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30.1—SPRING 1998

     Articles:

  • “Dumbiedikes, Ratcliffe, and a Surprising Jeanie Deans: Comic Alternatives in The Heart of Mid-lothian”—Richard Hannaford, p. 1
  • “‘The Sound of the Scythe Being Whetted’: Gender, Genre, and Realism in Adam Bede”—Sarah Gates, p. 20
  • “Alchemy and Appreciation: The Spoiling of the Real in Henry James’s The Spoils of Poynton”—Kurt M. Koenigsberger, p. 35
  • “‘They always leave us’: Lord Jim, Colonialist Discourse, and Conrad’s Magic Naturalism”—Richard Ruppel, p. 50
  • “Walking Away from the Impossible Thing: Identity and Denial in Sister Carrie”—Karl F. Zender, p. 63
  • “Mary Austin’s Feminism: A Reassessment”—Janis P. Stout, p. 77
     Reviews:

  • Alliston, April. Virtue’s Faults: Correspondences in Eighteenth-Century British and French Women’s Fiction—Nadine Bérenguier, p. 104
  • Fox, Pamela. Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945—Neil Nehring, p. 105
  • Horn, Jason Gary. Mark Twain and William James: Crafting a Free Self—Bruce Michelson, p. 109
  • Polk, Noel. Children of the Dark House: Text and Context in Faulkner—Philip Castille, p. 112
  • Portelli, Alessandro. The Text and the Voice: Writing, Speaking, and Democracy in American Literature—Samuel I. Bellman, p. 115
  • Rivero, Albert J., ed. New Essays on Samuel Richardson—Barbara M. Benedict, p. 117
  • Urgo, Joseph R. Willa Cather and the Myth of American Migration—Ann Romines, p. 120
30.2—SUMMER 1998—Special Number: Making Genre: Studies in the Novel or Something Like It, 1684-1762

     Articles:

  • “Introduction: Old Issues and New”—Alexander Pettit
  • “‘Hieroglifick’d’ History in Aphra Behn’s Love-Letters between a Nobleman and his Sister”—Albert J. Rivero, p. 126
  • “The Anomalous Fiction of Mary Hearne”—Hans Turley, p. 139
  • “All Aboard the Ark of Possibility; or, Robinson Crusoe Returns from Mars as a Small-Footprint, Multi-Channel Indeterminacy Machine”—Kevin L. Cope, p. 150
  • “Novel Streets: The Rebuilding of London and Defoe’s A Journal of the Plague Year”—Cynthia Wall, p. 164
  • “Spying upon the Conjurer: Haywood, Curiosity, and ‘The Novel’ in the 1720s”—Kathryn R. King, p. 178
  • “The Curious Genre: Female Inquiry in Amatory Fiction”—Barbara M. Benedict, p. 194
  • “Narrative Authority, Critical Complicity: The Case of Jonathan Wild”—Paula McDowell, p. 211
  • “Reading at Arm’s Length: Fielding’s Contract with the Reader in Tom Jones”—Sandra Sherman, p. 232
  • “Authorship and Generic Exploitation: Why Lovelace Must Fear Clarissa”—Murray L. Brown, p. 246
  • “Prefiguring Genre: Frontispiece Portraits from Gulliver’s Travels to Millenium Hall”—Janine Barchas, p. 260
  • “Little by Little; or, The History of the Early Novel”—Jerry C. Beasley, p. 287
30.3—FALL 1998

     Articles:

  • “‘I am become a Mere Usurer’: Pamela and Domestic Stock-jobbing”—Catherine Ingrassia, p. 303
  • “From Home to Homeland: The Bohemian in Daniel Deronda”—Monica Cohen, p. 324
  • “‘The Story of the Pineapple’: Sentimental Abolitionism and Moral Motherhood in Amelia Opie’s Adeline Mowbray”—Carol Howard, p. 355
  • “Death Comes for the Aesthete: Commodity Culture and the Artifact in Cather’s The Professor’s House”—John Hilgart, p. 377
  • “Djuna Barnes and T. S. Eliot: The Politics and Poetics of Nightwood”—Georgette Fleischer, p. 405
     Essay-Reviews:

  • “The Pyndustry in Warwick”—Joseph Tabbi, p. 438
  • “Edith Wharton as Critic, Traveller, and War Hero”—Michael E. Nowlin, p. 444
     Reviews:

  • Burwell, Rose Marie. Hemingway: The Postwar Years and the Posthumous Novels—Nancy R. Comley, p. 454
  • DiBattista, Maria and Lucy McDiarmid, eds. High and Low Moderns: Literature and Culture, 1889-1939—William J. Scheick, p. 456
  • Gogol, Miriam, ed. Theodore Dreiser: Beyond Naturalism—Stephen C. Brennan, p. 458
  • Mattheisen, Paul F., Arthur C. Young, and Pierre Coustillas, eds. The Collected Letters of George Gissing—Marilyn B. Saveson, p. 462
  • Peck, Demaree C. The Imaginative Claims of the Artist in Willa Cather’s Fiction: “Possession Granted by a Different Lease”—Janis P. Stout, p. 466
  • Post-Lauria, Shelia. Correspondent Colorings: Melville in the Marketplace—Michael G. Ditmore, p. 469
30.4—WINTER 1998

     Articles:

  • “The Narrative Circle: The Interpolated Tales in Joseph Andrews”—Jeffrey Williams, p. 473
  • “Lydia Melford and the Role of the Classical Body in Smollett’s Humphry Clinker”—Tim Prior, p. 489
  • “The Other Woman in Daniel Deronda”—Oliver Lovesey, p. 505
  • “Matthew Lewis’s Black Mass: Sexual, Religious Inversion in The Monk”—Steven Blakemore, p. 521
  • “‘Material without being real’: Photography and the End of Reality in The Great Gatsby”—Laura Barrett, p. 540
  • “Beloved and the Problem of Mourning”—Teresa Heffernan, p. 558
  • “Witnessing ‘History’ Otherwise: Mukul Kesavan’s Looking Through Glass”—Padmaja Challakere, p. 574
     Reviews:

  • Barrett, Eileen and Patricia Cramer, eds. Virginia Woolf: Lesbian Readings—Jesse Matz, p. 596
  • Campbell, Donna M. Resisting Regionalism: Gender and Naturalism in American Fiction, 1885-1915—Stephen C. Brennan, p. 598
  • Roberts, Neil. Meredith and the Novel—Jonathan Smith, p. 601
  • Robertson-Lorant, Laurie. Melville: A Biography—Frank G. Novak, Jr., p. 604
  • Rosenberg, Brian. Little Dorrit’s Shadows: Character and Contradiction in Dickens—Cates Baldridge, p. 609
  • Walshe, Eibhear, ed. Sex, Nation, and Dissent in Irish Writing—Phyllis Lassner, p. 611