CUMULATIVE INDEX BY SUBJECT
LISTINGS FOR A - J
1969 – 2007 (VOLUMES 1 THROUGH 39)
DIRECTORY :
BLACKS, JEWS, AND MODERNIST FICTIONS
CHARACTER IN 18-CENTURY FICTION
CONTEMPORARY THEORIES OF THE NOVEL
* * *
NOVAK, Amy. "Who Speaks? Who Listens? The Problem of Address in Two Nigerian Novels" (40:31).
NOVAK, Amy. "Who Speaks? Who Listens? The Problem of Address in Two Nigerian Novels" (40:31).
BEGAM, Richard. "Achebe’s Sense of an Ending: History and Tragedy in Things Fall Apart" (29:396).
LINDFORS, Bernth O. "Oral Tradition and the Individual Literary Talent" (4:200).
PALMER, Eustace. "Social Comment in the West African Novel" (4:218).
MILLETTI, Christina. "Violent Acts, Volatile Words: Kathy Acker's Terrorist Aesthetic" (36:352).
HOUEN, Alex. "Novel Spaces and Taking Place(s) in the Wake of September 11" (36:419).
EAGLESTONE, Robert. "'You would not add to my suffering if you knew what I have seen': Holocaust Testimony and Contemporary African Trauma Literature" (40:72).
GINDIN, James. REVIEW-ESSAY: "Tripartite Themes" (7:584).
RAMSEY, Roger. "The Double Structure of The Morning Watch" (4:494).
LIGOCKI, Llewellyn. "Ainsworth’s Tudor Novels: History as Theme" (4:364).
VAN STYVENDALE, Nancy. "The Trans/historicity of Trauma in Jeannette Armstrong's Slash and Sherman Alexie's Indian Killer" (40:203).
SALE, Richard B. "An Interview in New York with Walter Allen" (3:405).
COHEN, Michael. "The Sport of American-Bashing in Modern English Authors" (20:316).
NOWLIN, Michael. REVIEW-ESSAY: "Making Sense of the American 1920s" (34:81).
MORARU, Christian. REVIEW-ESSAY: "From Gnosticism to?Containment’: The American Novel in the Age of Suspicion" (29:561).
FALLIS, Richard. "Lucky Jim and Academic Wishful Thinking" (9:65).
MACLEOD, Norman. "A Trip to Greenland: The Plagiarizing Narrator of Kingsley Amis’s I Like It Here" (17:203).
HARRIS, Greg. "Men Giving Birth to New World Orders: Martin Amis's Time's Arrow" (31:489).
RAO, K.S. Narayana. "The Indian Novel in English: A Search for Identity" (4:296).
MURPHY, Laura. "The Curse of the Constant Remembrance: The Belated Trauma of the Slave Trade in Ayi Kwei Armah's Fragments" (40:52)
PALMER, Eustace. "Social Comment in the West African Novel" (4:218).
VAN STYVENDALE, Nancy. "The Trans/historicity of Trauma in Jeannette Armstrong's Slash and Sherman Alexie's Indian Killer" (40:203).
INGERSOLL, Earl. "Waiting for the End: Closure in Margaret Atwood's The Blind Assassin" (35:543).
ADAMS, Timothy Dow. "To Know the Dancer from the Dance: Dance as a Metaphor of Marriage in Four Novels of Jane Austen" (14:55).
BAKER, William. ESSAY-REVIEW: "Jane Austen Once More" (39:357).
BENNETT, James R. "‘Doating on you, faults and all’: Mr.George Knightley" (5:248).
BONAPARTE, Felicia. "Conjecturing Possibilities: Reading and Misreading Texts in Jane Austen's Pride and Prejudice (37:141).
BRENNER, Gerry. "Mansfield Park: Reading for ‘Improvement’" (7:24).
CHANDLER, Alice. "‘A Pair of Fine Eyes’: Jane Austen’s Treatment of Sex" (7:88).
CHARD, Leslie F., II. "Jane Austen and the Obituaries: The Names of Northanger Abbey" (7:133).
CROWLEY, J. Donald. REVIEW-ESSAY: "Jane Austen Studies: A Portrait of the Lady and Her Critics" (7:137).
DeROSE, Peter L. "Hardship, Recollection, and Discipline: Three Lessons in Mansfield Park" (9:261).
DUANE, Anna Mae. "Confusions of Guilt and Complications of Evil: Hysteria and the High Price of Love at Mansfield Park" (33:402).
DUNCAN, Kathryn. "An Evolutionary Approach to Jane Austen: Prehistoric Preferences in Pride and Prejudice" (39:133).
FLAVIN, Louise. "Mansfield Park: Free Indirect Discourse and the Psychological Novel" (19:137).
FRY, Paul H. "Georgia Comedy: The Fictive Territory of Jane Austen’s Emma" (11:129).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
HALPERIN, John. "The Trouble with Mansfield Park" (7:6).
HENNEDY, Hugh L. "Acts of Perception in Jane Austen’s Novels" (5:22).
JAMES-CAVAN, Kathleen. "Closure and Disclosure: The Significance of Conversation in Jane Austen’s The Watsons" (29:437)
KAUVAR, Elaine M. "Jane Austen and The Female Quixote" (2:211).
KESTNER, Joseph A., III. "The ‘I’ Persona in the Novels of Jane Austen" (4:6).
KISSANE, James. "Comparison’s Blessed Felicity: Character Arrangement in Emma" (2:173).
KNIGHT, Charles A. "Irony and Mr. Knightley" (2:185).
KORBA, Susan M. "‘Improper and Dangerous Distinctions’: Female Relationships and Erotic Domination in Emma" (29:139).
KROEBER, Karl. REVIEW-ESSAY: "Jane Austen Criticism, 1951-2004" (38:108).
LAUBER, John. "Minds Bewildered and Astray: The Crawfords in Mansfield Park" (2:194).
_____________. "Sanditon: The Kingdom of Folly" (4:353).
LENTA, Margaret. "Androgyny and Authority in Mansfield Park" (15:169).
MAGEE, William H. "The Happy Marriage: The Influence of Charlotte Smith on Jane Austen" (7:120).
MARIE, Beatrice. "Emma and the Democracy of Desire" (17:1).
MOLER, Kenneth L. "Miss Price All Alone: Metaphors of Distance in Mansfield Park" (17:189).
MONAGHAN, David M. "The Decline of the Gentry: A Study of Jane Austen’s Attitude to Formality In Persuasion" (7:73).
MORGAN, Susan J. "Emma Woodhouse and the Charms of Imagination" (7:33).
________________. "Why There’s No Sex in Jane Austen’s Fiction" (19:346).
MORRISON, Sarah R. "Of Woman Borne: Male Experience and Feminine Truth in Jane Austen’s Novels" (26:337).
NANDREA, Lorri G. "Difference and Repetition in Austen's Persuasion" (39:48).
NARDIN, Jane. "Charity in Emma" (7:61).
PREUS, Nicholas E. "Sexuality in Emma: A Case History" (23:196).
ROTH, Barry. REVIEW-ESSAY: "Celebrating the Bicentennial: Jane Austen and Her Recent Critics" (8:474).
___________. REVIEW-ESSAY: "One for the Money, Two for the Show: Three New Austen Studies" (12:153).
___________. REVIEW-ESSAY: "The Once and Future Austen" (17:218).
___________. REVIEW-ESSAY: "Heart of Darkness: Recent Readings of Jane Austen" (26:420).
RZEPKA, Charles. "Making it in a Brave New World: Marriage, Profession, and Anti-Romantic Ekstasis in Austen’s Persuasion" (26:99).
SIEFERMAN, Sylvia. "Persuasion: The Motive for Metaphor" (11:283).
SMITH, Johanna M. "'My only sister now': Incest in Mansfield Park" (19:1).
STASIO, Michael J. "An Evolutionary Approach to Jane Austen: Prehistoric Preferences in Pride and Prejudice" (39:133).
STEELE, Pamela. "In Sickness and in Health: Jane Austen’s Metaphor" (14:152).
STOUT, Janis P. "Jane Austen’s Proposal Scenes and the Limitations of Language" (14:316).
UPHAUS, Robert W. "Jane Austen and Female Reading" (19:334).
WALDRON, Mary. "Men of Sense and Silly Wives: The Confusions of Mr. Knightley" (28:141).
WALLACE, Tara Ghoshal. "Northanger Abbey and the Limits of Parody" (20:262).
WIESENFARTH, Joseph. "The Case of Pride and Prejudice" (16:261).
WILHELM, Albert E. "Three Word Clusters in Emma" (7:49).
WILKES, Joanne. "‘Song of the Dying Swan’?: The Nineteenth-Century Response to Persuasion" (28:38).
WILLIS, Lesley H. "Object Association and Minor Characters in Jane Austen’s Novels" (7:104).
ZIMMERMAN, Everett. "Jane Austen and Mansfield Park: A Discrimination of Ironies" (1:347).
See also SPECIAL NUMBER -- Volume 7, Number 1.
STOUT, Janis P. "Mary Austin’s Feminism: A Reassessment" (30:77).
GÉRARD, Albert. "The Sons of Ham" (3:148).
REID-PHARR, Robert. "Tearing the Goat’s Flesh: Homosexuality, Abjection and the Production of a Late-Twentieth-Century Black Masculinity" (28:372).
RYAN, Katy. "Falling in Public: Larsen's Passing, McCarthy's The Group, and Baldwin's Another Country (36:95).
STANDLEY, Fred L. "Another Country, Another Time" (4:504).
MÜLLER, Anja. "'You Have Been Framed': The Function of Ekphrasis for the Representation of Women in John Banville's Trilogy (The Book of Evidence, Ghosts, Athena)" (36:185).
FLEISCHER, Georgette. "Djuna Barnes and T. S. Eliot: The Politics and Poetics of Nightwood" (30:405).
NORRIS, Margot. REVIEW-ESSAY: "Doing Djuna Justice: The Challenges of the Barnes Biography" (28:581).
CONTI, Chris. "The Confessions of Todd Andrews: Double-directed Discourse in The Floating Opera" (36:533).
HARRIS, Charles B. "George’s Illumination: Unity in Giles Goat-Boy" (8:172).
SAFER, Elaine B. "The Allusive Mode and Black Humor in Barth’s Sot-Weed Factor" (13:424).
VANDERBILT, Kermit. "From Passion to Impasse: The Structure of a Dark Romantic Theme in Hawthorne, Howells, and Barth" (8:419).
FRIEDMAN, Melvin J. REVIEW-ESSAY: "Samuel Beckett and His Critics Enter the 1970s" (5:383).
LEVY, Eric P. "Living Without a Life: Disintegration of the Christian-Humanist Synthesis in Molloy" (33:80).
HAGGERTY, George. "Literature and Homosexuality in the Late Eighteenth Century: Walpole, Beckford, and Lewis" (18:341).
ANDERSON, Emily Hodgson. "Novelty in Novels: A Look at What's New in Aphra Behn's Oroonoko" (39:1).
BENEDICT, Barbara M. "The Curious Genre: Female Inquiry in Amatory Fiction" (30:194).
CARNELL, Rachel K. "Subverting Tragic Conventions: Aphra Behn's Turn to the Novel" (31:133).
ORTIZ, Joseph M. "Arms and the Woman: Narrative Imperialism, and Virgilian Memoria in Aphra Behn's Oroonoko" (34:119).
RIVERO, Albert J. ""Hieroglifick’d" History in Aphra Behn’s Love-Letters between a Nobleman and His Sister" (30:126).
ROGERS, Katharine M. "Fact and Fiction in Aphra Behn’s Oroonoko" (20:1).
BALBERT, Peter. REVIEW-ESSAY: "Perceptions of Exile: Nabokov, Bellow and the Province of Art" (14:95).
BRANS, Jo. "The Dialectic of Hero and Anti-Hero in Rameau’s Nephew and Dangling Man" (16:435).
CAMPBELL, Jeff H. "Bellow’s Intimations of Immortality: Henderson The Rain King" (1:323).
CHAVKIN, Allan. "Bellow’s Alternative to the Waste Land: Romantic Theme and Form in Herzog" (11:326).
______________. "‘The Hollywood Thread’ and the First Draft of Saul Bellow’s Seize the Day" (14:82).
CORNER, Martin. "Moving Outwards: Consciousness, Discourse and Attention in Saul Bellow's Fiction" (32:369)
CUSHMAN, Keith. "Mr. Bellow’s Sammler: The Evolution of a Contemporary Text" (7:425).
FOSSUM, Robert H. REVIEW-ESSAY: "Four Studies of Saul Bellow" (2:99).
HOLLAHAN, Eugene. "‘Crisis’ in Bellow’s Novels: Some Data and a Conjecture" (15:249).
SCHEICK, William J. "Compassion and Fictional Structure: The Example of Gissing and Bennett" (15:293).
PALMER, Eustace. "Social Comment in the West African Novel" (4:218).
BORNSTEIN, George. REVIEW-ESSAY: "When Race Meets Religion: Blacks, Jews, and Modernist Fictions" (34:221).
HIGDON, David Leon. "Chateau Borel, Petrus Borel, and Conrad’s Under Western Eyes" (3:99).
DAVIS, Robert Murray. "Contributions to Night and Day by Elizabeth Bowen, Graham Greene, and Anthony Powell" (3:401).
GINDIN, James. REVIEW-ESSAY: "Tripartite Themes" (7:584).
HOFFA, William W. "The Language of Rogues and Fools in Brackenridge’s Modern Chivalry" (12:289).
MARKS, Patricia. "Seeing into 'the life of things': Nature and Commodification in Phantom Fortune (33:285).
NEMESVARI, Richard. "Robert Audley’s Secret: Male Homosocial Desire in Lady Audley’s Secret" (27:515).
ODDEN, Karen M. "'Reading Coolly' in John Marchmont's Legacy: Reconsidering M. E. Braddon's Legacy" (36:21).
PETCH, Simon. "Robert Audley's Profession" (32:1).
DIALA, Isidore. "History and the Inscriptions of Torture as Purgatorial Fire in Andre Brink's Fiction" (34:60).
DIALA, Isidore. "The Political Limits of (Western) Humanism in André Brink’s Early Fiction" (34:422).
GOLDEN, Morris. REVIEW-ESSAY: "A Review of Ronald Paulson’s Satire and the Novel in Eighteenth-Century England" (2:222).
MILLER, Henry Knight. REVIEW-ESSAY: "Henry Fielding’s War on the Corrupt Word: A Review of Glenn W. Hatfield’s Henry Fielding and the Language of Irony" (2:230).
WRIGHT, Andrew. REVIEW-ESSAY: "A Review of Robert Alter’s Fielding and the Nature of the Novel" (2:239).
See also SPECIAL NUMBER – Volume 2, Number 2.
BERG, Maggie. "'Hapless Dependents': Women and Animals in Anne Bronte's Agnes Grey" (34:177).
LANGLAND, Elizabeth. "Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women" (19:381).
ASHE, Frederick L. "Jane Eyre: The Quest for Optimism" (20:121).
BEATTIE, Valerie. "The Mystery at Thornfield: Representations of Madness in Jane Eyre" (28:493).
BERG, Temma F. "From Pamela to Jane Gray; or, How Not to Become the Heroine of Your Own Text" (17:115).
CHEN, Chih-Ping. "'Am I a Monster?': Jane Eyre among The Shadows of Freaks" (34:367).
CIOLKOWSKI, Laura E. "Charlotte Brontë’s Villette: Forgeries of Sex and Self" (26:218).
FORSYTH, Beverly. "The Two Faces of Lucy Snowe: A Study in Deviant Behavior" (29:17).
GREENE, Sally. "Apocalypse When? Shirley’s Vision and the Politics of Reading" (26:350).
HEILMAN, Robert B. "Tulip-Hood, Streaks, and Other Strange Bedfellows: Style in Villette" (14:223).
KALIKOFF, Beth. "The Falling Woman in Three Victorian Novels" (l9:357).
LaMONACA, Maria. "Jane's Crown of thorns: Feminism and Christianity in Jane Eyre" (34:245).
LANGFORD, Thomas A. "Prophetic Imagination and the Unity of Jane Eyre" (6:228).
LANGLAND, Elizabeth. "Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women" (19:381).
MIECZNIKOWSKI, Cynthia. "‘Do you never laugh, Miss Eyre?’: Humor, Wit and the Comic in Jane Eyre" (21:367).
PETERS, Joan D. "Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre" (23:217).
PETERS, John G. "Inside and Outside: Jane Eyre and Marginalization through Labeling" (28:57).
RODOLFF, Rebecca. "Providential Encounters in Charlotte Brontë’s Fiction" (12:316).
SIEBENSCHUH, William R. "The Image of the Child and the Plot of Jane Eyre" (8:304).
WILLS, Jack C. "Villette and The Marble Faun" (25:272).
YOUNG, Arlene. "The Monster Within: The Alien Self in Jane Eyre and Frankenstein" (23:325).
BALDRIDGE, Cates. "Voyeuristic Rebellion: Lockwood’s Dream and the Reader of Wuthering Heights" (20:274).
GALEF, David. "Keeping One’s Distance: Irony and Doubling in Wuthering Heights" (24:242).
GOETZ, William R. "Genealogy and Incest in Wuthering Heights" (14:359).
GRUDIN, Peter D. "Wuthering Heights: The Question of Unquiet Slumbers" (6:389).
LEVY, Eric P. "The Psychology of Loneliness in Wuthering Heights" (28:158).
SHAPIRO, Arnold. "Wuthering Heights as a Victorian Novel" (1:284).
STEINITZ, Rebecca. "Diaries and Displacements in Wuthering Heights" (32:407).
VARGISH, Thomas. "Revenge and Wuthering Heights" (3:7).
BENNETT, Charles E. "Charles Brockden Brown and the International Novel" (12:62).
CLARK, Michael. "Charles Brockden Brown’s Wieland and Robert Proud’s History of Pennsylvania" (20:239).
ELLIS, Scott. "Charles Brockden Brown's Ormond, Property Exchange, and the Literary Marketplace in the Early American Republic" (37:1).
GILMORE, Michael T. "Calvinism and Gothicism: The Example of Brown’s Wieland" (9:107).
HUGHES, Philip Russell. "Archetypal Patterns in Edgar Huntly" (5:176).
KRAUSE, Sydney J. "Edgar Huntley and the American Nightmare" (13:294).
KREYLING, Michael. "Construing Brown’s Wieland: Ambiguity and Derridean ‘Freeplay’" (14:43).
RUSSO, James R. "The Chameleon of Convenient Vice: A Study of the Narrative of Arthur Mervyn" (11:381).
SALMON, Richard. "The Genealogy of the Literary Bildungsroman: Edward Bulwer-Lytton and W. M. Thackeray" (36:41).
SCHELLENBERG, Betty A. "Sociability and the Sequel: Rewriting Hero and Journey in The Pilgrim’s Progress, Part II (23:312).
BUNTING, Charles T. "An Interview in New York with Anthony Burgess" (5:504).
RABINOVITZ, Rubin. "Ethical Values in Anthony Burgess’s Clockwork Orange" (11:43).
CHOI, Samuel. "Signing Evelina: Female Self-Inscription in the Discourse of Letters" (31:259).
COPELAND, Edward W. "Money in the Novels of Fanny Burney" (8:24).
KOEHANE, Catherine. "'Too neat for a beggar': Charity and Debt in Burney's Cecilia" (33:379).
McMASTER, Juliet. "The Silent Angel: Impediments to Female Expression in Frances Burney’s Novels" (21:235).
RINGE, Donald A. "The ‘Double Center’: Character and Meaning in Cable’s Early Novels" (5:52).
STEPHENS, Robert O. "Cable and Turgenev: Learning How to Write a Modern Novel" (15:237).
SALE, Richard B. "An Interview in Florida with Erskine Caldwell" (3:316).
BROCK, Robert R. "Meursault the Straw Man" (25:92).
CURTIS, Jerry L. "Camus’ Hero of Many Faces" (6:88).
HOLLAHAN, Eugene. "The Path of Sympathy: Abstraction and Imagination in Camus’ La Peste" (8:377).
HICKMAN, Trenton. "'The Last to See Them Alive': Panopticism, the Supervisory Gaze and Catharsis in Capote's In Cold Blood" (37:464).
PEREZ-GIL, Maria del Mar. The Alchemy of the Self in Angela Carter’s The Passion of New Eve (39:216).
CUDDY-KEANE, Melba. "Joyce Cary and the Question of Critical Context" (21:424).
GOLDBERG, Jonathan. "Strange Brothers" (28:322).
HILGART, John. "Death Comes for the Aesthete: Commodity Culture and the Artifact In Cather’s The Professor’s House" (30:377).
LEDDY, Michael. "The Professor’s House: The Sense of an Ending" (23:443).
MAXFIELD, James F. "Strategies of Self-Deception in Willa Cather’s The Professor’s House" (16:87).
ROSOWSKI, Susan J. "Writing Against Silences: Female Adolescent Development in the Novels of Willa Cather" (21:60).
STICH, Klaus P. "Cather's 'Midi Romanesque': Missionaries, Myth, and the Grail in Death Comes for the Archbishop" (38:57).
STUCKEY, William J. "My Ántonia: A Rose for Miss Cather" (4:473).
WASSERMAN, Loretta. "The Lovely Storm: Sexual Initiation in Two Early Willa Cather Novels" (14:348).
BUCKLEY, William K. "Louis-Ferdinand C‚line’s Novels: From Narcissism to Sexual Connection" (18:51).
__________________. REVIEW-ESSAY: "C‚line: The Rumble Under Our Floorboards" (21:432).
SPEAR, Thomas C. "C‚line and ‘Autofictional’First-Person Narration" (23:357).
ABBOTT, Megan E. "'Nothing You Can't Fix': Screening Marlowe Masculinity" (35:305).
ATHANASOURELIS, John Paul. "Film Adaptation and the Censors: 1940s Hollywood and Raymond Chandler" (35:325).
BUNYAN, Scott. "No Order From Chaos: The Absence of Chandler's Extra-Legal Space in the Detective Fiction of Chester Himes and Walter Mosley" (35:339).
EBURNE, Jonathan Paul. "Chandler's Waste Land" (35:366).
HICKMAN, Miranda B. Chandler Special Issue: "Introduction: The Complex History of a 'Simple Art'" (35:285).
NAZARE, Joseph. "Marlowe in Mirrorshades: The Cyberpunk (Re-)Vision of Chandler" (35:383).
RHODES, Chip. "Raymond Chandler and the Art of the Hollywood Novel: Individualism and Populism in The Little Sister" (33:95).
ROUTLEDGE, Christopher. "A Matter of Disguise: Locating the Self in Raymond Chandler’s The Big Sleep and The Long Goodbye" (29:94).
SHARP, Michael D. "Plotting Chandler's Demise: Ross Macdonald and the Neo-Aristotelian Detective Novel" (35:405).
OAKLEAF, David. "Marks, Stamps, and Representations: Character in Eighteenth-Century Fiction" (23:295).
COPELAND, Edward W. "Clarissa and Fanny Hill: Sisters in Distress" (4:343).
FLYNN, Carol Houlihan. "What Fanny Felt: The Pains of Compliance in Memoirs of a Woman of Pleasure" (19:284).
HIRSH, James. "Samuel Clemens and the Ghost of Shakespeare" (24:251).
ASHTON, Susanna. "Veribly a Purple Cow: The Whole Family and the Collaborative Search for Coherence" (33:51).
BERNSTEIN, Stephen. "Reading Blackwater Park: Gothicism, Narrative, and Ideology in The Woman in White" (25:291).
BLUMBERG, Ilana. "Collins's Moonstone: The Victorian Novel as Sacrifice, Theft, Gift, and Debt" (37:162).
DONAGHY, M. B. "A Man’s Resolution: Narrative Strategies in Wilkie Collins’ The Woman in White" (22:392).
PERKINS, Pamela. "A Man’s Resolution: Narrative Strategies in Wilkie Collins’ The Woman in White" (22:392).
SIMON, Richard Keller. REVIEW-ESSAY: "Comedy and History" (13:322).
BROWN, Tony C. "Cultural Psychosis on the Frontier: The Work of the Darkness in Joseph Conrad's Heart of Darkness" (32:14).
BRUSS, Paul S. "Marlow’s Interview with Stein: The Implications of the Metaphor" (5:491).
CHEATHAM, George. "The Absence of God in Heart of Darkness" (18:304).
EMMETT, Victor J., Jr. "The Aesthetics of Anti-imperialism: Ironic Distortions of the Vergilian Epic Mode in Conrad’s Nostromo" (4:459).
EPSTEIN, Harry S. "Lord Jim as a Tragic Action" (5:229).
GILLIAM, H. S. "Russia and the West in Conrad’s Under Western Eyes" (10:218).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
GOLANKA, Mary. "Mr. Kurtz, I Presume? Livingstone and Stanley as Prototypes of Kurtz and Marlow" (17:194).
HAGEN, John. "Conrad’s Under Western Eyes: The Question of Razumov’s Guilt and Remorse" (1:310).
HEPBURN, Allan. "Above Suspicion: Audience and Deception in Under Western Eyes" (24:282).
HIGDON, David Leon. "Conrad’s The Rover: The Grammar of a Myth" (1:17).
__________________. "Chateau Borel, Petrus Borel, and Conrad’s Under Western Eyes" (3:99).
HIGDON, David Leon and Robert F. Sheard. "‘The End Is the Devil’: The Conclusions to Conrad’s Under Western Eyes" (19:187).
KARL, Frederick R. REVIEW-ESSAY: "Conrad Studies" (9:326).
KERTZER, J. M. "Joseph Conrad and the Metaphysics of Time" (11:302).
LACKEY, Michael. REVIEW-ESSAY: "Twenty-First Century Conrad Studies" (39:235).
LARABEE, Mark D. "'A Mysterious System': Topographical Fidelity and the Charting of Imperialism in Joseph Conrad's Siamese Waters" (32:348).
LINDSAY, Clarence B. "The Loss of Youth in Nostromo" (12:114).
LONG, Andrew. "The Secret Policeman's Couch: Informing, Confession, and Interpellation in Conrad's Under Western Eyes" (35:490).
MECKIER, Jerome. "Conradian Reminders in Aldous Huxley's Island: Will Farnaby's Moksha-medicine Experience and 'The Essential Horror'" (35:44).
MONGIA, Padmini. "Narrative Strategy and Imperialism in Conrad’s Lord Jim" (24:173).
NEWELL, Kenneth. "The Yellow-Dog Incident in Conrad’s Lord Jim" (3:26).
PETERS, John G. "Joseph Conrad's 'Sudden Holes' in Time: The Epistemology of Temporality" (32:420).
RAVAL, Suresh. REVIEW-ESSAY: "On Reading Conrad" (13:439).
RICHARDSON, Brian. "Construing Conrad's The Secret Sharer: Suppressed Narratives, Subaltern Reception, and the Act of Interpretation" (33:306).
RUPPEL, Richard. "‘They always leave us’: Lord Jim, Colonialist Discourse, and Conrad’s Magic Naturalism (30:50).
SCHWARZ, Daniel R. "The Journey to Patusan: The Education of Jim and Marlow in Conrad’s Lord Jim" (4:442).
TENENBAUM, Elizabeth Brody. "‘And the Woman Is Dead Now’: A Reconsideration of Conrad’s Stein" (10:335).
WASSERMAN, Jerry. "Narrative Presence: The Illusion of Language in Heart of Darkness" (6:327).
HANTKE, Steffen. "‘God save us from bourgeois adventure’: The Figure of the Terrorist in Contemporary American Conspiracy Fiction" (28:219).
CREECH, James. "Forged in Crisis: Queer Beginnings of Modern Masculinity in a Canonical French Novel" (28:303).
PARTRIDGE, Jeffrey F. L. REVIEW-ESSAY: "'Extreme Specialization' and the Broad Highway: Approaching Contemporary American Fiction" (33:459).
PORTER, M. Gilbert. REVIEW-ESSAY: "‘Spiritual Activism’ and ‘Radical Sophistication’ in the Contemporary American Novel" (3:332).
FRIEDMAN, Norman. "Anglo-American Fiction Theory 1947-1962" (8:199).
WORTHINGTON, Marjorie. "Posthumous Posturing: The Subversive Power of Death in Contemporary Women's Fiction" (32:243).
BRENNER, Gerry. "Cooper’s ‘Composite Order’: The Pioneers as Structured Art" (2:264).
DARNELL, Donald. "The Deerslayer: Cooper’s Tragedy of Manners" (11:406).
DENNIS, Ian. "The Worthlessness of Duncan Heyward: A Waverley Hero in America" (29:1).
GLADSKY, Thomas S. "The Beau Ideal and Cooper’s The Pioneers" (20:43).
KASSON, Joy S. "Templeton Revisited: Social Criticism in The Pioneers and Home as Found" (9:54).
MELADA, Ivan. "‘Poor little talkative Christianity’: James Fenimore Cooper and the Dilemma of the Christian on the Frontier" (18:225).
PAUL, Jay S. "Home as Cherished: The Theme of Family in Fenimore Cooper" (5:39).
__________. "The Education of Elizabeth Temple" (9:187).
PERSON, Leland S. Jr. "Cooper’s Queen of the Woods: Judith Hutter in The Deerslayer" (21:253).
SCHRIBER, Mary Suzanne. "Toward Daisy Miller: Cooper’s Idea of ‘The American Girl’" (13:237).
WALSH, Richard. "Narrative Inscription, History and the Reader in Robert Coover’s The Public Burning" (25:332).
CLARK, William Bedford. "Where Ideology Leaves Off: Cowley, Warren, and Faulkner Revisited" (24:298).
SHIELDS, Juliet. "The Races of Women: Gender, Hybridity, and National Identity in Dinah Craik's Olive" (39:284).
BINDER, Henry. "The Red Badge of Courage Nobody Knows" (10:9).
BINDER, Henry. "Donald Pizer, Ripley Hitchcock, and The Red Badge of Courage" (11:216).
CARRUTHERS, Sharon. "‘Old Soldiers Never Die’: A Note on Col. John L. Burleigh" (10:158).
DOSSETT, Gordon. "A Letter from Grant Richard to Cora Crane" (10:156).
FERRARA, Marc and Gordon Dossett. "A Sheaf of Contemporary American Reviews of Stephen Crane" (10:168).
GULLASON, Thomas A. "The Permanence of Stephen Crane" (10:86).
HAYES, Kevin J. "How Stephen Crane Shaped Henry Fleming" (22:296).
HIGGINS, Brian and Hershel Parker. "Maggie’s ‘Last Night’: Authorial Design and Editorial Patching" (10:64).
MAILLOUX, Steven. "The Red Badge of Courage and Interpretive Conventions: Critical Response to a Maimed Text" (10:48).
MORACE, Robert. "Stephen Crane’s ‘The Merry-Go-Round’: An Earlier Version of ‘The Pace of Youth’" (10:146).
_______________. "The Sketch’s ‘Mr. Stephen Crane’" (10:154).
NAGEL, James. "Stephen Crane and the Narrative Methods of Impressionism" (10:76).
NORDLOH, David J. "On Crane Now Edited: The University of Virginia Edition of The Works of Stephen Crane" (10:103).
PIZER, Donald. "Stephen Crane: A Review of Scholarship and Criticism since 1969" (10:120).
____________. "‘The Red Badge of Courage Nobody Knows’: A Brief Rejoinder" (11:77).
RECHNITZ, Robert M. "Depersonalization and the Dream in The Red Badge of Courage" (6:76).
RICHTER, Heddy A. "The Long Foreground of Corwin Knapp Linson’s My Stephen Crane" (10:161).
SHAW, Mary Neff. "Henry Fleming’s Heroics in The Red Badge of Courage: A Satiric Search for a ‘Kinder, Gentler’ Heroism" (22:418).
SOLOMON, Eric. "Stephen Crane: An Autobibliography" (10:96).
See also SPECIAL NUMBER -- Volume 10, Number 1.
ARNOLD, David. "The Case for Crime" (35:108).
KENNEDY, Rosanne. "Mortgaged Futures: Trauma, Subjectivity, and the Legacies of Colonialism in Tsitsi Dangarembga's The Book of Not" (40:86).
MILLER, Ana. "The Past in the Present: Personal and Collective Trauma in Achmat Dangor's Bitter Fruit" (40:146).
BRAVERMAN, Richard. "Crusoe’s Legacy" (18:1).
BUTLER, Mary. "‘Onomaphobia’ and Personal Identity in Moll Flanders" (22:377).
BUTLER, Mary E. "The Effect of the Narrator’s Rhetorical Uncertainty on the Fiction of Robinson Crusoe" (15:77).
COHAN, Steven. "Other Bodies: Roxana’s Confession of Guilt" (8:406).
COPE, Kevin. "All Aboard the Ark of Possibility; or, Robinson Crusoe Returns from Mars as a Small-Footprint, Multi-Channel Indeterminacy Machine" (30:150).
DONOGHUE, Frank. "Inevitable Politics: Rulership and Identity in Robinson Crusoe" (27:1).
DURANT, David. "Roxana’s Fictions" (13:225).
JACKSON, Wallace. "Roxana and the Development of Defoe’s Fiction" (7:181).
JENKINS, Ralph E. "The Structure of Roxana" (2:145).
KARL, Frederick R. "Moll’s Many-Colored Coat: Veil and Disguise in the Fiction of Defoe" (5:86).
________________. REVIEW-ESSAY: "Defoe and the Novel: Two Recent Studies" (8:468).
McINELLY, Brett C. "Expanding Empires, Expanding Selves: Colonialism, the Novel, and Robinson Crusoe" (35:1).
McMASTER, Juliet. "The Equation of Love and Money in Moll Flanders" (2:131).
OSLAND, Dianne. "Loose Ends in Roxana and The French Lieutenant’s Woman" (25:381).
RIETZ, John. "Criminal Ms-Representation: Moll Flanders and Female Criminal Biography" (23:183).
ROGAL, Samuel J. "The Profit and Loss of Moll Flanders" (5:98).
STEPHANSON, Raymond. "Defoe’s Roxana: The Unresolved Experiment in Characterization" (12:279).
WALL, Cynthia. "Novel Streets: The Rebuilding of London and Defoe’s A Journal of the Plague Year" (30:164)
OLNEY, James. "Cards of Identity and the Satiric Mode" (3:374).
HUTCHISSON, James M. "Sinclair Lewis, Paul De Kruif, and the Composition of Arrowsmith" (24:48).
HARDACK, Richard. "Two's a Crowd: Mao II, Coke II, and the Politics of Terrorism in Don DeLillo" (36:374).
KUBIAK, Anthony. "Spelling It Out: Narrative Typologies of Terror" (36:294).
MEXAL, Stephen J. "Spectacular Spectacular!: Underworld and the Production of Terror" (36:318).
OSTEEN, Mark. "Echo Chamber: Undertaking The Body Artist" (37:64).
VELCIC, Vlatka. "Reshaping Ideologies: Leftists as Terrorists/Terrorists as Leftists in DeLillo's Novels" (36:405).
WALKER, Joseph S. "A Kink in the System: Terrorism and the Comic Mystery Novel" (36:336).
SALE, Richard B. "An Interview in New York with Peter De Vries" (1:364).
ADAMOWSKI, Thomas H. "Dombey and Son and Sutpen and Son" (4:378).
ANDERSON, Roland F. "Structure, Myth, and Rite in Oliver Twist" (18:238).
ARMSTRONG, Mary. "Pursuing Perfection: Dombey and Son, Female Homoerotic Desire, and the Sentimental Heoine (28:281).
BALDRIDGE, Cates. "The Instabilities of Inheritance in Oliver Twist" (25:184).
BRACHER, Peter. "Muddle and Wonderful No-Meaning Verbal Irresponsibility and Verbal Failures in Hard Times" (10:305).
CARLISLE, Janice M. "Little Dorrit: Necessary Fictions" (7:195).
CHRISTENSEN, Allan C. "A Dickensian Hero Retailored: The Carlylean Apprenticeship of Martin Chuzzlewit" (3:18).
COLLINS, Philip. "Dickens’ Public Readings: The Performer and the Novelist" (1:118).
DANAHAY, Martin A. "Housekeeping and Hegemony in Bleak House" (23:416).
DEVER, Carolyn M. "Broken Mirror, Broken Words: Autobiography, Prosopopeia, and the Dead Mother in Bleak House" (27:42).
DUNN, Richard J. "Dickens and The Tragi-Comic Grotesque" (1:147).
DVORAK, Wilfred P. REVIEW-ESSAY: "The Imaginative Dickens" (8:223).
_________________. "On the Knocking at the Gate in The Old Curiosity Shop" (16:304).
_________________. "The Misunderstood Pancks: Money and the Rhetoric of Disguise in Little Dorrit" (23:339).
EDGECOMBE, Rodney Stenning. "Middle-Class Erasures: The Decreations of Mrs. General and Mr. Podsnap" (31:279).
FISHER, Judith. REVIEW-ESSAY: "Ethical Narrative in Dickens and Thackeray" (29:108).
FRAZEE, John P. "The Character of Esther and the Narrative Structure of Bleak House" (17:227).
FRIEDMAN, Stanley. "Estella’s Parentage and Pip’s Persistence: The Outcome of Great Expectations" (19:410).
GOLDFARB, Russell M. "John Jarndyce of Bleak House" (12:144).
HARK, Ina Rae. "Marriage in the Symbolic Framework of The Mystery of Edwin Drood" (9:154).
HARTOG, Curt. "The Rape of Miss Havisham" (14:248).
HENNELLY, Mark M., Jr. "David Copperfield: ‘The Theme of This Incomprehensible Conundrum Was the Moon’" (10:375).
HERZOG, Tobey C. "The Merry Circle of The Pickwick Papers: A Dickensian Paradigm" (20:55).
HOLLAHAN, Eugene. REVIEW-ESSAY: "Problems in Victorian Criticism" (15:147).
HOUSTON, Gail Turley. "‘Pip’ and ‘Property’: The (Re)Production of the Self in Great Expectations" (24:13).
JAHN, Karen. "Fit to Survive: Christian Ethics in Bleak House" (18:367).
JOHNSON, Patricia E. "Hard Times and the Structure of Industrialism: The Novel as Factory" (21:128).
KENNEDY, G. W. "Dickens’s Endings" (6:280).
KINCAID, James R. "Symbol and Subversion in David Copperfield" (1:196).
LANE, Lauriat, Jr. "Dickens Studies, 1958-1968: An Overview" (1:240).
LANE, Lauriat, Jr. REVIEW-ESSAY: "Satire, Society, and Symbol in Recent Dickens Criticism" (5:125).
LEITCH, Thomas M. "Closure and Teleology in Dickens" (18:143).
LEVINE, Richard A. "Dickens, The Two Nations, and Individual Possibility" (1:157).
LIBRACH, Ronald S. "The Burdens of Self and Society: Release and Redemption in Little Dorrit" (7:538).
LINEHAN, Thomas A. "Parallel Lives: The Past and Self-Retribution in Bleak House" (20:131).
MALONE, Cynthia Northcutt. "The Fixed Eye and the Rolling Eye: Surveillance and Discipline in Hard Times" (21:14).
MANHEIM, Leonard. "The Dickens Hero as Child" (1:189).
MANNING, Sylvia. "David Copperfield and Scheherazada: The Necessity of Narrative" (14:327).
MARCUS, David D. "The Carlylean Vision of A Tale of Two Cities" (8:56).
MARTEN, Harry P. "The Visual Imaginations of Dickens and Hogarth: Structure and Scene" (6:145).
McMASTER, R. D. "Dickens, the Dandy, and the Savage: A Victorian View of the Romantic" (1:133).
MECKIER, Jerome. "Charles Dickens’s Great Expectations: A Defense of the Second Ending" (25:28).
NADELHAFT, Janice. "The English Malady, Corrupted Humors, and Krook’s Death" (1:230).
PATTEN, Robert L. "Capitalism and Compassion in Oliver Twist" (1:207).
_______________. REVIEW-ESSAY: "Rival Readings: Dickens and . . . ." (37:477).
PYKETT, Lyn. "Dombey and Son: A Sentimental Family Romance" (19:16).
QUALLS, Barry V. "Savages in a ‘Bran-New’ World: Carlyle and Our Mutual Friend" (10:199).
RAPHAEL, Linda. "A Re-vision of Miss Havisham: Her Expectations and Our Responses (21:400).
REED, John R. "Authorized Punishment in Dickens’s Fiction" (24:112).
____________. "The Riches of Redundancy: Our Mutual Friend" (38:15).
ROSENBERG, Brian. "Resurrection and Little Dorrit: Tolstoy and Dickens Reconsidered" (17:27).
SCHROEDER, Natalie. "Jack Sheppard and Barnaby Rudge: Yet More ‘Humbug’ from a ‘Jolter Head’" (18:27).
SCHROEDER, Natalie E. and Schroeder, Ronald A. "Betsey Trotwood and Jane Murdstone: Dickensian Doubles" (21:268).
STEIG, Michael. "Martin Chuzzlewit: Pinch and Picksniff" (1:181).
SULFRIDGE, Cynthia. "Martin Chuzzlewit: Dickens’s Prodigal and the Myth of the Wandering Son" (11:318).
TARR, Rodger L. "The ‘Foreign Philanthropy Question’ in Bleak House: A Carlylean Influence" (3:275).
THOMPSON, Leslie M. "Mrs. Nickleby’s Monologue: The Dichotomy of Pessimism and Optimism in Nicholas Nickleby" (1:222).
VANN, J. Don. "Dickens Criticism, 1963-1967" (1:255).
VLOCK, Deborah M. "Dickens, Theater, and the Making of a Victorian Reading Public" (29:164).
WARE, Michele S. "‘True Legitimacy’: The Myth of the Foundling in Bleak House" (22:1).
WESTBURG, Barry. "‘His Allegorical Way of Expressing It’: Civil War and Psychic Conflict in Oliver Twist and A Child’s History" (6:27).
See also SPECIAL NUMBER -- Volume 1, Number 2.
MORGENSTERN, Naomi. "The Primal Scene in the Public Domain: E. L. Doctorow's The Book of Daniel" (35:68).
CASEY, Janet Galligani. "Nancibel Taylor and the Dos Passos Canon: Reconsidering Streets of Night" (24:410).
HUGHSON, Lois. "Dos Passos’s World War: Narrative Technique and History" (12:46).
______________. "Narration in the Making of Manhattan Transfer" (8:185).
MARZ, Charles. "Dos Passos’s Newsreels: The Noise of History" (11:194).
CONTINO, Paul J. "Zosima, Mikhail, and Prosaic Confessional Dialogue in The Brothers Karamazov" (27:63).
MAGRETTA, Joan. "Radical Disunities: Models of Mind and Madness in Pierre and The Idiot" (10:234).
MATUAL, David. "In Defense of the Epilogue of Crime and Punishment" (24:26).
WILLIAMS, Linda. "The Underground Man: A Question of Meaning" (27:129).
WASIOLEK, Edward. REVIEW-ESSAY: "Eclecticisms and Pluralisms: Trying to Find Dostoevsky And Tolstoy" (4:86).
FARRELL, Kirby. "Heroism, Culture, and Dread in The Sign of Four" (16:32).
McGLYNN, Mary. "Why Jimmy Wears a Suit: White, Black, and Working Class in The Commitments" (36:232).
BERG, Temma F. "From Pamela to Jane Gray; or, How Not to Become the Heroine of Your Own Text" (17:115).
ROSE, Ellen Cronan. "The Sexual Politics of Narration: Margaret Drabble’s Feminist Fiction" (20:86).
HUGHSON, Lois. "Dreiser’s Cowperwood and the Dynamics of Naturalism" (16:52).
LAND, Mary G. "Three Max Gottliebs: Lewis’s, Dreiser’s and Walker Percy’s View of the Mechanist-Vitalist Controversy" (15:314).
RIGGIO, Thomas P. "Another Two Dreisers: The Artist as ‘Genius’" (9:119).
RIGGIO, Thomas P. REVIEW-ESSAY: "The Divided Stream of Dreiser Studies" (9:211).
TRIGG, Sally Day. "Theodore Dreiser and the Criminal Justice System in An American Tragedy" (22:429).
VANCE, William L. "Dreiserian Tragedy" (4:39).
ZENDER, Karl F. "Walking Away from the Impossible Thing: Identity and Denial in Sister Carrie" (30:63).
GROSSMAN, Jonathan H. "The Mythic Svengali: Anti-Aestheticism in Trilby" (28:525).
HOLLAHAN, Eugene. "Who Wrote Mountolive? The Same One Who Wrote ‘Swann in Love’" (20:167).
KELLMAN, Stephen G. "The Reader in/of The Alexandria Quartet" (20:78).
BRUNDAN, Katy. "Cosmopolitan Complexities in Maria Edgeworth's Ennui" (37:123).
ALLEY, Henry. "George Eliot and the Ambiguity of Murder" (25:59).
BENVENUTO, Richard. "At a Crossroads: The Life and Thought of George Eliot" (2:355).
BUSHNELL, John P. "Maggie Tulliver’s ‘Stored-up Force’: A Re-reading of The Mill on the Floss" (16:378).
CARON, James. "The Rhetoric of Magic in Daniel Deronda" (15:1).
CARROLL, David. "George Eliot: The Sibyl of Mercia" (15:10).
COHEN, Monica. "From Home to Homeland: The Bohemian in Daniel Deronda" (30:324).
COLÓN, Susan. "'One function in particular': Professionalism and Specialization in Daniel Deronda" (37:292).
CONWAY, Richard. "Silas Marner and Felix Holt: From Fairy Tale to Feminism" (10:295).
CORBETT, Mary Jean. "Representing the Rural: The Critique of Loamshire in Adam Bede" (20:288).
DeMARIA, Joanne Long. "The Wondrous Marriages of Daniel Deronda: Gender, Work, and Love" (22:403).
DESSNER, Lawrence J. "The Autobiographical Matrix of Silas Marner" (11:251).
FRICKE, Douglas C. "Art and Artists in Daniel Deronda" (5:220).
FUCHS, Eva. "The Pattern’s All Missed: Separation/Individuation in The Mill on the Floss" (19:422).
FULMER, Constance Marie. "Contrasting Pairs of Heroines in George Eliot’s Fiction" (6:288).
GATES, Sarah. "‘The Sound of the Scythe Being Whetted’: Gender, Genre, and Realism in Adam Bede" (30:20).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
_____________. REVIEW-ESSAY: "Tripartite Themes" (7:584).
GRAVER, Suzanne. "Modeling Natural History: George Eliot’s Framings of the Present" (15:26).
GUNN, Daniel P. "Dutch Painting and the Simple Truth in Adam Bede" (24:366).
GUTH, Barbara. "Philip: The Tragedy of The Mill on the Floss" (15:356).
HOLLAHAN, Eugene. REVIEW-ESSAY: "Problems in Victorian Criticism" (15:147).
KALIKOFF, Beth. "The Falling Woman in Three Victorian Novels" (l9:357).
KROPF, Carl R. "Time and Typology in George Eliot’s Early Fiction" (8:430).
LAMB, John B. "'To Obey and to Trust': Adam Bede and the Politics of Deference" (34:264).
LANGLAND, Elizabeth. "Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women" (19:381).
LORIMER-LUNDBERG, Patricia. "George Eliot: Mary Ann Evans’s Subversive Tool in Middlemarch" (18:270).
LOVESEY, Oliver. "The Other Woman in Daniel Deronda" (30:505).
LUMPKIN, Ramona. "(Re)Visions of Virtue: Elizabeth Gaskell’s Moorland Cottage and George Eliot’s The Mill on the Floss" (23:432).
MARCK, Nancy Anne. "Narrative Transference and Female Narcissism: The Social Message of Adam Bede" (35:447).
MAKURATH, Paul A., Jr. "The Symbolism of the Flood in Eliot’s Mill on the Floss" (7:298).
MORRIS, Timothy. "The Dialogic Universe of Middlemarch" (22:282).
NEUFELDT, Victor A. "The Madonna and the Gypsy" (15:44).
PUTZELL, Sara M. "‘An Antagonism of Valid Claims’: The Dynamics of The Mill on the Floss" (7:227).
_______________. "The Importance of Being Gwendolen: Contexts for George Eliot’s Daniel Deronda" (19:31).
RAINA, Badri. "Daniel Deronda: A View of Grandcourt" (17:371).
REED, John R. "Soldier Boy: Forming Masculinity in Adam Bede" (33:268).
RINGLER, Ellin. "Middlemarch: A Feminist Perspective" (15:55).
ROCHELSON, Meri-Jane. "The Weaver of Raveloe: Metaphor as Narrative Persuasion in Silas Marner" (15:35).
ROWE, Margaret Moan. "Melting Outlines in Daniel Deronda" (22:10).
SYPHER, Eileen. "Resisting Gwendolen’s Subjection: Daniel Deronda’s Proto-Feminism" (28:506).
SZIROTNY, June Skye. "Maggie Tulliver’s Sad Sacrifice: Confusing But Not Confused" (28:178).
VAN ARSDEL, Rosemary T. "The George Eliot Centenary Year" (15:74).
WASSERMAN, Renata R. Mautner. "Narrative Logic and the Form of Tradition in The Mill on the Floss" (14:266).
WITEMEYER, Hugh. "George Eliot’s Romola and Bulwer Lytton’s Rienzi" (15:62).
See also SPECIAL NUMBER -- Volume 15, Number 1.
SALE, Richard B. "An Interview with Stanley Elkin in St. Louis" (16:314).
BEASLEY, Jerry C. "English Fiction in the 1740s: Some Glances at the Major and Minor Novels" (5:155).
________________. "Early English Fiction: Historical Criticism, Old and New" (17:335).
________________. REVIEW-ESSAY: "The Novel in the Rough: Two New Studies of English Fiction Before Defoe" (17:303).
MORACE, Robert A. REVIEW-ESSAY: "On ‘Fabulation and Metafiction’"(Barth, Barthelme, Borges, Coover, Durrell, Fowles, Garcia-Marquez, Gass, Malamud, Pynchon, Southern, Vonnegut). (12:369).
ADAMOWSKI, Thomas H. "Dombey and Son and Sutpen and Son" (4:378).
AUER, Michael J. "Caddy, Benjy, and the Acts of the Apostles: A Note on The Sound and the Fury" (6:475).
CASTILLE, Philip D. "Dilsey’s Easter Conversion in Faulkner’s The Sound and the Fury" (24:423).
CLARK, William Bedford. "Where Ideoloy Leaves Off: Cowley, Warren, and Faulkner Revisited" (24:298).
DAVIS, William V. "The Sound and the Fury: A Note on Benjy’s Name" (4:60).
DOODY, Terrence. "Shreve McCannon and the Confessions of Absalom, Absalom!" (6:454).
FOWLER, Doreen A. "Measuring Faulkner’s Tall Convict" (14:280).
KRAUSE, David. REVIEW-ESSAY: "Faulkner’s Blues" (17:80).
MEETER, Glenn. "Male and Female in Light in August and The Hamlet: Faulkner’s ‘Mythical Method’" (20:404).
MELLARD, James M. "The Sound and the Fury: Quentin Compson and Faulkner’s ‘Tragedy of Passion’" (2:62).
METRESS, Christopher. "‘a new father, a new home’: Styron, Faulkner, and Southern Revisionism" (22:308).
MIDDLETON, David. "Faulkner’s Folklore in As I Lay Dying: An Old Motif in a New Manner" (9:46).
MILLER, Nathaniel A. "'Felt, Not Seen Not Heard': Quentin Compson, Modernist Suicide and Southern History" (37:37).
PAYNE, Ladell. "The Trilogy: Faulkner’s Comic Epic in Prose" (1:27).
POLK, Noel. REVIEW-ESSAY: "Some Recent Books on Faulkner" (9:201).
ROSS, Stephen M. "Jason Compson and Sut Lovingood: Southwestern Humor as Stream of Consciousness" (8:278).
ROSS, Stephen M. "The ‘Loud World’ of Quentin Compson" (7:245).
TOOMEY, David M. "The Human Heart in Conflict: Light in August’s Schizophrenic Narrator" (23:452).
THORNTON, Weldon. "The Source of Faulkner’s Jason" (1:370).
UROFF, Margaret Dickie. "The Fictions of Absalom, Absalom!" (11:431).
MOSES, Cathy. "Queering Class: Leslie Feinberg's Stone Butch Blues" (31:74).
HIGONNET, Margaret. "Frames of Female Suicide" (32:229).
DEVER, Carolyn. "The Feminist Abject: Death and the Constitution of Theory" (32:185).
BARTOLOMEO, Joseph F. "Interpolated Tales as Allegories of Reading: Joseph Andrews" (23:405).
CARLTON, Peter J. "The Mitigated Truth: Tom Jones’s Double Heroism" (19:397).
___. "Tom Jones and the ‘45 Once Again" (20:361).
EVANS, James E. "Fielding’s Lady Booby and Fénelon’s Calypso" (8:210).
GAUTIER, Gary. "Marriage and Family in Fielding’s Fiction" (27:111).
JOBE, Alice. "Fielding’s Novels: Selected Criticism (1940-1969)." (2:246).
KOPPEL, Gene S. "Sexual Education and Sexual Values in Tom Jones: Confusion at the Core?" (12:1).
KROPF, Carl R. "A Certain Absence: Joseph Andrews as Affirmation of Heterosexuality" (20:16).
___. "Judgment and Character, Evidence and the Law in Tom Jones (21:357).
LINDBOE, Berit R. "‘O, Shakespear, Had I Thy Pen!’: Fielding’s Use of Shakespeare in Tom Jones" (14:303).
LOFTIS, John E. "Trials and the Shaping of Identity in Tom Jones" (34:1).
LONDON, April. "Controlling the Text: Women in Tom Jones" (19:323).
McCREA, Brian. "Rewriting Pamela: Social Change and Religious Faith in Joseph Andrews" (16:137).
McDOWELL, Paula. "Narrative Authority, Critical Complicity: The Case of Jonathan Wild" (30:211).
MILES, Kathleen. "Richarson’s Response to Fielding’s Felon" (1:373).
MILLER, Henry Knight. REVIEW-ESSAY: "Henry Fielding’s War on the Corrupt Word: A Review of Glenn W. Hatfield’s Henry Fielding and the Language of Irony" (2:230).
MULFORD, Carla. "Booth’s Progress and the Resolution of Amelia" (16:20).
PARK, William. "What Was New About the ‘New Species of Writing’?" (2:112).
PARKES, Christopher. "Joseph Andrews and the Control of the Poor" (39:17).
RUML, Treadwell, II. "Jonathan Wild and the Epistemological Gulf Between Virtue and Vice" (21:117).
SCHONHORN, Manuel. "Heroic Allusion in Tom Jones: Hamlet and the Temptations of Jesus" (6:218).
SHERMAN, Sandra. "Reading at Arm’s Length: Fielding’s Contract with the Reader in Tom Jones" (30:232)
SHESGREEN, Sean. "The Moral Function of Thwackum, Square, and Allworthy" (2:159).
STEPHANSON, Raymond. "‘Silenc’d by Authority’ in Joseph Andrews: Power, Submission, and Mutuality in ‘The History of Two Friends’" (24:1).
TUMBLESON, Raymond D. "The Novel’s Progress: Faction, Fiction, and Fielding" (27:12).
WARNER, John M. "The Interpolated Narratives in the Fiction of Fielding and Smollett: An Epistemological View" (5:271).
WILLIAMS, Jeffrey. "The Narrative Circle: The Interpolated Tales in Joseph Andrews" (30:473).
WRIGHT, Andrew. REVIEW-ESSAY: "A Review of Robert Alter’s Fielding and the Nature of the Novel" (2:239).
BARRETT, Laura. "‘Material without being real’: Photography and the End of Reality in The Great Gatsby" (30:540).
COLEMAN, Tom C., III. "Nicole Warren Diver and Scott Fitzgerald: The Girl and the Egotist" (3:34).
GILTROW, Janet and David Stouck. "Style as Politics in The Great Gatsby" (29:476).
GROSS, Barry E. "Fitzgerald in the Fifties" (5:324).
_____________ . "This Side of Paradise: The Dominating Intention" (1:51).
MURPHY, George D. "The Unconscious Dimension of Tender Is the Night" (5:314).
GERHARDI, Gerhard C. "Romantic Love and the Prostitution of Politics: On the Structural Unity of Flaubert’s L’Education sentimentale" (4:402).
HAGEN, John. "Une Ruse de Style: A Pattern of Allusion in Madame Bovary" (1:6).
PALMER, Melvin D. "The Literary Ancestry of Flaubert’s Hippolyte" (3:97).
COHEN, Mary. "The Good Soldier: Outworn Codes" (5:284).
GABBAY, Lydia Rivlin. "The Four Square Coterie: A Comparison of Ford Madox Ford and Henry James" (6:439).
HENSTRA, Sarah. Ford and the Costs of Englishness: "Good Soldiering" as Performative Practice (39:177).
LENTZ, Vern B. "Ford’s Good Narrator" (5:483).
LYNN, David H. "Watching the Orchards Robbed: Dowell and The Good Soldier" (16:410).
NIGRO, Frank G. "Who Framed The Good Soldier? Dowell’s Story in Search of a Form" (24:381).
REICHERT, John. "Poor Florence Indeed! or: The Good Soldier Retold" (14:161).
STANNARD, Martin. ESSAY-REVIEW: "Tales of Passion" (39:105).
TYTELL, John. "The Jamesian Legacy in The Good Soldier" (3:365).
BROCK, Gary. "Language, Truth, and Logic in E. M. Forster’s A Passage to India" (10:251).
D’CRUZ, Doreen. "Emptying and Filling Along the Existential Coil in A Passage to India" (18:193).
KENNARD, Jean E. "A Passage to India and Dickinson’s Saint at Benares" (5:417).
McDOWELL, Frederick P.W. "E. M. Forster and Goldsworthy Lowes Dickinson" (5:441).
MONK, Leland. "Apropos of Nothing: Chance and Narrative in Forster’s A Passage to India" (26:392).
NASLUND, Sena Jeter. "Fantasy, Prophecy, and Point of View in A Passage to India" (7:258).
OLSON, Jeane N. "The ‘Noble Peasant’ in E. M. Forster’s Fiction" (20:389).
RUDERMAN, Judith. REVIEW-ESSAY: "Forster’s Explorations" (12:375).
THOMSON, Douglass H. "From Words to Things: Margaret’s Progress in Howard’s End" (15:122).
TURK, Jo M. "The Evolution of E. M. Forster’s Narrator" (5:428).
FINSETH, Ian. "'A Melancholy Tale': Rhetoric, Fiction, and Passion in The Coquette" (33:125).
OSLAND, Dianne. "Loose Ends in Roxana and The French Lieutenant’s Woman" (25:381).
ROBERTSON, Robert T. "Bird, Hawk, Bogie: Janet Frame, 1952-62" (4:186).
BREDAHL, A. Carl, Jr. "The Artist in The Damnation of Theron Ware" (4:432).
HEDDENDORF, David. "Pragmatists and Plots: Pierre and The Damnation of Theron Ware" (22:271).
THOMAS, Heather K. "‘It’s your father’s way’: The Father-Daughter Narrative and Female Development in Mary Wilkins Freeman’s Pembroke" (29:26).
NEEVES, Mairi Emma. "Apartheid Haunts: Postcolonial Trauma in Lisa Fugard's Skinner's Drift" (40:108).
CONLEY, Tim. "William Gaddis Calling: Telephonic Satire and the Disconnection of Authority" (35:526).
ELLISON, David. "Glazed Wxpression: Mary Barton, Ghosts and Glass" (36:484).
HOLLAHAN, Eugene. REVIEW-ESSAY: "Problems in Victorian Criticism" (15:147).
HOLSTEIN, Suzy Clarkson. "Finding a Woman’s Place: Gaskell and Authority" (21:380).
HOTZ, Mary Elizabeth. "'Taught by Death What Life Should Be': Elizabeth Gaskell's Representation of Death in North and South" (32:165)
KALIKOFF, Beth. "The Falling Woman in Three Victorian Novels" (l9:357).
LANGLAND, Elizabeth. "Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women" (19:381).
LUMPKIN, Ramona. "(Re)Visions of Virtue: Elizabeth Gaskell’s Moorland Cottage and George Eliot’s The Mill on the Floss" (23:432).
MARTIN, Carol A. "Gaskell’s Ghosts: Truths in Disguise" (21:27).
_______________. "Gaskell, Darwin, and North and South" (15:91).
MEIR, Natalie Kapetanios. "'Household Forms and Ceremonies': Narrating Routines in Elizabeth Gaskell's Cranford" (38:1).
STARR, Elizabeth. "'A Great Engine for Good': the Industry of Fiction in Elizabeth Gaskell’s Mary Barton and North and South" (34:385).
WEISS, Barbara. "Elizabeth Gaskell: The Telling of Feminine Tales" (16:274).
WILKES, Joanne. "Have at the masters?": Literary Allusions in Elizabeth Gaskell’s Mary Barton (39:147).
JACOBS, Deborah A. REVIEW-ESSAY: "Göttingen and the Great Circle of German Libraries: A Comprehensive Continental Review of 18th-Century English Culture" (22:82).
STEVENS, Tyler. "‘Sinister Fruitiness’: Neuromancer, Internet Sexuality and the Turing Test" (28:414).
COMITINI, Patricia. "A Feminist Fantasy: Conflicting Ideologies in The Odd Women" (27:529).
HALPERIN, John. "The Gissing Revival, 1961-1974" (8:103).
MITCHELL, Margaret E. "Gissing's Moral Mischief: Prostitutes and Narrative Resolution" (37:411).
SCHEICK, William J. "Compassion and Fictional Structure: The Example of Gissing and Bennett" (15:293).
SCHMIDT, Gerald. "George Gissing's Psychology of 'Female Imbecility'" (37:329).
SPORN, Paul. "Gissing’s Demos: Late Victorian Values and the Displacement of Conjugal Love" (1:334).
YOUNGKIN, Molly. "'All she knew was, that she wished to live': Lake-Victorian Realism, Liberal-feminist Ideals, and George Gissing's In the Year of the Jubilee" (36:56).
BARKER, Gerard A. "Justice to Caleb Williams" (6:377).
___. "The Narrative Mode of Caleb Williams: Problems and Resolutions" (25:1).
HORROCKS, Ingrid. "More Than a Gravestone: Caleb Williams, Udolpho, and the Politics of the Gothic" (39:31).
KROPF, Carl R. "Caleb Williams and the Attack on Romance" (8:81).
SCHEIBER, Andrew. "Falkland’s Story: Caleb Williams’ Other Voice" (17:255).
UPHAUS, Robert. "Caleb Williams: Godwin’s Epoch of Mind" (9:279).
FITZGERALD, John F. "Golding’s Lord of the Flies: Pride as Original Sin" (24:78).
HOLLAHAN, Eugene. "Running in Circles: A Major Motif in Lord of the Flies" (2:22).
KAYSER, John R. "Golding’s Lord of the Flies: Pride as Original Sin" (24:78).
HOEVELER, Diane Long. REVIEW-ESSAY: "Gazing on the Gothic: Where is the field now?" (36:120).
KEECH, James M. "The Survival of the Gothic Response" (6:130).
OLSTER, Stacey. "Inconstant Harmony in The Tin Drum" (14:66).
AEBISCHER, Pascale. "Creative Disability/Disabled Creativity in Henry Green's Blindness (1926)" (35:510).
COPELAND, David. "Reading and Translating Romance in Henry Green's Back" (32:49).
GIBSON, Andrew. "Henry Green as Experimental Novelist" (16:197).
DAVIS, Robert Murray. "Contributions to Night and Day by Elizabeth Bowen, Graham Greene, and Anthony Powell" (3:401).
__________________. REVIEW-ESSAY: "From Standard to Classic: Graham Greene in Transit" (5:530).
HOLLAHAN, Eugene. "Of Course the Whole Thing Was Couéism: The Heart of the Matter as a Critique of Emile Coué’s Psychotherapy" (21:320).
KERR, Douglas. "The Quiet American and the Novel" (38:95).
MELADA, Ivan. "Graham Greene and the Munitions Makers: The Historical Context of A Gun for Sale" (13:303).
WILLIAMS, Trevor L. "History Over Theology: The Case for Pinkie in Greene’s Brighton Rock" (24:67).
LARSON, Charles H. "Robert Greene’s Ciceronis Amor: Fictional Biography in the Romance Genre" (6:256).
STOBIE, Margaret. "‘Frederick Philip Grove’ and the Canadianism Movement" (4:173).
HINZ, Evelyn J. "Rider Haggard’s She: An Archetypal ‘History of Adventure’" (4:416).
GROGAN, Claire. "Crossing Genre, Gender and Race in Elizabeth Hamilton's Translation of the Letters of a Hindoo Rajah (1796)" (34:21).
ALEXANDER, B. J. "Criticism of Thomas Hardy’s Novels: A Selected Checklist" (4:630).
ANDERSON, Wayne C. "The Rhetoric of Silence in Hardy’s Fiction" (17:53).
BENVENUTO, Richard. "Modes of Perception: The Will to Live in Jude the Obscure" (2:31).
CASAGRANDE, Peter. REVIEW-ESSAY: "Biography and Criticism" (19:197).
CASAGRANDE, Peter. REVIEW-ESSAY: "Some Working Assumptions About Literary Creating" (22:441).
CUSHMAN, Keith. REVIEW-ESSAY: "Seven Versions of Thomas Hardy" (9:223).
DeANGELIS, Rose. "Triangulated Passions: Love, Self-Love, and the Other in Thomas Hardy’s The Well-Beloved" (34:403).
DESSNER, Lawrence Jay. "Space, Time, and Coincidence in Hardy" (24:154).
EDWARDS, Duane D. "The Mayor of Casterbridge as Aeschylean Tragedy" (4:608).
FISCHLER, Alexander. "An Affinity for Birds: Kindness in Hardy’s Jude the Obscure" (13:250).
FISCHLER, Alexander. "Gins and Spirits: The Letter’s Edge in Hardy’s Jude the Obscure" (16:1).
FLEISSNER, Robert F. "‘Ideas Striking, Novel, or Beautiful’: A Hitherto Unpublished Comment of Hardy’s" (4:628).
FRANKE, Damon. Hardy's Ur-Priestess and the Phases of a Novel (39:161).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
GINDIN, James. REVIEW-ESSAY: "Tripartite Themes" (7:584).
GIORDANO, Frank R., Jr. "Jude the Obscure and the Bildungsroman" (4:580).
GUSSOW, Adam. "Dreaming Holmberry-lipped Tess: Aboriginal Reverie and Spectatorial Desire in Tess of the d'Urbervilles" (32:442).
HERZOG, Tobey C. "The Grand Design in Hardy’s Major Novels" (6:418).
HORNE, Lewis B. "‘The Art of Renunciation’ in Hardy’s Novels" (4:556).
JONES, Lawrence O. "‘A Good Hand at a Serial’: Thomas Hardy and the Serialization of Far from the Madding Crowd" (10:320).
JONES, Lawrence O. "Imitation and Expression in Thomas Hardy’s Theory of Fiction" (7:507).
LANGLAND, Elizabeth. "A Perspective of One’s Own: Thomas Hardy and the Elusive Sue Bridehead" (12:12).
MALTON, Sara. "'The Woman Shall Bear Her Iniquity': Death as Social Discipline in Thomas Hardy's The Return of the Native" (32:147).
MARTIN, Bruce K. "Whatever Happened to Eustacia Vye" (4:619).
MIGDAL, Seymour. "History and Archetype in The Mayor of Casterbridge" (3:284).
MOORE, Kevin Z. "The Poet within the Architect’s Ring: Desperate Remedies, Hardy’s Hybrid Detective-Gothic Narrative" (14:31).
NISHIMURA, Satoshi. "Language, Violence, and Irrevocability: Speech Acts in Tess of the D'urbervilles" (37:208).
OSBORNE, L. MacKenzie. "The ‘Chronological Frontier’ in Thomas Hardy’s Novels" (4:543).
PARKER, Lynn. "‘Pure Woman’ and Tragic Heroine? Conflicting Myths in Hardy’s Tess of the D’Urbervilles" (24:273).
STARZYK, Lawrence J. "Hardy’s Mayor: The Antitraditional Basis of Tragedy" (4:592).
TAFT, Michael. "Hardy’s Manipulation of Folklore and Literary Imagination: The Case of the Wife-Sale in The Mayor or Casterbridge" (13:399).
TANDON, Bharat. "'...among the Ruins': Narrative Archaeology in The Mayor of Casterbridge" (35:471).
WING, George. "‘Forbear, Hostler, Forbear!’: Social Satire in The Hand of Ethelberta" (4:568).
WRIGHT, Walter F. REVIEW-ESSAY: "Vision, Perspective, Structure in Thomas Hardy" (4:93).
See also SPECIAL NUMBER -- Volume 4, Number 4.
ROSS, Stephen M. "Jason Compson and Sut Lovingood: Southwestern Humor as Stream of Consciousness" (8:278).
WALLACE, Ronald. "The Rarer Action: Comedy in John Hawkes’s Second Skin" (9:169).
ANHORN, Judy Schaaf. "Literary Reputation and the Essays of Our Old Home" (23:152).
AUTREY, Max L. "Flower Imagery in Hawthorne’s Posthumous Narratives" (7:215).
BATTAGLIA, Frank. "The (Unmeretricious) House of the Seven Gables" (2:468).
BELLIS, Peter J. "Mauling Governor Pyncheon (26:199).
BEEBE, Maurice. "Hawthorne Checklist" (2:519).
BOYD, Molly. "'The Fall of the House of Usher,' Simms's Castle Dismal, and The Scarlet Letter: Literary Interconnections" (35:231).
BROWN, Gillian. "Hawthorne, Inheritance, and Women's Property" (23:107).
CLARK, C.E. Frazer, Jr. "Posthumous Papers of a Decapitated Surveyor: The Scarlet Letter in the Salem Press" (2:395).
COLACURCIO, Michael J. "Cosmopolotan and Provincial: Hawthorne and the Reference of American Studies" (23:3).
CROWLEY, J. Donald. REVIEW-ESSAY: "Hawthorne Criticism and the Return to History" (6:98).
CURRAN, Ronald T. "‘Yankee Gothic’: Hawthorne’s ‘Castle of Pyncheon’" (8:69).
DAVIS, Sarah I. "The Bank and the Old Pyncheon Family" (16:150).
DE JONG, Mary Gosselink. "The Making of a ‘Gentle Reader’: Narrator and Reader in Hawthorne’s Romances" (16:359).
DWIGHT, Sheila. "Hawthorne and the Unpardonable Sin" (2:499).
EGAN, Ken, Jr. "The Adulteress in the Market-Place: Hawthorne and The Scarlet Letter" (27:26).
FLEISCHNER, Jennifer. "Hawthorne and the Politics of Slavery" (23:96).
FREEHAFER, John. "The Marble Faun and the Editing of Nineteenth-Century Texts" (2:487).
GALLAGHER, Susan Van Zanten. "A Domestic Reading of The House of the Seven Gables" (21:1).
GODDU, Teresa. "The Circulation of Women in The House of the Seven Gables" (23:119).
GOLLIN, Rita K. "Introduction to Studies in the Novel Special Number: Hawthorne in the Nineties" (23:1).
GOLLIN, Rita K. "Nathaniel Hawthorne: The Flesh and the Spirit; Or, ‘Gratifying Your Coarsest Animal Needs" (23:82).
GREENWALD, Elissa. "Hawthorne and Judaism: Otherness and Identity in The Marble Faun" (23:128).
HARDIE, Jack. "Hawthorne Checklist" (2:519).
HERBERT, T. Walter, Jr. "During Cultural Work: ‘My Kinsman Major Molineaux’ and the Construction of the Self-Made Man" (23:20).
HILTON, Earl. "Hawthorne, the Hippie, and the Square" (2:425).
HORNE, Lewis B. "Place, Time, and Moral Growth in The House of Seven Gables" (2:459).
IDOL, John L. REVIEW-ESSAY: "Holding the Mirror up to Hawthorne: Three Recent Critical Reflections" (21:332).
IDOL, John L. "‘A Linked Circle of Three' Plus One: Nonverbal Communication in The Marble Faun" (23:139).
JANSSEN, James G. "The ‘Grim Identity’ in Hawthorne’s The Marble Faun" (15:108).
JONES, Buford. "Hawthorne Studies: The Seventies" (2:504).
KESTERSON, DAVID B. "Introduction to Studies in the Novel Special Number: Hawthorne in the Nineties" (23:1).
KEVORKIAN, MARTIN. "'Within the Domain of Chaos': Nathaniel Hawthorne, Lucretian Physics, and Martial Logic" (31:178).
KLINKOWITZ, Jerome. "Ending the Seven Gables: Old Light on a New Problem" (4:396).
KOLICH, Augustus M. "Miriam and the Conversion of the Jews in Nathaniel Hawthorne's The Marble Faun" (33:430).
KUPSCH, Kenneth. "The Modern Tragedy of Blithedale" (36:1).
LEVY, Leo B. "Fanshawe: Hawthorne’s World of Images" (2:440).
McDONALD, Edward L. and John Harmon McElroy. "The Coverdale Romance" (14:1).
NEWBERRY, Frederick. "Fantasy, Reality, and Audience in Hawthorne’s ‘Drowne’s Wooden Image’" (23:28).
PERSON, Leland S., Jr. "Hawthorne’s Bliss of Paternity: Sophia’s Absence from ‘The Old Manse’" (23:46).
PERSON, Leland S., Jr. REVIEW-ESSAY: "Hawthorne and His Culture: Three Recent Views" (24:434).
PIMPLE, Kenneth D. "‘Subtle, but remorseful hypocrite’: Dimmesdale’s Moral Character" (25:257).
REID, Bethany. "Narrative of the Captivity and Redemption of Roger Prynne: Rereading The Scarlet Letter" (33:247).
REYNOLDS, Larry J. "Hawthorne and Emerson in ‘The Old Manse’" (23:60).
SAVOY, Eric. "‘Filial Duty’: Reading the Patriarchal Body in ‘The Custom House’" (25:397).
SCHEICK, William J. "The Author’s Corpse and the Humean Problem of Personal Identity in Hawthorne’s The House of the Seven Gables" (24:131).
SCHNEIDER, Daniel J. "The Allegory and Symbolism of Hawthorne’s The Marble Faun" (1:38).
SHILLER, Emily. "The Choice of Innocence: Hilda in The Marble Faun" (26:372).
STANTON, Robert. "The Scarlet Letter as Dialectic of Temperament and Idea" (2:474).
STAY, Bryon L. "Hawthorne’s Fallen Puritans: Eliot’s Pulpit in The Blithedale Romance" (18:283).
VANDERBILT, Kermit. "From Passion to Impasse: The Structure of a Dark Romantic Theme in Hawthorne, Howells, and Barth" (8:419).
WAGGONER, Hyatt. "Hawthorne and Melville Acquaint the Reader with Their Abodes" (2:420).
WILLS, Jack C. "Villette and The Marble Faun" (25:272).
WOODSON, Thomas. "‘Hawthornesque Shapes’: The Picturesque and the Romance" (23:167).
See also SPECIAL NUMBERS – Volume 2, Number 4 and Volume 23, Number 1
BENEDICT, Barbara M. "The Curious Genre: Female Inquiry in Amatory Fiction" (30:194).
KING, Kathryn R. "Spying upon the Conjurer: Haywood, Curiosity, and "The Novel" in the 1720s" (30:178).
TURLEY, Hans. "The Anomalous Fiction of Mary Hearne" (30:139).
BLUES, Thomas. "The Moral Structure of Catch-22" (3:64).
GREEN, Daniel. "A World Worth Laughing At: Catch-22 and the Humor of Black Humor" (27:186).
NAGEL, James. "The Catch-22 Note Cards" (8:394).
SALE, Richard B. "An Interview in New York with Joseph Heller" (4:63).
BUTTS, Leonard. REVIEW-ESSAY: "Revaluation or Rehash? A Review-Essay of Three New Additions to Hemingway Studies" (16:448).
DAVIS, Robert Murray. "‘If you did not go forward’: Process and Stasis in A Farewell to Arms" (2:305).
HEWSON, Marc. "A Matter of Love or Death: Hemingway's Developing Psychosexuality in For Whom the Bell Tolls" (36:170).
RUDAT, Wolfgang E. H. "Mike Campbell and ‘These Literary Chaps’: Palimpsestic Narrative in The Sun Also Rises" (20:302).
SCHWARZ, Jeffrey A. "'The Saloon Must Go, and I Will Take It With Me': American Prohibition, Nationalism, and Expatriation in The Sun Also Rises" (33:180).
SLOAN, Gary. "A Farewell to Arms and the Sunday-School Jesus" (25:449).
HALLISSY, Margaret. "Poisonous Creature: Holmes’s Elsie Venner" (17:406).
BASSETT, John E. "Their Wedding Journey: In Search of a New Fiction" (19:175).
BOARDMAN, Arthur. "Howellsian Sex" (2:52).
CROWLEY, John W. "The Oedipal Theme in Howells’s Fennel and Rue" (5:104).
ERICKSON, C. A. "The Tough- and Tender-Minded: W. D. Howells’s The Landlord at Lion’s Head" (17:383).
FEIGENOFF, Charles. "Sexuality in The Leatherwood God" (12:183).
HUNT, Gary A. "‘A Reality That Can’t Be Quite Definitely Spoken’: Sexuality in Their Wedding Journey" (9:17).
TANSELLE, G. Thomas. "The Boston Seasons of Silas Lapham" (1:60).
VANDERBILT, Kermit. "From Passion to Impasse: The Structure of a Dark Romantic Theme in Hawthorne, Howells, and Barth" (8:419).
GAMBRELL, Alice. REVIEW-ESSAY: "Serious Fun: Recent Work on Zora Neale Hurston" (29:238).
ALLEN, Walter. "Point Counter Point Revisited" (9:373).
BAKER, Robert S. "A Tour of Brighton Pavilion and Gog’s Court: The Romantic Context of Point Counter Point and Eyeless in Gaza" (9:537).
BIRNBAUM, Milton. "Politics and Character in Point Counter Point" (9:468).
BOWEN, Zack. "Allusions to Musical Works in Point Counter Point" (9:488).
BOWERING, Peter. "‘The Source of Light’: Pictorial Imagery and Symbolism in Point Counter Point" (9:389).
FIRCHOW, Peter. "Mental Music: Huxley’s Point Counter Point and Mann’s Magic Mountain as Novels of Ideas" (9:518).
MAY, Keith. "Accepting the Universe: The ‘Rampion-Hypothesis’ in Point Counter Point and Island" (9:418).
MECKIER, Jerome. "Fifty Years of Counterpoint" (9:367).
MECKIER, Jerome. "Philip Quarles’s Passage to India: Jesting Pilate, Point Counter Point, and Bloomsbury" (9:445).
_______________. "Conradian Reminders in Aldous Huxley's Island: Will Farnaby's Moksha-medicine Experience and 'The Essential Horror'" (35:44).
QUINA, James. "The Mathematical-Physical Universe: A Basis for Multiplicity and the Quest for Unity in Point Counter Point" (9:428).
ROSTON, Murray. "The Technique of Counterpoint" (9:378).
WATT, Donald J. "The Criminal-Victim Pattern in Huxley’s Point Counter Point" (2:42).
WATT, Donald J. "The Fugal Construction of Point Counter Point" (9:509).
WATTS, Harold H. "The Viability of Point Counter Point" (9:405).
See also SPECIAL NUMBER -- Volume 9, Number 4.
WARD, Candace. "Inordinate Desire: Schooling the Senses in Elizabeth Inchbald's A Simple Story" (31:1).
SAUNDERS, Brian. "Melville’s Sea Change: From Irving to Emerson" (20:374).
SACHS, Jonathan. "From Roman to Roman: The Jacobin Novel and the Roman Legacy in the 1790s" (37:253).
BELL, Barbara Currier. "Beyond Irony in Henry James: The Aspern Papers" (13:282).
BENERT, Annette Larson. "Public Means and Private Ends: The Psychodynamics of Reform in James’s Middle-Period Novels" (12:327).
BOUDREAU, Kristin. REVIEW-ESSAY: "Recontextualizing Henry James" (26:301).
COHEN, Philip. REVIEW-ESSAY: "The Lesson of the Master: The New York Edition, James Studies, and Contemporary Textual Scholarship" (31:98).
COLLINS, Martha. "The Narrator, the Satellites, and Isabel Archer: Point of View in The Portrait of a Lady" (8:142).
CURTSINGER, E. C. "The Turn of the Screw as Writer’s Parable" (12:344).
EMERICK, Ronald. "The Love Rectangle in Roderick Hudson: Another Look at Christina Light" (18:353).
FUNSTON, Judith E. "‘All Art is One’: Narrative Techniques in Henry James’s Tragic Muse" (15:344).
GABBAY, Lydia Rivlin. "The Four Square Coterie: A Comparison of Ford Madox Ford and Henry James" (6:439).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
GREENSTEIN, Susan M. "The Ambassadors: The Man of Imagination Encaged and Provided For" (9:137).
GREENWALD, Elissa. "‘I and the Abyss’: Transcendental Romance in TheWings of the Dove" (18:177).
HARTSOCK, Mildred. "The Princess Casamassima: The Politics of Power" (1:297).
HOCHENAUER, Kurt. "Sexual Realism in The Portrait of a Lady: The Divided Sexuality of Isabel Archer" (22:19).
JACOBS, Edward Craney. "James's 'Amiable Auditress': An Ironic Pun" (9:311).
JOHNSON, Lee Ann. "The Psychology of Characterization: James’s Portraits of Verena Tarrant and Olive Chancellor" (6:295).
KOENIGSBERGER, Kurt M. "Alchemy and Appreciation: The Spoiling of the Real in Henry James’s The Spoils of Poynton" (30:35).
KOHAN, Kevin. "The Golden Bowl and the Subversion of Miraculous Forms" (32:296).
LEWIS, Pericles. "Christopher Newman's Haircloth Shirt: Worldly Asceticism, Conversion, and Auto-machia in The American (37:308).
MACHLAN, Elizabeth Boyle. "'There Are Plenty of Houses': Architecture and Genre in The Portrait of a Lady" (37:394).
MEISSNER, Collin. "Lambert Strether and Negativity of Experience" (29:40).
NANCE, William L. "What Maisie Knew: The Myth of the Artist" (8:88).
NASH, Christopher. "Henry James, Puppetmaster: The Narrative Status of Maria Gostrey, Susan Stringham, and Fanny Assingham as Ficelles" (9:297).
PEARCE, Howard D. "Witchcraft Imagery and Allusion in James’s Bostonians" (6:236).
REYNOLDS, Larry J. "Henry James’s New Christopher Newman" (5:457).
ROBINSON, David. "James and Emerson: The Ethical Context of The Ambassadors" (10:431).
ROSENZWEIG, Paul. "James’s ‘Special-Green Vision’: The Ambassadors as Pastoral" (13:367).
SALZBERG, Joel. "Mr. Mudge as Redemptive Fate: Juxtaposition in James’s In the Cage" (11:63).
SCHRIBER, Mary S. "Isabel Archer and Victorian Manners" (8:441).
SMITH, Geoffrey D. "How Maisie Knows: The Behavioral Path to Knowledge" (15:224).
SOLOMON, Melissa. "The Female World of Exorcism and Displacement (or, Relations Between Women in Henry James’s Nineteenth-Century The Portrait of a Lady)" (28:395).
SPECK, Paul S. "A Structural Analysis of James’s Roderick Hudson" (2:292).
TICK, Stanley. "Henry James’s The American: Voyons" (2:276).
TINTNER, Adeline R. REVIEW-ESSAY: "A Portrait of the Novelist as a Young Man: The Letters of Henry James" (8:121).
TINTNER, Adeline R. REVIEW-ESSAY: "Eight Ways of Looking at James" (9:73).
TINTNER, Adeline R. REVIEW-ESSAY: "Four Views of James" (11:106).
TINTNER, Adeline R. REVIEW-ESSAY: "Three Ways of Viewing Henry James" (16:326).
TORGOVNICK, Marianna. "James’s Sense of an Ending: The Role Played in Its Development by the Popular Conventional Epilogue" (10:183).
TURNER, Alden R. "The Haunted Portrait of a Lady" (12:228).
TYTELL, John. "The Jamesian Legacy in The Good Soldier" (3:365).
WAGENKNECHT, Edward. REVIEW-ESSAY: "The Mark Twain Papers and Henry James: The Treacherous Years" (2:88).
WILSON, Sarah. "Americanness Becomes Modernism in James's The Ambassadors" (36:509).
WOOD, Carl. "Frederick Winterbourne, James’s Prisoner of Chillon" (9:33).
BEGNAL, Michael H. REVIEW-ESSAY: "Three Faces of Joyce" (35:559).
BENSTOCK, Bernard. REVIEW-ESSAY: "Three Generations of Finnegans Wake" (9:333).
BURNHAM, Michelle. "‘Dark Lady and Fair Man’: The Love Triangle in Shakespeare’s Sonnets and Ulysses" (22:43).
CUMPIANO, Marion W. "The Multifarious Cad in Finnegan’s Wake: Recurrent Elements in His Encounter with HCE" (16:101).
DiPASQUALE, Theresa M. "Seraphic Seduction in Portrait of the Artist and Ulysses" (19:475).
DRUFF, James H., Jr. "The Romantic Complaint: The Logical Movement of Stephen’s Aesthetics in A Portrait of the Artist as a Young Man" (14:180).
ECKLEY, Grace. "Beef to the Heel: Harlotry with Josephine Butler, William T. Stead, and James Joyce" (20:64).
GILLESPIE, Michael Patrick. REVIEW-ESSAY: "Parallactic Criticisms: Contrasting Views of the Works of James Joyce" (15:364).
GILLESPIE, Michael Patrick. REVIEW-ESSAY: "An Ethos of Reading: Reactions to Some Critical Assumptions in Recent Interpretations of the Works of James Joyce" (21:78).
GINDIN, James. REVIEW-ESSAY: "Thwarted Expectations" (6:477).
HEUSEL, Barbara Stevens. "Parallax as a Metaphor for the Structure of Ulysses" (15:135).
HEUSEL, Barbara Stevens. "Vestiges of Truth: A Study of James Joyce’s ‘Eumaeus’" (18:403).
LERNOUT, Geert. REVIEW-ESSAY: "Crises in Joyce Studies" (34:337).
MULROONEY, Jonathan. "Stephen Dedalus and the Politics of Confession" (33:160).
OSTEEN, Mark. "The Treasure-House of Language: Managing Symbolic Economies in Joyce’s Portrait" (27:154).
RIMO, Patricia A. "Proteus: From Thought to Things" (17:296).
ROSSMAN, Charles. REVIEW-ESSAY: "On Doing unto Joyce before He Does unto You: Modes of Critical Engagement in Some Recent Joyce Studies (8:351).
ROSSMAN, Charles. "The Critical Reception of the ‘Gabler Ulysses’: Or, Gabler’s Ulysses Kidd-napped" (21:154).
ROSSMAN, Charles. "The Critical Reception of the ‘Gabler Ulysses’: Or, Gabler’s Ulysses Kidd-napped: Part Two" (22:323).
SHERWOOD, John C. "Joyce and the Empire: Some Thoughts on Finnegans Wake" (1:357).
STALEY, Thomas F. REVIEW-ESSAY: "Recent Joyce Criticism" (6:486).
WHITTAKER, Stephen. "Joyce’s Umbrella: The Pattern of Created Things" (18:36).
See also SPECIAL NUMBER -- Volume 22, Number 2.