle’: Time, Memory, and Repetition in Thackeray’s Roundabout Papers" (p. 156).
ANTšCKOVA, Lidmila. "Thackeray in Czechoslovakia (With a Glance at Other Slavonic Countries)" (p. 197).
ROBERTS, Helene E. "‘The Sentiment of Reality’: Thackeray’s Art Criticism" (p. 21).
SHILLINGSBURG, Peter L. "Final Touches and Patches in Vanity Fair: The First Edition" (p. 40).
SORENSEN, Gerald C. "Beginning and Ending: The Virginians as a Sequel" (p. 109).
SUTHERLAND, John A. "The Thackeray-Smith Contracts" (p. 168).
TWENTIETH CENTURY BRITISH NOVEL (Vol. 3, No. 4)
DAVIS, Robert Murray. "Contributions to Night and Day by Elizabeth Bowen, Graham Greene, and Anthony Powell" (p. 401).
GINDIN, James. "Well Beyond Laughter: Directions from Fifties’ Comic Fiction" (p. 357).
OLNEY, James. "Cards of Identity and the Satiric Mode" (p. 374).
SALE, Richard B. "An Interview in New York with Walter Allen" (p. 405).
SUDRANN, Jean. "The Lion and the Unicorn: Angus Wilson’s Triumphant Tragedy" (p. 390).
TYTELL, John. "The Jamesian Legacy in The Good Soldier" (p. 365).
WOMEN AND EARLY FICTION (Vol. 19, No. 3):
BACKSCHEIDER, Paula R. "Women Writers and the Chains of Identification" (p. 245).
BEASLEY, Jerry C. "Introduction to Studies in the Novel, Special Issue ‘Women and Early Fiction’" (p. 239).
DOODY, Margaret Anne. "Shakespeare’s Novels: Charlotte Lennox Illustrated" (p. 296).
FLYNN, Carol Houlihan. "What Fanny Felt: The Pains of Compliance in Memoirs of a Woman of Pleasure" (p. 284).
KALIKOFF, Beth. "The Falling Woman in Three Victorian Novels" (p. 357).
KESTNER, Joseph. "Fanny N. Mayne’s Jane Rutherford and the Tradition of the Social-Protest Novel in England" (p. 368).
LANGLAND, Elizabeth. "Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women" (p. 381).
LONDON, April. "Controlling the Text: Women in Tom Jones" (p. 323).
MORGAN, Susan. "Why There’s No Sex in Jane Austen’s Fiction" (p. 346).
RICHETTI, John J. "Voice and Gender in Eighteenth-Century Fiction: Haywood to Burney" (p. 263).
SCHEUERMANN, Mona. "Women and Money in Eighteenth-Century Fiction" (p. 311).
SPACKS, Patricia Meyer. "Female Changelessness; or, What Do Women Want?" (p. 273).
UPHAUS, Robert W. "Jane Austen and Female Reading" (p. 334).