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15.1—SPRING 1983—George Eliot Special Number

     Articles:

  • “The Rhetoric of Magic in Daniel Deronda”—James Caron, p. 1
  • “George Eliot: The Sibyl of Mercia”—David Carroll, p. 10
  • “Modeling Natural History: George Eliot’s Framings of the Present”—Suzanne Graver, p. 26
  • “The Weaver of Raveloe: Metaphor as Narrative Persuasion in Silas Marner”—Meri-Jane Rochelson, p. 35
  • “The Madonna and the Gypsy”—Victor A. Neufeldt, p. 44
  • “Middlemarch: A Feminist Perspective”—Ellin Ringler, p. 55
  • “George Eliot’s Romola and Bulwer Lytton’s Rienzi”—Hugh Witemeyer, p. 62
  • “The George Eliot Centenary Year”—Rosemary T. VanArsdel, p. 74
15.2—SUMMER 1983

     Articles:

  • “The Effect of the Narrator’s Rhetorical Uncertainty on the Fiction of Robinson Crusoe”—Mary E. Butler, p. 77
  • “Gaskell, Darwin, and North and South”—Carol A. Martin, p. 91
  • “The ‘Grim Identity’ in Hawthorne’s Marble Faun”—James G. Janssen, p. 108
  • “From Words to Things: Margaret’s Progress in Howards End”—Douglass H. Thomson, p. 122
  • “Parallax as a Metaphor for the Structure of Ulysses”—Barbara Stevens Heusel, p. 135
     Review Essay:

  • “Problems in Victorian Criticism”—Eugene Hollahan, p. 147
     Reviews:

  • Asals, Flannery O’Connor: The Imagination of Extremity—Marshall Bruce Gentry, p. 156
  • Grabo, The Coincidental Art of Charles Brockden Brown—Peggy McCormack, p. 158
  • Guiliano, Lewis Carroll: A Celebration—Beverly Lyon Clark, p. 161
  • MacCabe, James Joyce and the Revolution of the Word and Henke and Unkeless, Women in Joyce—John Willet-Shoptaw, p. 162
  • Pizer, Twentieth-Century American Literary Naturalism: An Interpretation and Rosen, John Dos Passos: Politica and the Writer—Stephen C. Brennan, p. 166
15.3—FALL 1983

     Articles:

  • “Androgyny and Authority in Mansfield Park”—Margaret Lenta, p. 169
  • “Melville’s Pierre and the Psychology of Incongruity”—Paul Lewis, p. 183
  • “The Cant of Reform: Trollope Rewrites Dickens in The Warden”—Jerome Meckier, p. 202
  • “How Maisie Knows: The Behavioral Path to Knowledge”—Geoffrey D. Smith, p. 224
  • “Cable and Turgenev: Learning How to Write a Modern Novel”—Robert O. Stephens, p. 237
  • “‘Crisis’ in Bellow’s Novels: Some Data and a Conjecture”—Eugene Hollahan, p. 249
     Review Essay:

  • “A Panoply of Metaphor: Exuberances of Style in Pynchon and Updike”—Peter Balbert, p. 265
     Reviews:

  • Bruss, Victims: Textual Strategies in Recent American Fiction—Daniel J. Cahill, p. 278
  • Fogel, Henry James and the Structure of the Romantic Imagination and Kappeler, Writing and Reading in Henry James—William R. Goetz, p. 280
  • Klein, Foreigners: The Making of American Literature, 1900-1940—José David Saldívar, p. 283
  • Lindberg, The Confidence Man in American Literature—James R. Russo, p. 285
  • Matthews, The Play of Faulkner’s Language—David Krause, p. 287
15.4—WINTER 1983

     Articles:

  • “Compassion and Fictional Structure: The Example of Gissing and Bennett”—William J. Scheick, p. 293
  • “Three Max Gottliebs: Lewis’s, Dreiser’s, and Walker Percy’s View of the Mechanist-Vitalist Controversy”—Mary G. Land, p. 314
  • “‘Warmest Climes but Nurse the Cruellest Fangs’: The Metaphysics of Beauty and Terror in Moby-Dick”—Frank G. Novak, Jr., p. 332
  • “‘All Art Is One’: Narrative Techniques in Henry James’s Tragic Muse”—Judith E. Funston, p. 344
  • “Philip: The Tragedy of The Mill on the Floss”—Barbara Guth, p. 356
     Review Essay:

  • “Parallactic Criticisms: Contrasting Views of the Works of James Joyce”—Michael Patrick Gillespie, p. 364
     Reviews:

  • Boardman, Defoe and the Uses of Narrative—Alistair M. Duckworth, p. 378
  • Brownstein, Becoming a Heroine: Reading About Women in Novels—David Robinson, p. 384
  • Cox, William Faulkner: Biographical and Reference Guide and Cox, William Faulkner: Critical Collection—Doreen Fowler, p. 385
  • Gilson, A Bibliography of Jane Austen—Barry Roth, p. 387
  • Graham, ed., Critical Essays on Frank Norris—Stephen C. Brennan, p. 389
  • Moser, The Life in the Fiction of Ford Madox Ford and Thomas, Dickens and the Short Story—Eugene Hollahan, p. 391
  • Ruppersberg, Voice and Eye in Faulkner’s Fiction—Michael Oriard, p. 394
  • Stevick, Alternative Pleasures and Rivers and Nicol, eds., Nabokov’s Fifth Arc—David W. Madden, p. 396