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23.1—SPRING 1991—Special Number: Hawthorne in the Nineties

     Articles:

  • “Introduction”—Rita K. Gollin and David B. Kesterson, p. 1
  • “Cosmopolitan and Provincial: Hawthorne and the Reference of American Studies”—Michael J. Colacurcio, p. 3
  • “Doing Cultural Work: ‘My Kinsman Major Molineaux’ and the Construction of the Self-Made Man”—T. Walter Herbert, Jr., p. 20
  • “Fantasy, Reality, and Audience in Hawthorne’s ‘Drowne’s Wooden Image’”—Frederick Newberry, p. 28
  • “Hawthorne’s Bliss of Paternity: Sophia’s Absence from ‘The Old Manse’”—Leland S. Person, Jr., p. 46
  • “Hawthorne and Emerson in ‘The Old Manse’”—Larry J. Reynolds, p. 60
  • “Nathaniel Hawthorne: The Flesh and the Spirit: Or, ‘Gratifying Your Coarsest Animal Needs’”—Rita K. Gollin, p. 82
  • “Hawthorne and the Politics of Slavery”—Jennifer Fleischner, p. 96
  • “Hawthorne, Inheritance, and Women’s Property”—Gillian Brown, p. 107
  • “The Circulation of Women in The House of the Seven Gables”—Teresa Goddu, p. 119
  • “Hawthorne and Judaism: Otherness and Identity in The Marble Faun”—Elissa Greenwald, p. 128
  • “‘A Linked Circle of Three’ Plus One: Nonverbal Communication in The Marble Faun”—John L. Idol, p. 139
  • “Literary Reputation and the Essays of Our Old Home”—Judy Schaaf Anhorn, p. 152
  • “‘Hawthornesque Shapes’: The Picturesque and the Romance”—Thomas Woodson, p. 167
23.2—SUMMER 1991

     Articles:

  • “Criminal Ms-Representation: Moll Flanders and Female Criminal Biography”—John Rietz, p. 183
  • “Sexuality in Emma: A Case History”—Nicholas E. Preus, p. 196
  • “Finding A Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre”—Joan D. Peters, p. 217
  • “White-Jacket’s Classical Oration”—Kathleen E. Kier, p. 237
  • “Scenes of Professional Life: Mrs. Oliphant and the New Victorian Clergyman”—Joseph H. O’Mealy, p. 245
  • “Ironic Structure and Untold Stories in The Age of Innocence”—Kathy Miller Hadley, p. 262
     Reviews:

  • Battestin and Battestin, Henry Fielding: A Life—William Holtz, p. 273
  • Chapman, Henry James’s Portrait of the Writer as Hero and Fussell, The French Side of Henry James—Judith E. Funston, p. 275
  • Dewey, In a Dark Time: The Apocalyptic Temper in the American Novel of the Nuclear Age and McHoul and Willis, Writing Pynchon: Strategies in Fictional Analysis and the Mysteries of Love—Jerome Klinkowitz, p. 278
  • Doody and Sabor, eds., Samuel Richardson: Tercentenary Essays—Manuel Schonhorn, p. 280
  • Halliburton, The Color of the Sky: A Study of Stephen Crane—Mary Neff Shaw, p. 283
  • Harrington, Faulkner’s Fables of Creativity: The Non-Yoknapatawpha Novels—Doreen Fowler, p. 285
  • Johnson, Don Quixote: The Quest for Modern Fiction—Richard Hull, p. 286
  • Kerr, Fiction Against History: Scott As Storyteller—William R. Everdell, p. 287
  • Stanton, Hemingway and Spain: A Pursuit—Gerry Brenner, p. 289
  • Vita-Finzi, Edith Wharton and the Art of Fiction—Barbara Bair, p. 291
23.3—FALL 1991

     Articles:

  • “Marks, Stamps, and Representations: Character in Eighteenth-Century Fiction”—David Oakleaf, p. 295
  • “Sociability and the Sequel: Rewriting Hero and Journey in The Pilgrim’s Progress, Part II”—Betty A. Schellenberg, p. 312
  • “The Monster Within: The Alien Self in Jane Eyre and Frankenstein”—Arlene Young, p. 325
  • “The Misunderstood Pancks: Money and the Rhetoric of Disguise in Little Dorrit”—Wilfred P. Dvorak, p. 339
  • “Spontaneous Combustion in Redburn: Redburn’s Ultimate Guidebook?”—Ernest S. Bernard, p. 348
  • “Céline and ‘Autofictional’ First-Person Narration”—Thomas C. Spear, p. 357
  • “The Art of the Acronym in Thomas Pynchon”—Manfred Pütz, p. 371
     Reviews:

  • Brinkmeyer, The Art & Vision of Flannery O’Connor—Robinson Blann, p. 384
  • Graham, ed., Gothic Fictions: Prohibition/Transgression—Kevin L. Cope, p. 387
  • Halperin, Novelists in Their Youth—Peter J. Casagrande, p. 389
  • MacArthur, Extravagant Narratives: Closure and Dynamics in the Epistolary Form—Robert Brock, p. 395
  • Manning, The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century—Norman S. Grabo, p. 396
  • Morgan, Sisters in Time: Imagining Gender in Nineteenth-Century British Fiction—Glenda Hudson, p. 397
  • Pizer, ed., Critical Essays on Stephen Crane’s “The Red Badge of Courage”—Mary Neff Shaw, p. 399
  • Stephenson, The Daybreak Boys: Essays on the Literature of the Beat Generation and Berryman, Decade of Novels/Fiction of the 1970s: Form and Challenge—Jerome Klinkowitz, p. 401
  • Tintner, The Pop World of Henry James: From Fairy Tales to Science Fiction—Geoffrey D. Smith, p. 403
23.4—WINTER 1991

     Articles:

  • “Interpolated Tales as Allegories of Reading: Joseph Andrews”—Joseph F. Bartolomeo, p. 405
  • “Housekeeping and Hegemony in Bleak House”—Martin A. Danahay, p. 416
  • “(Re)Visions of Virtue: Elizabeth Gaskell’s Moorland Cottage and George Eliot’s The Mill on the Floss”—Ramona Lumpkin, p. 432
  • “The Professor’s House: The Sense of an Ending”—Michael Leddy, p. 443
  • “The Human Heart in Conflict: Light in August’s Schizophrenic Narrator”—David M. Toomey, p. 452
  • “In His Beginning, His Ends: The ‘Preface’ to Meredith’s Diana of the Crossways”—Gayla McGlamery, p. 470
     Reviews:

  • Bleikasten, The Ink of Melancholy: Faulkner’s Novels from “The Sound and the Fury” to “Light in August”—Sally Wolff, p. 492
  • Brodsky, William Faulkner, Life Glimpses—Philip Castille, p. 494
  • Chittick, Dickens and the 1830s and Meckier, Innocent Abroad: Charles Dickens’s American Engagements—Richard J. Dunn, p. 496
  • Fryckstedt, On the Brink: English Novels of 1866—Eugene Hollahan, p. 499
  • Huang, Transforming the Cinderella Dream: From Frances Burney to Charlotte Brontë—Elizabeth Langland, p. 502
  • Limon, The Place of Fiction in the Time of Science: A Disciplinary History of American Writing—Michael Clark, p. 504
  • Olsen, Circus of the Mind in Motion: Postmodernism and the Comic Vision—J. Madison Davis, p. 506
  • Saltzman, Designs of Darkness in Contemporary American Fiction—Gail Regier, p. 508
  • Spilka, Hemingway’s Quarrel with Androgyny—Leonard Butts, p. 509
  • Tilby, Beyond the Nouveau Roman: Essays on the Contemporary French Novel—Robert R. Brock, p. 512
  • Wall, Changing Our Own words: Essays on Criticism, Theory, and Writing by Black Women—Barbara Bair, p. 514